Uploaded April 2026 | Updated September 2026, 3 weeks ago
Monday 6 April 2026
Join us for an evening celebrating Lance Horn's 400th performance of Mondays in the Club, one of the longest socially engaged durational performances in New York City—at Club Cumming in the East Village on 6th Ave.
At Mondays in the Club, Lance encourages serious musical lovers, amateur singers, and Broadway professionals to sing together and to share moments of joy and sadness. For over eight years the beloved, radical, free and open, first-come first-served participatory sing-along never charges a ticket or a cover fee. Especially in the time after COVID shutdowns, Mondays in the Club plays a crucial role in the East Village to re-create community and a sense of belonging. “We haven’t known each other long, but we found each other in this lifetime,” says Horne.
A talk with Lance Horne, Adam Feldman (Time Out) and Michael Schulman (the New Yorker)—moderated by Frank Hentschker—is followed by a spontaneous cabaret with surprise guests and audience members.
Lance Horne is an Emmy award-winning composer, pianist, singer, music director, and producer who has arranged for/performed with Alan Cumming, Jake Shears/Scissor Sisters, Ricki Lake, Rufus Wainwright, Pink Martini, Liza Minnelli, Kylie Minogue, the von Trapps, Ben Folds, Neil Gaiman, Chita Rivera, Justin Vivian Bond, Sandra Bernhard, Shoshana Bean, Amanda Palmer/Dresden Dolls, Cheyenne Jackson, Jelani Remy, Kelli O’Hara, Ken Page, Ana Gasteyer, Meow Meow, Taylor Mac, the Gatlin Brothers, Boston Pops, Seoul Philharmonic, Atlanta Symphony, London/SF/LA/NY Gay Men’s Chorus, Sydney Dance Company, Michael Feinstein, Carol Channing, and Sesame Street. He performed with Kristen Chenoweth for President Obama, the First Lady, and Queen Elizabeth. Broadway: vocal arrangements for Little Women, arrangements and appearance in Regina Spektor on Broadway. Music for Bent dir. Moises Kauffman at Mark Taper Forum. Producer and performer: World Pride, Copenhagen 2021; Broadway in the Park Series, Mexico City; Secret Broadway, Australia featuring Shoshana Bean. Work with the American Repertory Theatre in Cambridge includes Prometheus Bound, Cabaret, and Extraordinary. Multiple appearances at Carnegie Hall, Sydney Opera House, Lincoln Center, and London's West End. Albums include compositions and arrangements for Jake Shears featuring the Preservation Hall Jazz Band, Alan Cumming Sings Sappy Songs, and John Cameron Mitchell's New American Dream. Music Supervisor, producer, arranger, and composer, Each and Every Day documentary for HBO, dir. Alexandra Shiva. Composer of Ricki Lake Show theme (FOX), Macy's parades (NBC), multiple film scores, specialty material for television. Multiple residences at Joe’s Pub, host of weekly Mondays in the Club with Lance, now in its seventh year at Club Cumming. Two original musicals currently in development. Mr. Horne is a Steinway Artist, recipient of Jonathan Larson, Bistro, and ASCAP Awards, Helpmann Award Nominee, Interlochen graduate with BM, MM in Composition, The Juilliard School. Previously on faculty at Juilliard, New York University, and European American Musical Alliance Paris. Currently Horn is part of the faculty at Syracuse University.
Adam Feldman is the national theatre and dance editor and chief theater critic at Time Out New York, where he has been on staff since 2003. He covers Broadway, Off-Broadway and Off-Off-Broadway theatre, as well as cabaret and dance shows and other events of interest in New York City. He is the president of the New York Drama Critics' Circle, a position he has held since 2005. He was a regular cohost of the public television show Theater Talk and served as the contributing Broadway editor for the Theatre World book series. A graduate of Harvard University, he lives in Greenwich Village, where he dabbles in piano-bar singing on a more-than-regular basis.
Michael Schulman is a staff writer at the New Yorker, where he primarily covers arts and culture. He is the author of the books Her Again: Becoming Meryl Streep and Oscar Wars: A History of Hollywood in Gold, Sweat, and Tears.
About HowlRound TV
HowlRound TV is a global, commons-based, peer-produced, open-access livestreaming and video archive project stewarded by the nonprofit HowlRound. HowlRound TV is a free and shared resource for live conversations and performances relevant to the world’s performing arts and cultural fields. Its mission is to break geographic isolation, promote resource sharing, and develop our knowledge commons collectively. Anyone can participate in this community of peer organizations revolutionizing the flow of information, knowledge, and access in our field by becoming a producer and co-producing with us. Learn more by going to our contribute content page.
Monday 6 April 2026
Join us for an evening celebrating Lance Horn's 400th performance of Mondays in the Club, one of the longest socially engaged durational performances in New York City—at Club Cumming in the East Village on 6th Ave.
At Mondays in the Club, Lance encourages serious musical lovers, amateur singers, and Broadway professionals to sing together and to share moments of joy and sadness. For over eight years the beloved, radical, free and open, first-come first-served participatory sing-along never charges a ticket or a cover fee. Especially in the time after COVID shutdowns, Mondays in the Club plays a crucial role in the East Village to re-create community and a sense of belonging. “We haven’t known each other long, but we found each other in this lifetime,” says Horne.
A talk with Lance Horne, Adam Feldman (Time Out) and Michael Schulman (the New Yorker)—moderated by Frank Hentschker—is followed by a spontaneous cabaret with surprise guests and audience members.
Lance Horne is an Emmy award-winning composer, pianist, singer, music director, and producer who has arranged for/performed with Alan Cumming, Jake Shears/Scissor Sisters, Ricki Lake, Rufus Wainwright, Pink Martini, Liza Minnelli, Kylie Minogue, the von Trapps, Ben Folds, Neil Gaiman, Chita Rivera, Justin Vivian Bond, Sandra Bernhard, Shoshana Bean, Amanda Palmer/Dresden Dolls, Cheyenne Jackson, Jelani Remy, Kelli O’Hara, Ken Page, Ana Gasteyer, Meow Meow, Taylor Mac, the Gatlin Brothers, Boston Pops, Seoul Philharmonic, Atlanta Symphony, London/SF/LA/NY Gay Men’s Chorus, Sydney Dance Company, Michael Feinstein, Carol Channing, and Sesame Street. He performed with Kristen Chenoweth for President Obama, the First Lady, and Queen Elizabeth. Broadway: vocal arrangements for Little Women, arrangements and appearance in Regina Spektor on Broadway. Music for Bent dir. Moises Kauffman at Mark Taper Forum. Producer and performer: World Pride, Copenhagen 2021; Broadway in the Park Series, Mexico City; Secret Broadway, Australia featuring Shoshana Bean. Work with the American Repertory Theatre in Cambridge includes Prometheus Bound, Cabaret, and Extraordinary. Multiple appearances at Carnegie Hall, Sydney Opera House, Lincoln Center, and London's West End. Albums include compositions and arrangements for Jake Shears featuring the Preservation Hall Jazz Band, Alan Cumming Sings Sappy Songs, and John Cameron Mitchell's New American Dream. Music Supervisor, producer, arranger, and composer, Each and Every Day documentary for HBO, dir. Alexandra Shiva. Composer of Ricki Lake Show theme (FOX), Macy's parades (NBC), multiple film scores, specialty material for television. Multiple residences at Joe’s Pub, host of weekly Mondays in the Club with Lance, now in its seventh year at Club Cumming. Two original musicals currently in development. Mr. Horne is a Steinway Artist, recipient of Jonathan Larson, Bistro, and ASCAP Awards, Helpmann Award Nominee, Interlochen graduate with BM, MM in Composition, The Juilliard School. Previously on faculty at Juilliard, New York University, and European American Musical Alliance Paris. Currently Horn is part of the faculty at Syracuse University.
Adam Feldman is the national theatre and dance editor and chief theater critic at Time Out New York, where he has been on staff since 2003. He covers Broadway, Off-Broadway and Off-Off-Broadway theatre, as well as cabaret and dance shows and other events of interest in New York City. He is the president of the New York Drama Critics' Circle, a position he has held since 2005. He was a regular cohost of the public television show Theater Talk and served as the contributing Broadway editor for the Theatre World book series. A graduate of Harvard University, he lives in Greenwich Village, where he dabbles in piano-bar singing on a more-than-regular basis.
Michael Schulman is a staff writer at the New Yorker, where he primarily covers arts and culture. He is the author of the books Her Again: Becoming Meryl Streep and Oscar Wars: A History of Hollywood in Gold, Sweat, and Tears.
About HowlRound TV
HowlRound TV is a global, commons-based, peer-produced, open-access livestreaming and video archive project stewarded by the nonprofit HowlRound. HowlRound TV is a free and shared resource for live conversations and performances relevant to the world’s performing arts and cultural fields. Its mission is to break geographic isolation, promote resource sharing, and develop our knowledge commons collectively. Anyone can participate in this community of peer organizations revolutionizing the flow of information, knowledge, and access in our field by becoming a producer and co-producing with us. Learn more by going to our contribute content page.
