Uploaded February 2026 | Updated September 2026, 1 hour ago
Using concrète techniques to collect, transform and assemble sounds of various origins (sounds of tree branches, leaves, but also guitars or synthesizers), Lasse Marhaug elaborates a dense and subterranean work, which unfolds through the multiple dimensions induced by the great diversity of its sound material. There is a labyrinthine feeling in this work, a feeling that is better understood when the inspiration for the title of the piece How to avoid ants is revealed, a very practical and then poetic undertaking, that of avoiding the anthills lining the path to the forest camp in the kindergarten to which his little girl, who was then frightened of insects, was going. It is such an activity of circumvention, diversion and byways that Lasse Marhaug uses to create an exploratory and evasive music.
Sound materials: modified tabletop guitar, Pulsar 23, Sherman Filterbank 2, OTO Bim/Bam/Boum, KORG Minilogue, Thermionic Culture Vulture, Neumann KM 184, dried pinecones, various sheets of paper and phonographic records. Digital treatments with the help of Reaper Audio DAW, DMG, GRM Tools and PSP plugins.
Mastered by Giuseppe Ielasi
Cut by Andreas Kauffelt at Schnittstelle, Berlin
Design by Stephen O’Malley
℗ 2020 INA grm
© 2023 Portraits GRM
I do NOT own the copyright for the music that I upload and will remove it immediately upon request from copyright holder or band.
Using concrète techniques to collect, transform and assemble sounds of various origins (sounds of tree branches, leaves, but also guitars or synthesizers), Lasse Marhaug elaborates a dense and subterranean work, which unfolds through the multiple dimensions induced by the great diversity of its sound material. There is a labyrinthine feeling in this work, a feeling that is better understood when the inspiration for the title of the piece How to avoid ants is revealed, a very practical and then poetic undertaking, that of avoiding the anthills lining the path to the forest camp in the kindergarten to which his little girl, who was then frightened of insects, was going. It is such an activity of circumvention, diversion and byways that Lasse Marhaug uses to create an exploratory and evasive music.
Sound materials: modified tabletop guitar, Pulsar 23, Sherman Filterbank 2, OTO Bim/Bam/Boum, KORG Minilogue, Thermionic Culture Vulture, Neumann KM 184, dried pinecones, various sheets of paper and phonographic records. Digital treatments with the help of Reaper Audio DAW, DMG, GRM Tools and PSP plugins.
Mastered by Giuseppe Ielasi
Cut by Andreas Kauffelt at Schnittstelle, Berlin
Design by Stephen O’Malley
℗ 2020 INA grm
© 2023 Portraits GRM
I do NOT own the copyright for the music that I upload and will remove it immediately upon request from copyright holder or band.
![Peekay Tayloh -The Hole You Are Inn [Beefcake Remix]](https://i.ytimg.com/vi/r60tsjmieAo/mqdefault.jpg "Peekay Tayloh -The Hole You Are Inn [Beefcake Remix]
From: Peekay Tayloh Sofa O.D.
http://www.discogs.com/Peekay-Tayloh-Sofa-OD/release/908310")
