Uploaded August 2021 | Updated September 2026, 57 minutes ago
In this third lecture, originally delivered at the National Gallery of Art on April 13, 2003, the distinguished art historian Kirk Varnedoe contrasts multiple forms of minimalism in the 1960s, as seen in the works of Donald Judd, Robert Morris, and James Turrell, and examines, among other things, the degree to which this art is quintessentially American.
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In this third lecture, originally delivered at the National Gallery of Art on April 13, 2003, the distinguished art historian Kirk Varnedoe contrasts multiple forms of minimalism in the 1960s, as seen in the works of Donald Judd, Robert Morris, and James Turrell, and examines, among other things, the degree to which this art is quintessentially American.
Still haven’t subscribed to our YouTube channels?
National Gallery of Art ►► bit.ly/33fFsuD
National Gallery of Art | Talks ►► bit.ly/3mfNeiO
ABOUT THE NATIONAL GALLERY OF ART
The National Gallery of Art serves the nation by welcoming all people to explore and experience art, creativity, and our shared humanity.
More National Gallery of Art Content:
Subscribe: bit.ly/33fFsuD
Facebook: bit.ly/3eqoJv3
Twitter: bit.ly/2SvGOPF
Instagram: bit.ly/3enn5dz
#KirkVarendoe
#JacksonPollack
#ErnstGombrich
#AbstractArt
#AWMellon
#PicturesOfNothing
#Minimalism
#TwentiethCenturyArt
#AbstractionAndRepresentation,
#Modernism
#Postmodernism
#Pop
#Art
#NationalGalleryOfArt
#ArtHistory