Uploaded July 2020 | Updated September 2026, 2 days ago
Laurel Aitken - Skinhead
Born in Cuba of mixed Cuban and Jamaican descent, Aitken and his family settled in Jamaica in 1938. After an early career working for the Jamaican Tourist Board singing mento songs for visitors arriving at Kingston Harbour, he became a popular nightclub entertainer. His first recordings in the late 1950s were mento tunes such as "Nebuchnezer", "Sweet Chariot" (aka the gospel classic "Swing Low, Sweet Chariot") and "Baba Kill Me Goat". Aitken's 1958 single "Boogie in My Bones"/"Little Sheila" was one of the first records produced by Chris Blackwell and the first Jamaican popular music record to be released in the United Kingdom. Other more Jamaican rhythm and blues orientated singles from this period include "Low Down Dirty Girl" and "More Whisky" both produced by Duke Reid.
Aitken moved to Brixton, London, in 1960 and recorded for the Blue Beat label, releasing fifteen singles before returning to Jamaica in 1963. He recorded for Duke Reid, with backing from the Skatalites on tracks such as "Zion" and "Weary Wanderer", before returning to the UK, where he began working with Pama Records. He recorded hits such as "Fire in Mi Wire" and "Landlord and Tenants", which led to a wider recognition outside of Jamaica and the UK. This cemented his position as one of ska's leading artists and earned him the nicknames The Godfather of Ska, and later Boss Skinhead. He gained a loyal following not only among the West Indian community, but also among mods, skinheads and other ska fans. He had hit records in the United Kingdom and other countries in the 1950s through to the 1970s on labels such as Blue Beat, Pama, Trojan, Rio, Dr. Bird, Nu-Beat, Ska-Beat, Hot Lead and Dice. Some of his singles featured B-sides credited to his brother, guitarist Bobby Aitken. Aitken also recorded a few talk-over/deejay tracks under the guise of 'King Horror', such as "Loch Ness Monster", "Dracula, Prince of Darkness" and "The Hole". Aitken settled in Leicester with his wife in 1970. His output slowed in the 1970s and during this period he worked as an entertainer in nightclubs and restaurants in the area including the popular 'Costa Brava Restaurant' in Leicester under his real name Lorenzo. In 1980, with ska enjoying a resurgence in the wake of the 2 Tone movement, Aitken had his only success in the UK Singles Chart with "Rudi Got Married" (No. 60)[5] released on I-Spy Records (the label created and managed by Secret Affair. Aitken's career took in mento/calypso, R&B, ska, rock steady, and reggae, and in the 1990s he even turned his talents to dancehall. He performed occasional concerts almost until his death from a heart attack in 2005. After a long campaign, a blue plaque in his honour was put up at his Leicester home in 2007. Punk band Rancid cover Aitken's "Everybody Suffering" on their 2014 LP Honor Is All We Know.
#LaurelAitken #SkinHead
Laurel Aitken - Skinhead
Born in Cuba of mixed Cuban and Jamaican descent, Aitken and his family settled in Jamaica in 1938. After an early career working for the Jamaican Tourist Board singing mento songs for visitors arriving at Kingston Harbour, he became a popular nightclub entertainer. His first recordings in the late 1950s were mento tunes such as "Nebuchnezer", "Sweet Chariot" (aka the gospel classic "Swing Low, Sweet Chariot") and "Baba Kill Me Goat". Aitken's 1958 single "Boogie in My Bones"/"Little Sheila" was one of the first records produced by Chris Blackwell and the first Jamaican popular music record to be released in the United Kingdom. Other more Jamaican rhythm and blues orientated singles from this period include "Low Down Dirty Girl" and "More Whisky" both produced by Duke Reid.
Aitken moved to Brixton, London, in 1960 and recorded for the Blue Beat label, releasing fifteen singles before returning to Jamaica in 1963. He recorded for Duke Reid, with backing from the Skatalites on tracks such as "Zion" and "Weary Wanderer", before returning to the UK, where he began working with Pama Records. He recorded hits such as "Fire in Mi Wire" and "Landlord and Tenants", which led to a wider recognition outside of Jamaica and the UK. This cemented his position as one of ska's leading artists and earned him the nicknames The Godfather of Ska, and later Boss Skinhead. He gained a loyal following not only among the West Indian community, but also among mods, skinheads and other ska fans. He had hit records in the United Kingdom and other countries in the 1950s through to the 1970s on labels such as Blue Beat, Pama, Trojan, Rio, Dr. Bird, Nu-Beat, Ska-Beat, Hot Lead and Dice. Some of his singles featured B-sides credited to his brother, guitarist Bobby Aitken. Aitken also recorded a few talk-over/deejay tracks under the guise of 'King Horror', such as "Loch Ness Monster", "Dracula, Prince of Darkness" and "The Hole". Aitken settled in Leicester with his wife in 1970. His output slowed in the 1970s and during this period he worked as an entertainer in nightclubs and restaurants in the area including the popular 'Costa Brava Restaurant' in Leicester under his real name Lorenzo. In 1980, with ska enjoying a resurgence in the wake of the 2 Tone movement, Aitken had his only success in the UK Singles Chart with "Rudi Got Married" (No. 60)[5] released on I-Spy Records (the label created and managed by Secret Affair. Aitken's career took in mento/calypso, R&B, ska, rock steady, and reggae, and in the 1990s he even turned his talents to dancehall. He performed occasional concerts almost until his death from a heart attack in 2005. After a long campaign, a blue plaque in his honour was put up at his Leicester home in 2007. Punk band Rancid cover Aitken's "Everybody Suffering" on their 2014 LP Honor Is All We Know.
#LaurelAitken #SkinHead

![Mystery land Live Recorded At Airport Eindhoven 22 of June 1996
Mystery land Live Recorded At Airport Eindhoven 22 of June 1996
1 Live Registration Of Happy Hardcore
Featuring – 4 Tune Fairytales, B-ernd, Critical Mass, Sim*, DJ Uzi (2), DJ Weirdo, Gabber Piet, MC Mouth Of Madness, Mindtrust, Party Animals, Wax
2 Live Registration Of The House Of Love
Featuring – Unknown Artist
3 Live Registration Of Thunderdome
Featuring – 3 Steps Ahead, Buzz Fuzz, DJ Dano, DJ Gizmo & The Dark Raver, DJ Tails & Noizer, DJ Waxweazle, DJ Weirdo, DJ X-Ess, Drokz, Franky Jones, Gabber Piet, Lady Dana, MC Mouth Of Madness, The Prophet
Design [Concept & Realization] – M-Design Wormerveer
Film Producer [Made By] – Phase One*
80 minutes live registration of Mystery Land - The European Dance Festival, Live Recorded At Airport Eindhoven, 22nd of June, 1996.
It contains live footage of 3 of the areas at the festival (Happy Hardcore, House of Love & Thunderdome), with short interviews with visitors and DJs in between, and other party impressions.
#MysteryLand #GabberManzionHolland Mystery land Live Recorded At Airport Eindhoven 22 of June 1996](https://i.ytimg.com/vi/GwbN8fc0Kqs/mqdefault.jpg)



![Scientist - Dubwar 1981
Scientist - Dubwar 1981
Hopeton Overton Brown (born 18 April 1960 in Kingston, Jamaica) is a recording engineer and producer who rose to fame in the 1980s mixing dub music as Scientist. A protégé of King Tubby (Osbourne Ruddock), Scientists contemporaries include several figures who, working at King Tubbys studio, had helped pioneer the genre in the 1970s: Ruddock, Bunny Lee, Philip Smart, Pat Kelly and Prince Jammy.
Scientist was introduced to electronics by his father, who worked as a television and radio repair technician. He began building his own amplifiers and would buy transformers from Tubbys Dromilly Road studio. While at the studio, Scientist asked Tubby to give him a chance at mixing. He was taken on at Tubbys as an assistant, performing tasks such as winding transformer coils, and began working as a mixer in the mid-1970s, initially creating dubs of reworked Studio One tracks for Don Maiss Roots Tradition label, given his chance when Prince Jammy cut short a mixing session for Mais because he was too tired to continue.[1] His name originated from a comment by Tubby to Bunny Lee, with regard to his technical proficiency, Damn, this little boy must be a scientist.
He left King Tubbys at the end of the 1970s and became the principal engineer for Channel One when hired by the Hoo Kim brothers, giving him the chance to work on a 16-track mixing desk rather than the four tracks at Tubbys.
Scientist came to prominence in the early 1980s and produced many albums, his mixes featuring on many releases in the first part of the decade. He made a series of albums in the early 1980s, released on Greensleeves Records with titles themed around Scientists fictional achievements in fighting Space Invaders, Pac-Men, and Vampires, and winning the World Cup. The music on these albums was played by Roots Radics, his most frequent collaborators. In particular, he was the favourite engineer of Henry Junjo Lawes, for whom he mixed several albums featuring the Roots Radics, many based on tracks by Barrington Levy. He also did a lot of work for Linval Thompson and Jah Thomas. In 1982 he left Channel One to work at Tuff Gong studio as second engineer to Errol
Brown.
Scientist worked as an engineer in recording studios in the Washington, D.C. area starting in 1985.
Scientist has alleged in court that Greensleeves originally released albums without his knowledge, according to his interview with United Reggae online magazine. After this, Dub Мир label began working directly with Scientist to reissue his best-known work. In 2016, Greensleeves removed the Scientist moniker for a run of reissues, substituting titles such as Junjo Presents: Wins The World Cup.
#Scientist #MusicManzionHolland Scientist - Dubwar 1981](https://i.ytimg.com/vi/IvBSbo-313w/mqdefault.jpg)




