Uploaded April 2025 | Updated September 2026, 2 weeks ago
This event occurred on March 26, 2025
Filmmaker Julie Dash joins curator LeRonn Brooks and directors Bryant Griffin and Kitty Hu for a night celebrating the groundbreaking artists of the L.A. Rebellion—the Black, Asian, Chicano, and Native American artists and filmmakers who emerged from UCLA’s School of Theater, Film and Television following the Watts Uprising in 1965. The filmmakers that came out of this historic moment—many of whom are included in the oral histories collection at the Getty Research Institute—developed revolutionary styles that upended Hollywood’s restrictive representation of minorities.
This event included a screening of the Emmy-winning Artbound episode “L.A. Rebellion: A Cinematic Movement” (premiered on PBS in 2023), alongside Dash’s 1975 short film "Four Women." Following the screenings was a conversation with the filmmakers on the historical and contemporary role of Black film as a revolutionary practice.
This program is part of the Getty Research Institute’s ongoing Art on Screen series, and the inaugural program for Black Visions: Film as Archive. Supporting the Getty Research Institute’s African American Art History Initiative (AAAHI), Black Visions features films by Black directors and artists—spanning time periods, genres, and artistic practices. The films center around ideas of memory, history, and documentation, raising the questions: What does it mean to remember, document, narrate, and record in Black visual culture? How does their interrogation intervene? How can filmmaking function as an archival practice?
This program is associated with the Getty Research Institute's African American Art History Initiative, which focuses on the history, practices, and cultural legacies of artists of African American and African diasporic heritage. The initiative aims to provide a more robust and accurate account of American art through Black history. https://www.getty.edu/projects/african-american-art-history-initiative/
______________________________________________________________________
The Getty Research Institute is dedicated to furthering knowledge and advancing understanding of the visual arts and their various histories through its expertise, active collecting program, public programs, institutional collaborations, exhibitions, publications, digital services, and residential scholars programs. Its library and special collections of rare materials and digital resources serve an international community of scholars and the interested public. The Research Institute's activities and scholarly resources guide and sustain each other and together provide a unique environment for research, critical inquiry, and scholarly exchange.
Getty Research Institute: https://www.getty.edu/research/
Getty is a world-renowned cultural and philanthropic organization that shares and advances the world’s visual art and cultural heritage. Collectively and individually, our programs pursue our mission in Los Angeles and throughout the world. Our engagement in culture, arts, and philanthropy is achieved through our constituent programs: the Getty Conservation Institute, Getty Foundation, Getty Museum, Getty Research Institute, and Getty Trust.
Getty: https://www.getty.edu/
Getty Conservation Institute: https://www.getty.edu/conservation/
Getty Foundation: https://www.getty.edu/foundation/
Getty Museum: https://www.getty.edu/museum/
Getty Villa Museum: https://www.getty.edu/visit/villa/
Getty Research Institute: https://www.getty.edu/research/
This event occurred on March 26, 2025
Filmmaker Julie Dash joins curator LeRonn Brooks and directors Bryant Griffin and Kitty Hu for a night celebrating the groundbreaking artists of the L.A. Rebellion—the Black, Asian, Chicano, and Native American artists and filmmakers who emerged from UCLA’s School of Theater, Film and Television following the Watts Uprising in 1965. The filmmakers that came out of this historic moment—many of whom are included in the oral histories collection at the Getty Research Institute—developed revolutionary styles that upended Hollywood’s restrictive representation of minorities.
This event included a screening of the Emmy-winning Artbound episode “L.A. Rebellion: A Cinematic Movement” (premiered on PBS in 2023), alongside Dash’s 1975 short film "Four Women." Following the screenings was a conversation with the filmmakers on the historical and contemporary role of Black film as a revolutionary practice.
This program is part of the Getty Research Institute’s ongoing Art on Screen series, and the inaugural program for Black Visions: Film as Archive. Supporting the Getty Research Institute’s African American Art History Initiative (AAAHI), Black Visions features films by Black directors and artists—spanning time periods, genres, and artistic practices. The films center around ideas of memory, history, and documentation, raising the questions: What does it mean to remember, document, narrate, and record in Black visual culture? How does their interrogation intervene? How can filmmaking function as an archival practice?
This program is associated with the Getty Research Institute's African American Art History Initiative, which focuses on the history, practices, and cultural legacies of artists of African American and African diasporic heritage. The initiative aims to provide a more robust and accurate account of American art through Black history. https://www.getty.edu/projects/african-american-art-history-initiative/
______________________________________________________________________
The Getty Research Institute is dedicated to furthering knowledge and advancing understanding of the visual arts and their various histories through its expertise, active collecting program, public programs, institutional collaborations, exhibitions, publications, digital services, and residential scholars programs. Its library and special collections of rare materials and digital resources serve an international community of scholars and the interested public. The Research Institute's activities and scholarly resources guide and sustain each other and together provide a unique environment for research, critical inquiry, and scholarly exchange.
Getty Research Institute: https://www.getty.edu/research/
Getty is a world-renowned cultural and philanthropic organization that shares and advances the world’s visual art and cultural heritage. Collectively and individually, our programs pursue our mission in Los Angeles and throughout the world. Our engagement in culture, arts, and philanthropy is achieved through our constituent programs: the Getty Conservation Institute, Getty Foundation, Getty Museum, Getty Research Institute, and Getty Trust.
Getty: https://www.getty.edu/
Getty Conservation Institute: https://www.getty.edu/conservation/
Getty Foundation: https://www.getty.edu/foundation/
Getty Museum: https://www.getty.edu/museum/
Getty Villa Museum: https://www.getty.edu/visit/villa/
Getty Research Institute: https://www.getty.edu/research/
![Coleccionando Arte Mesoamericano, 1940-1968: forjar un mercado en los Estados Unidos y México
El segundo simposio internacional de la Iniciativa sobre la procedencia del arte prehispánico (PHAPI) del Getty Research Institute se centra en las prácticas del coleccionismo en México y de los Estados Unidos, cuando las luminarias de Hollywood y los coleccionistas internacionales desarrollaron un gusto por el arte mexicano antiguo. Para la década de 1960, el pasado prehispánico era parte integral de la identidad nacional mexicana, ganó nuevas audiencias en museos internacionales y jugó un papel formal en la historia del arte.
This program is also available in English
https://youtu.be/m4BucLGaeGM
Horario del programa: https://www.getty.edu/research/exhibitions_events/events/phapi_program.pdf
La Iniciativa por la Procedencia del Arte Prehispánico (PHAPI), documenta y analiza la mercantilización y movilización del arte prehispánico y la cultura material por el comercio internacional del arte entre mediados del siglo XIX y finales del XX.
Este programa forma parte de la serie de Historias No Contadas [Untold Stories] del Instituto de la Investigación del Getty (GRI), que celebra las historias no contadas de la cultura visual, explorando cómo las nuevas obras, personas e interpretaciones pueden iluminar nuestro entendimiento y el aprecio a la historia del arte.
Este evento ocurrió el 28 de abril de 2022.
Aprenda más de este evento https://www.getty.edu/visit/cal/events/ev_3459.html Coleccionando Arte Mesoamericano, 1940-1968: forjar un mercado en los Estados Unidos y México](https://i.ytimg.com/vi/QO6FLgG3ImA/mqdefault.jpg)






![Coleccionando Arte Mesoamericano, 1940-1968: forjar un mercado en los Estados Unidos y México
El segundo simposio internacional de la Iniciativa sobre la procedencia del arte prehispánico (PHAPI) del Getty Research Institute se centra en las prácticas del coleccionismo en México y de los Estados Unidos, cuando las luminarias de Hollywood y los coleccionistas internacionales desarrollaron un gusto por el arte mexicano antiguo. Para la década de 1960, el pasado prehispánico era parte integral de la identidad nacional mexicana, ganó nuevas audiencias en museos internacionales y jugó un papel formal en la historia del arte.
This program is also available in English
https://youtu.be/czpSJz8dHk0
Horario del programa: https://www.getty.edu/research/exhibitions_events/events/phapi_program.pdf
La Iniciativa por la Procedencia del Arte Prehispánico (PHAPI), documenta y analiza la mercantilización y movilización del arte prehispánico y la cultura material por el comercio internacional del arte entre mediados del siglo XIX y finales del XX.
Este programa forma parte de la serie de Historias No Contadas [Untold Stories] del Instituto de la Investigación del Getty (GRI), que celebra las historias no contadas de la cultura visual, explorando cómo las nuevas obras, personas e interpretaciones pueden iluminar nuestro entendimiento y el aprecio a la historia del arte.
Este evento ocurrió el 28 de abril de 2022.
Aprenda más de este evento https://www.getty.edu/visit/cal/events/ev_3459.html Coleccionando Arte Mesoamericano, 1940-1968: forjar un mercado en los Estados Unidos y México](https://i.ytimg.com/vi/SDFwBpu69JI/mqdefault.jpg)


