Kyung-ran Jo on how Blowfish reflects a story we all recognize—the story of life and death @TheKoreaSociety
Kyung-ran Jo on how Blowfish reflects a story we all recognize—the story of life and death  @TheKoreaSociety
Uploaded July 2025 | Updated September 2026, 18 hours ago
"A memorable existential tale." —Publishers Weekly

An atmospheric, melancholic novel about a successful sculptor who decides to commit suicide by artfully preparing and deliberately eating a lethal dish of blowfish, Kyung-Ran Jo's Blowfish is a postmodern novel in four parts, alternating between the respective stories of a female sculptor and a male architect. The narrative loosely approximates a love story, but this is no romance in the normal sense. For the woman, the man is a pitstop on the road to her own suicide. For the man, the woman forestalls death and offers him a final chance. Through the conflicting impressions they have of one another, the characters look back on their lives; it is only the desire to create art that calls them back from death.

Evoking the heterogeneous urban spaces of Seoul and Tokyo, Blowfish delves into the inner life of a woman contemplating her failures in love and art. Jo’s fierce will to write animates the novel; the lethal taste of blowfish, which one cannot help but eat even though one may die in doing so, approximates the inexorable pains of writing a novel.

In this episode of Author Talks, Jo discusses her career in Korea and the English translation of her novel.

koreasociety.org/arts-culture/literature/2012-author-talks-kyung-ran-jo
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Kyung-ran Jo on how Blowfish reflects a story we all recognize—the story of life and death

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