Kyrie, Gott Vater in Ewigkeit, BWV669, by J.S. Bach @dalecarr6361

Dale Carr | Kyrie, Gott Vater in Ewigkeit, BWV669, by J.S. Bach @dalecarr6361 | Uploaded October 2020 | Updated October 2024, 1 hour ago.
Kyrie, Gott Vater in Ewigkeit, BWV669, by J.S. Bach ; published in his Clavierübung, part 3 ; performed by Dale Carr on the Schnitger organ in the Georgskirche in Weener, Ostfriesland ; live recording, 4 November, 1990

Uppon la mi re, by anonymous {ca. 1560}, performed by Dale Carr

Contrapunctus 10 a 4 alla decima, from Die Kunst der Fuge by Johann Sebastian Bach

Fugue in a BWV904 by Bach, Performed by Dale Carr on the Schnitger organ in Norden on 10 June, 1998

A Verse for Two to Play by Nicholas Carleton, played by Dale Carr & Klaas Veltman in Midwolde {W}

$Recercar quarta sopra mi-re-fa-mi by Girolamo Frescobaldi performed by Dale Carr on 21 June, 1989 Recercar quarta sopra mi-re-fa-mi by Girolamo Frescobaldi {1583-1643} from his Primo Libro di Capricci, Canzon francese e Recercari {1615} performed by Dale Carr on the organ {1581} of San Niccolò Oltrarno in Firenze on 21 June, 1989 Frescobaldis book of Recercari, et canzoni franzese was first published in 1615, and later with varying titles and the addition of his Capricci. The works are notated in open score, as were the Fantasie published in 1608. This recercar uses a simple solmization subject throughout, combining it in each in of 3 sections with different countersubjects: - the 1st section has mi-re-fa-mi in whole notes with the countersubject in ½- & ¼-notes; - the 2nd section {202} has mi-re-fa-mi in notes of a whole measure, with a mildly chromatic countersubject that also sounds in inversion; - the 3rd section {335} has mi-re-fa-mi in notes tied through 2 whole measures, appearing once in each voice {TASB}. There are 2 countersubjects: the 1st, which might be named sol-mi-fa-sol, is heard also in inversion & in various note values ; the second begins before the beat and continues in 8ths & quarters. The final note of the final entry in the bass is an inganno : a deception, not a misspelling : the syllable mi could be used in any of 3 hexachords or scale patterns. Here, instead of continuing with the natural hexachord starting on c, Frescobaldi switches for this note to the soft hexachord, which starts on f. The organ of San Niccolò Oltrarno was built by Dionigi Romani in 1581, restored & altered in 1683 & 1769, & most recently restored by Pier Paolo Donati in 1985. This performance used the 4 Flauto ottava. Other recordings of this organ are here: - https://www.youtube.com/watch?v=E7rQRLLofik - https://www.youtube.com/watch?v=FxSZRo4pBeI Other organ works of Frescobaldi: - https://www.youtube.com/watch?v=9hgHeRtupWA - https://www.youtube.com/watch?v=6IxQb3lKLUs - https://www.youtube.com/watch?v=wzhqj9yA2DU - https://www.youtube.com/watch?v=j3m1g8FzjwQ - https://www.youtube.com/watch?v=MzjBvec6 A - https://www.youtube.com/watch?v=5D1sJc9zdHI - https://www.youtube.com/watch?v=EZt-roCsVJE - https://www.youtube.com/watch?v=oQv96OhpVIU - https://www.youtube.com/watch?v=zoIaytgsuCw Harpsichord works of Frescobaldi: - https://www.youtube.com/watch?v=JCLJhe47Vf8 - https://www.youtube.com/watch?v=eFxK1xpVjfI - https://www.youtube.com/watch?v=oQv96OhpVIU - https://www.youtube.com/watch?v=Uovg_ZMKomQ$

Lucem tuam : 2 settings by John Redford {*~1500 - †1547} from the Mulliner book

Christe, Aller Welt Trost.a 2 Clav. et Pedal. {BWV670} by Johann Sebastian Bach

Maria zart, by Arnolt Schlick, performed on the organ in Krewerd by Jan Ernst on 25 September 1988

Suite in b minor by Louis Couperin: Courante ; performed by Dale Carr in a concert on 7 June, 1986

Hinno Ave maris stella by Girolamo Frescobaldi {1583-1643}, from his Secondo Libro di Toccate {&c.}

Recercar quinto by Girolamo Frescobaldi, performed by Dale Carr on the organ in Kantens