Kirk Varnedoe on Abstract Art, 1950s–2000s, Part 6 @NationalGalleryofArtTalks
Kirk Varnedoe on Abstract Art, 1950s–2000s, Part 6  @NationalGalleryofArtTalks
Uploaded August 2021 | Updated September 2026, 4 hours ago
In this sixth and final lecture of the series, originally delivered at the National Gallery of Art on May 11, 2003, the distinguished art historian Kirk Varnedoe returns to a question raised in lecture one: Can an argument be made for abstraction as a legitimate part of both our cognitive process and our nature as a modern liberal society? Varnedoe leads the listener through a tour of Richard Serra's Torqued Ellipses, making an impassioned case for abstraction as an art of subjectivity- an art dependent on experience, human invention, and constant debate.

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Kirk Varnedoe on Abstract Art, 1950s–2000s, Part 6IV. The Metropolis of Unfreedom: Washington CityMary Kelly on Feminism in ArtMary Beard: The Twelve Caesars, Part 3Jacqueline Humphries on Doubling and PaintingInnovation in Conservation: One View from the Here and NowMel Bochner on the Artists of the DoubleExhibition Overview: Afro-Atlantic HistoriesBreaking the Frame: In Conversation with Todd GrayThe Immersive in Caravaggio’s MaltaUnderstanding Dorothea Langes Impact on Documentary PhotographyIntroduction to the Show: American Silence: The Photographs of Robert Adams
National Gallery of Art Talks |

Kirk Varnedoe on Abstract Art, 1950s–2000s, Part 6

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