Uploaded September 2024 | Updated September 2026, 2 weeks ago
A reading of the short story "Leaves From the Diary of a Recluse" from the mostly forgotten 19th-century American poet, writer, teacher, and socialite Anne Charlotte Lynch Botta, who is mostly known today for her association with Edgar Allan Poe and other more well known authors of the day. This is the only prose fiction work of hers I could find and it was originally published anonymously in the annual “The Gift: A Christmas And New Year's Present 1845” but revealed to be authored by her by Edgar Allan Poe in his "Literati of New York" series for "Godey’s Lady’s Book" in 1846
Poe wrote of her:
"Miss Anne Charlotte Lynch has written little; — her compositions are even too few to be collected in volume form. Her prose has been, for the most part, anonymous — critical papers in “The New York Mirror” and elsewhere, with unacknowledged contributions to the annuals, especially “The Gift,” and “The Diadem,” both of Philadelphia. Her “Diary of a Recluse,” published in the former work, is, perhaps, the best specimen of her prose manner and ability. I remember, also, a fair critique on Fanny Kemble's poems; — this appeared in “The Democratic Review.”
In poetry, however, she has done better, and given evidence of at least unusual talent. Some of her compositions in this way are of merit, and one or two of excellence. In the former class I place her “Bones in the Desert,” published in “The Opal” for 1846, her “Farewell to Ole Bull,” first printed in “The Tribune,” and one or two of her sonnets — not forgetting some graceful and touching lines on the death of Mrs. Willis. In the latter class I place two noble poems, “The Ideal” and “The Ideal Found.” These should be considered as one, for each is by itself imperfect. In modulation and vigor of rhythm, in dignity and elevation of sentiment, in metaphorical appositeness and accuracy, and in energy of expression, I really do not know where to point out anything American much superior to them. Their ideality is not so manifest as their passion, but I think it an unusual indication of taste in Miss Lynch, or (more strictly) of an intuitive sense of poetry's true nature, that this passion is just sufficiently subdued to lie within the compass of the poetic art, within the limits of the beautiful. A step farther and it might have passed them. Mere passion, however exciting, prosaically excites; it is in its very essence homely, and delights in homeliness: but the triumph over passion, as so finely depicted in the two poems mentioned, is one of the purest and most idealizing manifestations of moral beauty.
In character Miss Lynch is enthusiastic, chivalric, self-sacrificing, “equal to any Fate,” capable of even martyrdom in whatever should seem to her a holy cause — a most exemplary daughter. She has her hobbies, however, (of which a very indefinite idea of “duty” is one,) and is, of course, readily imposed upon by any artful person who perceives and takes advantage of this most amiable failing.
In person she is rather above the usual height, somewhat slender, with dark hair and eyes — the whole countenance at times full of intelligent expression. Her demeanor is dignified, graceful, and noticeable for repose. She goes much into literary society."
– Edgar Allan Poe
The Literati of New York / Number 5 / Godey’s Lady’s Book / September 1846
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drewrampley.com
Drew Rampley - 2024
A reading of the short story "Leaves From the Diary of a Recluse" from the mostly forgotten 19th-century American poet, writer, teacher, and socialite Anne Charlotte Lynch Botta, who is mostly known today for her association with Edgar Allan Poe and other more well known authors of the day. This is the only prose fiction work of hers I could find and it was originally published anonymously in the annual “The Gift: A Christmas And New Year's Present 1845” but revealed to be authored by her by Edgar Allan Poe in his "Literati of New York" series for "Godey’s Lady’s Book" in 1846
Poe wrote of her:
"Miss Anne Charlotte Lynch has written little; — her compositions are even too few to be collected in volume form. Her prose has been, for the most part, anonymous — critical papers in “The New York Mirror” and elsewhere, with unacknowledged contributions to the annuals, especially “The Gift,” and “The Diadem,” both of Philadelphia. Her “Diary of a Recluse,” published in the former work, is, perhaps, the best specimen of her prose manner and ability. I remember, also, a fair critique on Fanny Kemble's poems; — this appeared in “The Democratic Review.”
In poetry, however, she has done better, and given evidence of at least unusual talent. Some of her compositions in this way are of merit, and one or two of excellence. In the former class I place her “Bones in the Desert,” published in “The Opal” for 1846, her “Farewell to Ole Bull,” first printed in “The Tribune,” and one or two of her sonnets — not forgetting some graceful and touching lines on the death of Mrs. Willis. In the latter class I place two noble poems, “The Ideal” and “The Ideal Found.” These should be considered as one, for each is by itself imperfect. In modulation and vigor of rhythm, in dignity and elevation of sentiment, in metaphorical appositeness and accuracy, and in energy of expression, I really do not know where to point out anything American much superior to them. Their ideality is not so manifest as their passion, but I think it an unusual indication of taste in Miss Lynch, or (more strictly) of an intuitive sense of poetry's true nature, that this passion is just sufficiently subdued to lie within the compass of the poetic art, within the limits of the beautiful. A step farther and it might have passed them. Mere passion, however exciting, prosaically excites; it is in its very essence homely, and delights in homeliness: but the triumph over passion, as so finely depicted in the two poems mentioned, is one of the purest and most idealizing manifestations of moral beauty.
In character Miss Lynch is enthusiastic, chivalric, self-sacrificing, “equal to any Fate,” capable of even martyrdom in whatever should seem to her a holy cause — a most exemplary daughter. She has her hobbies, however, (of which a very indefinite idea of “duty” is one,) and is, of course, readily imposed upon by any artful person who perceives and takes advantage of this most amiable failing.
In person she is rather above the usual height, somewhat slender, with dark hair and eyes — the whole countenance at times full of intelligent expression. Her demeanor is dignified, graceful, and noticeable for repose. She goes much into literary society."
– Edgar Allan Poe
The Literati of New York / Number 5 / Godey’s Lady’s Book / September 1846
Don't Forget to Subscribe!
If you enjoy our audiobooks, please like, comment, and subscribe to our channel for more literary classics because more is on the way! Click the bell icon to get notified whenever we upload new content!
Be sure to use my affiliate link for ElevenLabs:
elevenlabs.io/?from=partnermora1958
drewrampley.com
Drew Rampley - 2024
