Uploaded July 2021 | Updated September 2026, 2 weeks ago
King Arthur (Le roi Arthus)
by Ernest Chausson
July 25 – August 1
bit.ly/leroifc
New Production
The American Symphony Orchestra
Conducted by Leon Botstein
Directed by Louisa Proske
“The Bard production, directed by Louisa Proske, is scenically spare but richly costumed and dramatically effective. And Botstein, leading the American Symphony Orchestra, an impressive cast and the excellent Bard Festival Chorale, made a compelling case for the piece.”—New York Times
Idealism, treachery, honor, and perfidy collide in this richly lyrical opera by French composer Ernest Chausson. This opulently scored work, which premiered in 1903, lays bare the tragedy of King Arthur’s betrayal at the hands of his queen Genièvre and his trusted knight Lancelot.
Considered one of the finest examples of French romanticism, King Arthur (Le roi Arthus) was composer Chausson’s only opera—his own composing career was tragically cut short by his early death at age 44.
Performed by a stellar cast, helmed by baritone Norman Garrett, mezzo-soprano Sasha Cooke, and tenor Matthew White, this production of King Arthur takes us to a world in the midst of upheaval where long-standing codes of honor and loyalty no longer hold sway.
King Arthur (Le roi Arthus)
by Ernest Chausson
July 25 – August 1
bit.ly/leroifc
New Production
The American Symphony Orchestra
Conducted by Leon Botstein
Directed by Louisa Proske
“The Bard production, directed by Louisa Proske, is scenically spare but richly costumed and dramatically effective. And Botstein, leading the American Symphony Orchestra, an impressive cast and the excellent Bard Festival Chorale, made a compelling case for the piece.”—New York Times
Idealism, treachery, honor, and perfidy collide in this richly lyrical opera by French composer Ernest Chausson. This opulently scored work, which premiered in 1903, lays bare the tragedy of King Arthur’s betrayal at the hands of his queen Genièvre and his trusted knight Lancelot.
Considered one of the finest examples of French romanticism, King Arthur (Le roi Arthus) was composer Chausson’s only opera—his own composing career was tragically cut short by his early death at age 44.
Performed by a stellar cast, helmed by baritone Norman Garrett, mezzo-soprano Sasha Cooke, and tenor Matthew White, this production of King Arthur takes us to a world in the midst of upheaval where long-standing codes of honor and loyalty no longer hold sway.
