Uploaded February 2026 | Updated September 2026, 2 weeks ago
From '' Fair Warning ''
Label: Flying High Records – FH 6504
Format: Vinyl, LP
Country: US
Released: 1980
Tracklist
A1 By The Lake
A2 White Lightnin'
A3 Mary Beth
A4 Let Me Be Your Lover
A5 Tell Me
B1 Fair Warning
B2 Communication Breakdown
B3 Sister's Blue
B4 What Does It Take
B5 I Feel Good
Guitar, Lead Vocals – Joe Copeland
Keyboards, Lead Vocals – Danny Haynes
Bass, Lead Vocals – Donnie McCutchen
Drums, Vocals – Randy Dehart
Notes
Stamped back cover REVIEWER COPY NOT FOR SALE
Dedicated to John Lennon
Flying High Records (Parent Label: Richey Recordsbased in Fort Worth, TX. Slim Richey was the president.)
© ℗ Flying High Records 1980
Pressed By – A+R Record Manufacturing Corporation – 8011-58
🎵 [SONG INFO]
"Communication Breakdown" is a song by the English rock band Led Zeppelin, from their 1969 self-titled debut album. It was also used as the B-side of the group's first single in the US, "Good Times Bad Times". A promotional video was released, with the group miming to the recording, which is included on the Led Zeppelin DVD (2003).
Background and composition
The song's original title was "Too Good", and it had been performed during the band's 1968 Scandinavian Tour. It developed from a guitar riff played by Jimmy Page, while the rest of the band wrote the song around it. Bassist John Paul Jones later said "This is Page's riff – you can tell instantly". Singer Robert Plant could not receive a songwriting credit owing to a previous record contract, and consequently it was credited simply to the other three band members.
Personnel
According to Jean-Michel Guesdon and Philippe Margotin:
Robert Plant – Vocals
Jimmy Page – Guitars, Backing Vocals
John Paul Jones – Bass, Organ, Backing Vocals
John Bonham – Drums, Backing Vocals
Live versions
"Communication Breakdown" was part of the group's initial live set in 1968. It was played at every gig until 1970, after which it was featured as an encore. The group played it on at least one show for all subsequent tours, including their residency at Earl's Court, London in 1975, the second appearance at the 1979 Knebworth Festival, and the band's final tour in 1980. Plant played it on some of his solo tours, while Jones performed it live with Diamanda Galás in 1994.
On the Led Zeppelin BBC Sessions, released in 1997, this song was featured three times, each with a slightly different improvisation by the group.
Three live versions–taken from performances at the TV program Tous en scène in Paris in 1969, at Danmarks Radio in 1969 and at the Royal Albert Hall in 1970–can also be seen on the Led Zeppelin DVD. The version of "Good Times Bad Times/Communication Breakdown" released on 15 April 2014, on iTunes, is from 10 October 1969 in Paris, on the European Tour of Autumn 1969.
Legacy
The Dictators' bassist Andy Shernoff states that Page's guitar riff of rapid downstrokes in "Communication Breakdown" was an inspiration for the Ramones' guitarist Johnny Ramone's downstroke guitar style. Ramone stated in the documentary Ramones: The True Story that he built up skill at his downstroke playing style by playing the song over and over again for the bulk of his early career.
The song was used in the American animated sitcom The Simpsons. In a 2006 episode titled "G.I. (Annoyed Grunt)", a group of soldiers with guitars play the riff during a recruitment drive at a crowded stadium. According to author Jonathan Pieslak, the scene is "clearly satirical ... the ending scene references rock music and implies that being in the military is somehow like being at a rock concert".
Cover versions
1972
The Phoenix
1983
The Dickies
1986
CJSS
1987
The Rods
1990
Iron Maiden
1991
Dead Moon
1992
Four Pink Flowers
1993
Mr. Hyde
John Varity
1994
Led Zeppelin Jam
Cinnamon
1995
The Jeff Healey Band
1996
Yardbirds Experience
1997
Van Halen
The Jason Bonham Band (Band of the son of the Led Zeppelin drummer, John Bonham)
Jean-Marc Parent
2002
The Flaming Lips
Disengage
2003
The Fleshtones
Jason Miller
The Golden Cups (titled コミュニケーション・ブレイクダウ)
2004
Gary Cherone
2005
The Rockies
2006
Studio 99
2007
Lez Zeppelin
2008
Marko Pavic
Crazy Baldhead
2010
Kazda & Indigo Strings (Jan Kazda, Indigo Streichquartett)
Studio One
2018
Earthless
2020
The Curious
Little Big Horn (released in 2020, recorded much earlier)
2021
Jack Russell's Great White
Mr.Feedback
2022
D.O.A.
2026
The Pink Fairies
#ledzeppelincover
#southernrock
#communicationbreakdown
#kingpeach
From '' Fair Warning ''
Label: Flying High Records – FH 6504
Format: Vinyl, LP
Country: US
Released: 1980
Tracklist
A1 By The Lake
A2 White Lightnin'
A3 Mary Beth
A4 Let Me Be Your Lover
A5 Tell Me
B1 Fair Warning
B2 Communication Breakdown
B3 Sister's Blue
B4 What Does It Take
B5 I Feel Good
Guitar, Lead Vocals – Joe Copeland
Keyboards, Lead Vocals – Danny Haynes
Bass, Lead Vocals – Donnie McCutchen
Drums, Vocals – Randy Dehart
Notes
Stamped back cover REVIEWER COPY NOT FOR SALE
Dedicated to John Lennon
Flying High Records (Parent Label: Richey Recordsbased in Fort Worth, TX. Slim Richey was the president.)
© ℗ Flying High Records 1980
Pressed By – A+R Record Manufacturing Corporation – 8011-58
🎵 [SONG INFO]
"Communication Breakdown" is a song by the English rock band Led Zeppelin, from their 1969 self-titled debut album. It was also used as the B-side of the group's first single in the US, "Good Times Bad Times". A promotional video was released, with the group miming to the recording, which is included on the Led Zeppelin DVD (2003).
Background and composition
The song's original title was "Too Good", and it had been performed during the band's 1968 Scandinavian Tour. It developed from a guitar riff played by Jimmy Page, while the rest of the band wrote the song around it. Bassist John Paul Jones later said "This is Page's riff – you can tell instantly". Singer Robert Plant could not receive a songwriting credit owing to a previous record contract, and consequently it was credited simply to the other three band members.
Personnel
According to Jean-Michel Guesdon and Philippe Margotin:
Robert Plant – Vocals
Jimmy Page – Guitars, Backing Vocals
John Paul Jones – Bass, Organ, Backing Vocals
John Bonham – Drums, Backing Vocals
Live versions
"Communication Breakdown" was part of the group's initial live set in 1968. It was played at every gig until 1970, after which it was featured as an encore. The group played it on at least one show for all subsequent tours, including their residency at Earl's Court, London in 1975, the second appearance at the 1979 Knebworth Festival, and the band's final tour in 1980. Plant played it on some of his solo tours, while Jones performed it live with Diamanda Galás in 1994.
On the Led Zeppelin BBC Sessions, released in 1997, this song was featured three times, each with a slightly different improvisation by the group.
Three live versions–taken from performances at the TV program Tous en scène in Paris in 1969, at Danmarks Radio in 1969 and at the Royal Albert Hall in 1970–can also be seen on the Led Zeppelin DVD. The version of "Good Times Bad Times/Communication Breakdown" released on 15 April 2014, on iTunes, is from 10 October 1969 in Paris, on the European Tour of Autumn 1969.
Legacy
The Dictators' bassist Andy Shernoff states that Page's guitar riff of rapid downstrokes in "Communication Breakdown" was an inspiration for the Ramones' guitarist Johnny Ramone's downstroke guitar style. Ramone stated in the documentary Ramones: The True Story that he built up skill at his downstroke playing style by playing the song over and over again for the bulk of his early career.
The song was used in the American animated sitcom The Simpsons. In a 2006 episode titled "G.I. (Annoyed Grunt)", a group of soldiers with guitars play the riff during a recruitment drive at a crowded stadium. According to author Jonathan Pieslak, the scene is "clearly satirical ... the ending scene references rock music and implies that being in the military is somehow like being at a rock concert".
Cover versions
1972
The Phoenix
1983
The Dickies
1986
CJSS
1987
The Rods
1990
Iron Maiden
1991
Dead Moon
1992
Four Pink Flowers
1993
Mr. Hyde
John Varity
1994
Led Zeppelin Jam
Cinnamon
1995
The Jeff Healey Band
1996
Yardbirds Experience
1997
Van Halen
The Jason Bonham Band (Band of the son of the Led Zeppelin drummer, John Bonham)
Jean-Marc Parent
2002
The Flaming Lips
Disengage
2003
The Fleshtones
Jason Miller
The Golden Cups (titled コミュニケーション・ブレイクダウ)
2004
Gary Cherone
2005
The Rockies
2006
Studio 99
2007
Lez Zeppelin
2008
Marko Pavic
Crazy Baldhead
2010
Kazda & Indigo Strings (Jan Kazda, Indigo Streichquartett)
Studio One
2018
Earthless
2020
The Curious
Little Big Horn (released in 2020, recorded much earlier)
2021
Jack Russell's Great White
Mr.Feedback
2022
D.O.A.
2026
The Pink Fairies
#ledzeppelincover
#southernrock
#communicationbreakdown
#kingpeach

![Mike Sanchez - Strange Love (Slim Harpo Cover)
From Blue Boy
Label: Not On Label (Mike Sanchez Self-released) – MS003
Format: CD
Country: UK
Released: 2001
Tracklist
01. Someday
02. Hurtin Inside
03. Tell Me Who
04. Blue Boy
05. Come Back Baby
06. Sapphire
07. Fast Train
08. Strange Love
09. Shame, Shame, Shame
10. Everyday, Everynight
11. Love My Baby
12. I Wanna Do More
13. Wildcat Tamer
14. Well Baby
15. I Miss You So
Notes
Manufactured By – Lemon Media – 1891
© 2001 Mike Sanchez
℗ 2001 Mike Sanchez
🎵 [SONG INFO]
Strange Love is a song by Slim Harpo, a blues musician known for his swamp blues style.
It was released in 1958 as the B-side to his single Wondering and Worryin.
The song was co-written by Jerry West, though some sources also credit Slim Harpo (J. Moore) as a co-writer.
While the song is not as widely covered as some of his other hits like Im a King Bee or Baby Scratch My Back, its a quintessential example of his low-key, hypnotic blues sound.
Cover versions
The Cramps on their 1994 album Flamejob .
The Prostitutes on their 2005 album Live At Porto-Rio .
Richard Gjems on his 2022 album The YouTube Sessions 2020/21 .
🎤 [LYRICS]
Strange love,
Cutest thing I ever seen!
Strange love,
Cutest thing I ever seem!
You remind me of something darlin
That I have seen in a dream!
Can I take you out to dinner
Someplace where we can be alone?
Can I take you out to dinner
Someplace where we can be alone?
Tell you how much I love you,
Then let me hold you in my arms!
You as sweet as any honey
I love to be your honeycomb!
You as sweet as any honey
Love to be your honeycomb!
Then when the time is right, darlin
Therell be some lovin goin on!
🔗 [LINKS]
https://www.mikesanchez.com/
https://www.facebook.com/mikesanchez64
https://www.instagram.com/mikesanchezrocks/
Available on the official store:
https://www.mikesanchez.com/product-page/blue-boy
bandcamp:
https://mikesanchez.bandcamp.com/album/blue-boy
Spotify:
https://open.spotify.com/album/4i2TviapIANfsuzNtcBX5V
Apple Music:
https://music.apple.com/us/album/blue-boy/1503537244?i=1503537582
Amazon Music:
https://www.amazon.com/music/player/albums/B081Z7BRDY
and Deezer:
https://www.deezer.com/en/album/120449212
#blues
#harmonicablues
#bluesrock Mike Sanchez - Strange Love (Slim Harpo Cover)](https://i.ytimg.com/vi/c_EKXp-EjvU/mqdefault.jpg)
![Al Holden - Baby Lets Play House (Arthur Gunter Cover)
From More Riverside Rockabillies
Label: Raucous Records – RAUCLP 022
Format: Vinyl, LP, 10, Compilation
Country: UK
Released: 1996
Tracklist
A1 The Crawdads - Whiskey And Gin
A2 Jesse James & The Outlaws - Raging Sea
A3 The Slingshots - The Pain Has Gone
A4 Al Holden - Baby Let`s Play House
A5 The Riverside Trio - Peach Pickin`Time In Georgia
B1 The Slingshots - Blue Eyed Country Girl
B2 The Rhythmaires - Wildcat Tamer
B3 The Ricardos - Don`t Bug Me No More
B4 Walt Mitchinson - Sugar In My Coffee
B5 Jesse James & The Outlaws - Who Do You Love
🎵 [SONG INFO]
Baby Lets Play House is a song written and originally recorded by Arthur Gunter in 1954 on the Excello Records label, and covered by Elvis Presley the following year on Sun Records.
It was the fourth issue of a Presley record by Sun, and became the first song recorded by Elvis to appear on a national chart, when it made no.5 on the Billboard Country Singles chart in July 1955.
Presleys version differs greatly from the original: Elvis started the song with the chorus, where Gunter began with the first verse, and he replaced Gunters line You may get religion with the words You may have a Pink Cadillac, referring to his custom-painted 1955 Cadillac auto that had been serving as the bands transportation at the time.
Elvis Presley version Charts
Weekly charts
Chart (1955) / Peak position
US Billboard Country Singles / 5
Chart (2008) / Peak position
Italy (FIMI) / 1
Spain (Promusicae) / 3
Sweden (Sverigetopplistan) / 23
UK Singles (OCC) / 84
John Lennon version and Run For You Life
John Lennon used the line, Id rather see you dead, little girl, than to be with another man, from this song for the opening line of the Beatles song, Run for Your Life.
On July 6, 1957, John Lennon covered Baby Lets Play House in the evening set at the Woolton church fete. Note: this was the day Lennon met Paul McCartney.
Buddy Holly
Buddy Holly recorded a cover of this song in 1955 at the Jim Beck Studio in Dallas. Hollys cover, cut as a demo for Columbia Records, and included on the 1985 Charly Records compilation Buddy Holly Rocks, sounds very much like the Elvis version.
Lonnie Lee
The song was also recorded by Australian Lonnie Lee on Leedon Records in early 1960.
The version was not unlike Elvis in many respects.
It was very popular at Lees shows and a version of him singing it in 1960 on Australias first RocknRoll TV Show, Six OClock Rock is still extant.
The song was lip synched by Jonathan Rhys Meyers in the TV biopic Elvis: The Early Years, in a scene of Presleys 1955 Odessa Auditorium performance.
In 2008, a Spankox remix of it made no.84 in the UK.
🔗 [LINKS]
https://www.raucousrecords.com/
#rockabilly Al Holden - Baby Lets Play House (Arthur Gunter Cover)](https://i.ytimg.com/vi/d9vhPpvWnUU/mqdefault.jpg)
![City Lights - Time Of The Season (The Zombies Cover)
From Blackout
Label: City Lights Records – CLS1769, CLS 1769
Format: Vinyl, 12, 45 RPM, EP
Country: US
Released: 1980
Tracklist
A1 She Wants To Be Sure
Written-By – Donnie Barren
A2 Time Of The Season
Written-By – Rod Argent
B1 My Love Is Real
Written-By – George Ellis
B2 Scared (Of Being In Love)
Written-By – Donnie Barren
B3 Dont Tell Her
Written-By – George Ellis
Vocals, Lead Guitar, Rhythm Guitar, Clavichord – Donnie Barren
Vocals, Keyboards, Rhythm Guitar – George Ellis
Drums – Bruce Knight
Bass, Vocals – Kevin McCarley
Art Direction – Rick Wilkie
Cover [Design Execution] – Kevin Latour, Soo Dalison
Cover [Design] – City Lights
Engineer – Jon Gass
Producer – City Lights
Recorded At – Skip Saylor Recording
Mixed At – Skip Saylor Recording
Mastered At – The Mastering Lab
Phonographic Copyright ℗ – City Lights Records
Copyright © – City Lights Records
👤 [ARTIST INFO]
Donnie Barren played lead guitar for the Los Angeles rock band City Lights in the late 70s and early 80s, writing and singing songs for the groups single (Action/Back Off Babe) and EP (Blackout). Some of the more fun gigs were at the Whiskey a Go-Go, Starwood, Gazzarris, and the Troubadour, where City Lights headlined or shared the stage with bands like Dokken, RATT, Poison, Snow, X, Oingo Boingo (Danny Elfmans band), Joshua, and Dubrow (formerly Quiet Riot).
Donnie ventured out on his own in 1982, releasing the single I Love My Cats Meow/Falling In Love in March 1983 (acting as musician, singer/songwriter, producer and promo-man). The tune was well received, being played on over 15 Southern California radio stations during its 1st month and garnering college radio coverage across the USA and in Germany.
Cats Meow hit no.1 on LAs KXLU, entered KROQs Rodney on the Roqs Top 10 in April (at no.7) and moved to no.1 for all of May and June. At the time, KROQ (FM 106.7 in Pasadena, CA) was the no.1 Album Oriented Rock (AOR) station in LA and was regarded as the new music trend-setter across the US. For perspective, Nenas 99 Balloons (CBS Records) held the no.1 position on Rodney on the Roqs Top 10 the following month, July of 1983. This was long before other AOR stations added the German song to their play lists, ultimately making 99 Balloons a national Top 40 Hit.
Unfortunately, just as Cats Meow was climbing the charts, Donnies distribution partner (Faulty Products, a division of IRS/A&M Records) ran out of money and stopped promoting its stable of artists (groups like the Bangles, Dead Kennedys & DOA). Looking back, its ironic that Donnie signed up with a label called Faulty Products, but they were considered one of the best new music distributors at the time. If they had put some promotion support behind the single, the song could have had a strong national showing.
Undeterred, Donnie continued to record and release original tracks throughout the 80s while gaining a deeper appreciation for the business side of music. He ultimately took a break to finish school (earning an MBA from Harvard) and then dove into the business world (albeit not the music biz), working at Procter and Gamble and Microsoft.
Years later, Donnie returned to his passion, re-releasing parts of his 80s catalog, producing a fresh collection of rock instrumentals (under his full name, Donnie Barren Holtzinger), and writing/producing songs for sync. His music now fuels TV shows, films, sports arenas, video games, and ad campaigns — with placements on HBO, Hulu, Netflix, The CW, the WNBA, Sony’s MLB The Show, and brands like Amazon and Toyota.
Some people have asked: Donnie who? When Donnie was younger, he thought his last name was too long for a musician, so he opted to use his middle name. Now, many years the wiser, Donnie goes by either Donnie Barren or Don Holtzinger (or Donnie Barren Holtzinger). So, for those people that knew Donnie Barren (or dB for short), wed like to introduce you to Don Holtzinger.
Drop Donnie a line on Facebook (@donholtzinger) or Instagram (@donniebarren). I know hed like to hear from you.
🎵 [SONG INFO]
Released in 1968 by The Zombies, this psychedelic pop masterpiece became an anthem of the Summer of Love.
Known for its iconic bassline, breathy vocals, and famous ah-hh hook, it captures the essence of the 60s counterculture.
A timeless classic about love and emotional awakening that continues to inspire covers across all genres.
🔗 [LINKS]
https://donniebarren.com/
https://open.spotify.com/artist/5s72rFnWfMlfz4HlsHm4JQ
https://www.youtube.com/channel/UCtnDM74D4qaW993CgczeLuQ
https://www.facebook.com/donniebarrenholtzinger
Available on bandcamp:
https://donniebarrenholtzinger.bandcamp.com/album/blackout
#donniebarren
#citylights
#losangelesrock
#timeoftheseason
#thezombies City Lights - Time Of The Season (The Zombies Cover)](https://i.ytimg.com/vi/db3e2irqaLo/mqdefault.jpg)
![Cartoons - I Cant Escape Myself (Punk/Hardcore, The Sound Cover)
From Άλλη Μια Μέρα...
Label: Not On Label (Cartoons Self-released) – none
Format: Cassette, Single Sided
Country: Greece
Released: 1996
Tracklist
A1 Λοβοτομή
A2 Εναλλακτική Μορφή Θανάτου
A3 Με Μίσος
A4 Άλλη Μια Μέρα...
A5 I Cant Escape My Self
Written-By – The Sound
Vocals – Βασίλης Μανετάκης (Vassilis Manetakis, Vas)
Guitar – Γιώργος Μπερδέσης (Giorgos Berdesis, Γιώργος GeoBeo) , Στέλιος
Drums – Κώστας Μπεσλεμής (Costi)
Bass – Λευτέρης Αλεξανδρίδης (Lefteris Alexandridis)
Recorded At – Κακοφωνίξ Studio
Notes
Demo.
👥 [BAND INFO]
Hardcore/Punk band from Piraeus, Greece.
They started in late 92 as Λοβοτομή (trans. to:Lobotomy).
1993: Performed live for the first time at the port of Pireus.
1994: Giannis leaves the band and Lefteris takes his place as the new bassist. Then they changed their name to Cartoons.
1996: Released their first demo tape titled Αλλη Μια Μέρα (trans. to:Another Day), which included 5 tracks and performed many live gigs.
1997: Recorded another demo tape (without cover) with 2 songs: Λάβαρα and Ανθρωπάκος (trans. to:Oriflammes and Homunculus). This demo was distributed to many radio stations all over the country. Their last live gig was in 11th November 1997 and they disbanded after that.
2001: Vasilis, Giorgos, Lefteris and a new member, Grigoris who was only 15 years old reformed the band in order to perform an episodic live at the Univeristy of Thessaloniki and they disbanded again.
2008: 11 years after their official disbanding, Cartoons recorded a 4-track promo CD.
Original line-up:
Vasilis (Vas):Vocals
Giorgos (Bertheway):Guitar
Stelios:Guitar
Giannis:Bass
Kostas (Costi):Drums
Current line-Up:
Vasilis (Vas):Vocals
Giorgos (Bertheway):Guitar, Backing Vocals
Lefteris:Bass
Kostas (Costi):Drums
🎵 [SONG INFO] 💽 [ALBUM INFO]
I Cant Escape Myself is the opening track of The Sounds debut studio album Jeopardy released in November 1980 on Korova and distributed by WEA Records. (UK, KODE 2)
it was written by Adrian Borland.
The album was recorded inexpensively at Elephant Studios in London, and was produced by the Sound themselves and Nick Robbins.
Adrian Janes, ex-member of the Outsiders along with Sound frontman Adrian Borland and Bob Lawrence, contributed writing to two tracks, despite not being a member of the Sound.
The sleeve art is based on the movie poster for The Crime of Shirvanskaya by Vladimir & Georgii Stenberg (1926), directed and written by Ivane Perestiani.
#cartoons
#icantescapemyself
#punk
#grindcore
#thesoundcover Cartoons - I Cant Escape Myself (Punk/Hardcore, The Sound Cover)](https://i.ytimg.com/vi/dmMo6WFRykM/mqdefault.jpg)
![The Advocators - Solitary Man (Neil Diamond Cover)
From Songs From An Endless Night
Released: May 14, 2024
Tracklist
01. Intro
02. Elijah
03. Dreams
04. Crows
05. Amelie
06. Everchanging Sea
07. Waitin Around to Die
08. After You
09. Maybe
10. Bad Girls
11. Baby Jean
12. Solitary Man
13. Promised Times
© 2024 The Advocators
℗ 2024 The Advocators
🎵 [SONG INFO]
Solitary Man is a song written by American musician Neil Diamond, who recorded the song for Bang Records in late January 1966.
It has since been covered many times, notably by T. G. Sheppard, Gianni Morandi, Chris Isaak, Johnny Cash and HIM.
History
Recorded in late January 1966 and initially released on Bang Records in April 1966, Solitary Man was Diamonds debut single as a recording artist, having already had moderate (but accidental) success as a songwriter for other artists; their versions of the songs he had already written and composed were released before his own versions. By July, the track had become a minor hit, rising to No. 55 on the U.S. pop singles chart. It would then be included on Diamonds first album, The Feel of Neil Diamond, which he released in August 1966.
The song is a ballad of a loner looking for love. The theme of the song has been closely identified with Diamond himself, as evinced by a 2008 profile in The Daily Telegraph: This is the Solitary Man depicted on his first hit in 1966: the literate, thoughtful and melodically adventurous composer of songs that cover a vast array of moods and emotions...
In the lyrics, the singer lists some of his relationships and how they each ended. He laments I know its been done, having one girl who loves you. But he doubts it will happen for him. Indeed, Diamond himself would tell interviewers in the 2000s, After four years of Freudian analysis, I realized I had written Solitary Man about myself.
After Diamond had renewed commercial success with Uni Records at the end of the decade, Bang Records re-released Solitary Man as a single and it reached No. 21 on the U.S. pop charts in the summer of 1970. It also reached No. 6 on the Easy Listening chart.
Billboard praised the solid dance beat and excellent production backing. Record World said that the acoustic backing is just right for [Diamond] to get another ride to the top of the charts.
Diamond originally recorded two versions of the song, as he later did with Cherry, Cherry. The one version had his harmonic vocal track on the refrain of the song, along with accompaniment by a wordless female chorus. The other version was him singing the song alone, without his prerecorded harmony or the female chorus.
In a 2005 Rolling Stone retrospective, Dan Epstein wrote, Solitary Man remains the most brilliantly efficient song in the Diamond collection. Theres not a wasted word or chord in this two-and-a-half minute anthem of heartbreak and self-affirmation, which introduced the melancholy loner persona that hes repeatedly returned to throughout his career.
Chart history
Chart (1966) / Peak position
Canada RPM Top Singles / 56
US Billboard Hot 100 / 55
US Cash Box Top 100 / 60
Chart (1970) / Peak position
Australia Go-Set / 36
Canada RPM Top Singles / 31
Canada RPM Adult Contemporary / 24
US Billboard Hot 100 / 21
US Billboard Easy Listening / 6
US Cash Box Top 100 / 20
Notable cover versions
In 1976, T. G. Sheppard released a cover version for Hitsville Records, a country-focused sub-label of Motown Records. It went to No. 14 on the U.S. country music chart (Hot Country Songs) and No. 100 on the Hot 100. The song charted best on the Canadian country chart, at No. 11. It was also a hit on the Easy Listening charts of both nations.
Gianni Morandi recorded a cover version titled Se perdo anche te (If I Also Lose You). The author of the Italian lyrics was Franco Migliacci, who was Morandis producer at that time. Se perdo anche te spent ten weeks on the Italian pop chart in 1967, peaking at No. 1 for one week. The song was arranged by Ennio Morricone, who at that time conducted many tunes published by the Italian branch of the RCA Victor Records label.
Chris Isaak
Johnny Cash
HIM
🔗 [LINKS]
https://theadvocatorsmusic.com/home
https://www.facebook.com/profile.php?id=61558064883160
https://www.instagram.com/theadvocatorsmusic/
@TheAdvocators
Available on bandcamp:
https://theadvocators.bandcamp.com/album/songs-from-an-endless-night
Spotify:
https://open.spotify.com/album/4bV1Pp2yVDwUZ3bmFX8VYt
Apple Music:
https://music.apple.com/us/album/songs-from-an-endless-night/1733979992
Deezer:
https://www.deezer.com/us/album/555079902
and Soundcloud:
https://soundcloud.com/theadvocators/solitary-man
The Advocators on Spotify:
https://open.spotify.com/artist/6d3439FyRESJVs7Hc6uGib
Apple Music:
https://music.apple.com/us/artist/the-advocators/1714135725
and Deezer:
https://www.deezer.com/en/artist/240026411
Check out their new release here:
https://open.spotify.com/album/6bBPjSo4KXVIfptGMps4nb The Advocators - Solitary Man (Neil Diamond Cover)](https://i.ytimg.com/vi/dx-19YP2HCk/mqdefault.jpg)
![Unknown Artist - Blue Moon (Dancehall/Dub/Reggae version)
From Hot Disc Dub
Label: Hot Disc – IRC 018
Format: Vinyl, LP, Album
Country: Canada
Tracklist
A1 International Dub
A2 Progressive Dub
A3 Naena Man Skank
A4 Do It Now
A5 Midnight
A6 Blue Moon
B1 I Love You Madly
B2 Kiss Me Deadly
B3 Scrabbit Dub
B4 Commanding Rock
B5 The Whip
B6 Satisfaction
🎵 [SONG INFO]
Blue Moon is a classic popular song written by Richard Rodgers and Lorenz Hart in 1934.
Al Bowlly recorded this song in 1936.
It may be the first instance of the familiar 50s progression in a popular song and has become a standard ballad.
The song was a hit twice in 1949, with successful recordings in the U.S. by Billy Eckstine and Mel Tormé.
In 1961, Blue Moon became an international number-one hit for the doo-wop group The Marcels, on the Billboard 100 chart and in the UK Singles Chart. Over the years, Blue Moon has been covered by various artists, including versions by Frank Sinatra, Ella Fitzgerald, Ray Stevens, Billie Holiday, Amália Rodrigues, Elvis Presley, Sam Cooke, The Platters, The Mavericks, Dean Martin, Yvonne De Carlo, The Supremes, Cyndi Lauper, Bob Dylan, Beck, Chromatics, and Rod Stewart. Bing Crosby included the song in a medley on his album On the Happy Side (1962). The Cowboy Junkies recorded the song on their album The Trinity Sessions.
Background
Rodgers and Hart were contracted to Metro-Goldwyn-Mayer in May 1933.
They were soon commissioned to write the songs for Hollywood Party, a film that was to star many of the studios top artists.
The song was not recorded (the movie was released without Harlow in 1934) and MGM Song No. 225 Prayer (Oh Lord, make me a movie star) dated June 14, 1933, was registered for copyright as an unpublished work on July 10, 1933.
Hart wrote new lyrics for the tune to create a title song for the 1934 film Manhattan Melodrama: Act One:/You gulp your coffee and run;/Into the subway you crowd./Dont breathe, it isnt allowed.
The song, which was also titled Its Just That Kind of Play, was cut from the film before release, and registered for copyright as an unpublished work on March 30, 1934.
The studio then asked for a nightclub number for the film.
Rodgers still liked the melody so Hart wrote a third lyric: The Bad in Every Man (Oh, Lord ... /I could be good to a lover,/But then I always discover/The bad in evry man), which was sung by Shirley Ross.
After the film was released by MGM, Jack Robbins—the head of the studios publishing company—decided that the tune was suited to commercial release but needed more romantic lyrics and a punchier title.
Hart was initially reluctant to write yet another lyric but he was persuaded.
Robbins licensed the final version of the song to Hollywood Hotel, a radio program that used it as the theme.
The cover of Robbins 1934 sheet music edition credits Ted Fio Rito (vocal by Muzzy Marcellino) as introducing the song, recorded on Brunswick 7315, October 19, 1934.
The song charted in the Top Ten for 18 weeks in Variety, reaching number 1 on January 26, 1935.
The song was also recorded by Glen Gray and the Casa Loma Orchestra for Decca Records in November 1934 and Connee Boswell for Brunswick Records in 1935.
It subsequently was featured in at least seven MGM films, including the Marx Brothers At the Circus (1939) and Viva Las Vegas (1964).
There are two introductory verses in the original Robbins sheet music edition.
Eric Clapton and Rod Stewart sang the first verse in their 2004 version of the song (Stardust: The Great American Songbook, Volume III). The last line of the first verse is: Life was a bitter cup for the saddest of all men.
#bluemoon
#dancehall
#dub
#reggae
#instrumental Unknown Artist - Blue Moon (Dancehall/Dub/Reggae version)](https://i.ytimg.com/vi/eACkjWqzjbY/mqdefault.jpg)
![The HOTcakes - Dont You (Forget About Me) (Simple Minds Cover)
From Curtain Call
Released: December 4, 2014
Tracklist
1. All You Need (Is Right Here)
2. Boom Boom Boom
3. Dont You (Forget About Me)
Notes
This is their final EP.
It includes two songs they debuted in 2011, as well as their only recorded cover, Dont You (Forget About Me).
🎵 [SONG INFO]
Dont You (Forget About Me) is a song by the Scottish rock band Simple Minds, released as a single in 1985. It was written and composed by the record producer Keith Forsey and the guitarist Steve Schiff for the film The Breakfast Club (1985). Simple Minds initially declined to record it, preferring to record their own material, but accepted after several other acts also declined.
Dont You (Forget About Me) became a breakout hit for Simple Minds, an iconic song and a 1980s anthem. The single became Simple Minds biggest hit in North America, reaching No. 1 in both the United States and Canada. It also reached No. 7 on the UK singles chart and reached the top ten in charts around the world.
Recording
Dont You (Forget About Me) was written by Steve Schiff and Keith Forsey for the film The Breakfast Club (1985). Forsey and Schiff were inspired by a scene in which an introvert and a school bully bond while no one else is watching. Forsey said, It was: dont forget, when were back in the classroom, youre not just a bad guy and weve got other things in common.
Simple Minds initially declined to record Dont You (Forget About Me), as they felt they should only record their own material. Their guitarist, Charlie Burchill, said they felt it did not suit them as we had delusions of being ultra-hip. Their manager, Bruce Findlay, believed it would be successful in the United States. He arranged a private screening of The Breakfast Club in an effort to change their minds, but they still declined. Their lead vocalist, Jim Kerr, later said: We couldnt give a toss about teenage American schoolkids.
Forsey offered Dont You (Forget About Me) to Bryan Ferry of Roxy Music, who declined as he was working on his album Boys and Girls (1985). Ferry later said: It was just bad timing ... Keith Forsey sent me a demo of the song and it sounded like a hit to me. The record label, A&M, suggested Corey Hart, who had a hit at the time with Sunglasses at Night, but Forsey did not think he was the right singer. Forseys frequent collaborator Billy Idol also declined.
Kerrs wife, Chrissie Hynde of the Pretenders, liked the song and urged him to record it. Simple Minds agreed to try it after spending a few days with Forsey and becoming friends. They were impressed by Forseys work in German experimental music, such as Amon Düül II, and his work with Giorgio Moroder, including I Feel Love by Donna Summer.
Kerr added the hey hey hey to the introduction and the la la la to the ending, intending to write new lyrics, but Forsey insisted on keeping them. Burchill added power chords, and said later: It was almost a caricature – I associated powerchords with American AOR. But it worked. The Financial Times wrote that the chords [helped] turn Forseys sweet paean to teenage longing into a rousing, stadium-sized anthem.
Simple Minds did not anticipate the songs success. In 2016, Burchill said: When I listen to it now, it’s obviously a brilliant, well-crafted pop song. I’m embarrassed we dissed it so much.
Release and critical reception
Dont You (Forget About Me) was played during the opening and closing credits of The Breakfast Club (1985).
It was included on the films soundtrack. Dont You (Forget About Me) was released as a single in February 1985 in the United States and reached No. 1 on the Billboard Hot 100 in May 1985. The song reached No. 1 in Canada in June 1985. It is the bands only number-one hit on the US Top Rock Tracks chart, staying atop that chart for three weeks. The song became Simple Minds breakout hit, as well as their biggest American hit.
Cashbox said that though the lyric theme is a simple enough declaration, the lead vocals and vivid orchestration make the tune complex and moving. The song was included on the bands greatest hits compilation album, Glittering Prize 81/92 (1992). It soon became a fixture of the bands live sets, with an extended audience participation section during its inclusion on the 2015 tour to promote the bands Big Music album.
John Leland of Spin described the song as a romantic and melancholy dance track that cuts ice both in the living room and on the dance floor. The song has become iconic, and has been described by American Songwriter as an ‘80s masterpiece and an American teen anthem.
🔗 [LINKS]
https://www.facebook.com/thehotcakes/
https://x.com/thehotcakes
Available on bandcamp:
https://thehotcakes.bandcamp.com/album/curtain-call
#simpleminds
#alternativerock
#dontyouforgetaboutme
#thehotcakes The HOTcakes - Dont You (Forget About Me) (Simple Minds Cover)](https://i.ytimg.com/vi/eENZELsQjdI/mqdefault.jpg)
![Lite Frost - Dancing In The Street (Funk, Martha and the Vandellas Cover)
From Lite Frost
Label: Lite Frost Records – No. 333
Format: Vinyl, LP, Album
Country: US
Released: 1976
Tracklist
A1 Four Seasons Medley
A2 I Write The Songs
A3 Boogie With The Beat
A4 Till I Can Make It On My Own
A5 Dancin In The Streets
B1 Boogie Fever
B2 Sunshine
B3 Ive Got A Feeling
B4 Best Thing That Happened To Me
B5 My Way
Performer – Dean Middleton, Merry Herbert, Rita Beach
Design [Cover] – Fran Ritchie
Engineer – Wes Owens
Producer – Lite Frost
Notes
Manufactured By – Nashville Record Productions – NR7514
🎵 [SONG INFO]
Dancing in the Street is a song written by Marvin Gaye, William Stevenson, and Ivy Jo Hunter for Martha and the Vandellas in 1964, whose version reached No. 2 on the Billboard Hot 100 chart for two weeks, behind Do Wah Diddy Diddy by Manfred Mann. It also peaked at No. 4 on the UK Singles Chart following a rerelease in 1969. It is one of Motowns signature songs and is the groups premier signature song.
A 1966 cover by the Mamas & the Papas was a minor hit on the Hot 100, reaching No. 73. In 1982, the rock group Van Halen took their cover of Dancing in the Street to No. 38 on the Hot 100 chart and No. 15 in Canada on the RPM chart. A 1985 duet cover by David Bowie and Mick Jagger charted at No. 1 in the UK and reached No. 7 in the US. The song has been covered by many other artists, including the Kinks, Tages, Grateful Dead, Myra and Black Oak Arkansas.
Background
Reeves recounted that she initially regarded the song as too repetitive. Gaye and Stevenson agreed and including new Motown songwriter Ivy Jo Hunter added in musical composition. Martha Reeves remembered Marvin Gaye recorded the song first and sang it as though singing to a lover. Reeves, envisioning block parties and Mardi Gras, asked the producers to let her sing it her way. The song was recorded in two takes. The songs writers made sure to include Detroit as one of the cities mentioned with the lyric: Cant forget the Motor City.
Civil rights anthem
Motown records had a distinct role to play in the citys black community, and that community—as diverse as it was—articulated and promoted its own social, cultural, and political agendas. These local agendas, which reflected the unique concerns of African Americans living in the urban north, both responded to and reconfigured the national civil rights campaign (Smith 227). The movement lent the song its secondary meaning and the song with its second meaning fanned the flames of unrest. This song (and others like it) and its associated political meanings did not exist in a vacuum. It was a partner with its social environment and they both played upon each other, creating meaning that could not have been brought on by one or the other alone. The song therefore became a call to reject peace for the chance that unified unrest could bring about the freedom that suppressed minorities all across the United States so craved.
Reception
Dancing in the Street peaked at No. 2 on the US Billboard Hot 100 chart when it was originally released as the groups third album Dance Partys first single in 1964 (see 1964 in music), with There He Is (At My Door) included as a B-side. Dancing in the Street also reached the Top 5 on the UK Singles Chart peaking at No. 4 in a 1969 release after initially peaking at No. 28 on the chart and helped to revive the Vandellas success in the UK.
Cash Box described it as an infectious romp that drops names of various locales as it declares that dancing is sweeping the country, stating that it is one of those sure-fire sock-rock productions.
Martha and the Vandellas version of Dancing in the Street was inducted into the Grammy Hall of Fame in 1999. In 2006, this version was inducted into the National Recording Registry by the Library of Congress. Lead singer Martha Reeves said she was thrilled about the songs perseverance, saying Its a song that just makes you want to get up and dance.
In 2013, the original Motown recording was remixed for club and summer celebration airplay by Minneapolis Billboard charting producer/remixer Joel Dickinson as well as Danny Shaffer.
Billboard named the song No. 29 on their list of 100 Greatest Girl Group Songs of All Time.
Notable cover versions
The Kinks - 1965
The Mamas and the Papas - 1966
Tages - 1966
Grateful Dead
Van Halen
David Bowie and Mick Jagger - 1985
Myra - 2001(for the Disney film Recess: Schools Out)
~ more info here: https://en.wikipedia.org/wiki/Dancing_in_the_Street
🎵 [SONG INFO]
Dance with Me is a hit single by American soft rock band Orleans from their second studio album, Orleans II (1974).
The song was issued as a single on July 19, 1975, to become Orleans first Top 40 hit, peaking at No. 6 on the Billboard Hot 100 the week of October 18, 1975.
#litefrost
#dancinginthestreet
#funk
#marthaandthevandellascover
Chapters
0:00 Dancing In The Street
1:59 Dance With Me Lite Frost - Dancing In The Street (Funk, Martha and the Vandellas Cover)](https://i.ytimg.com/vi/eNeniY5VhEY/mqdefault.jpg)
![Arson - Weve Gotta Get Out Of This Place (The Animals Cover)
From No Pedestrians
Label: Chameleon Records – CR-535
Format: Vinyl, LP, Compilation
Country: Canada
Released: 1980
Tracklist
A1 The Sharks - Get Off The Radio
A2 Winston Hancock - Girls, Girls
A3 The Secrets - All The Words
A4 Arson - Weve Gotta Get Out Of This Place
A5 S.S. - Working Girl
B1 Winston Hancock - Leavin Tonite
B2 Tyranna - Back Off Baby
B3 Zro4 - Blood
B4 True Confessions - Fourth Base
B5 The Secrets - Ill Cry Tomorrow
Engineer – Ken Doidge
Producer, Engineer – Tom Atom
🎵 [SONG INFO]
We Gotta Get out of This Place, occasionally written Weve Gotta Get out of This Place, is a rock song written by Barry Mann and Cynthia Weil and recorded as a 1965 hit single by The Animals.
It has become an iconic song of its type and was immensely popular with United States Armed Forces GIs during the Vietnam War.
In 2004 it was ranked number 233 on Rolling Stones The 500 Greatest Songs of All Time list; it is also in The Rock and Roll Hall of Fames 500 Songs that Shaped Rock and Roll list.
History
Barry Mann and Cynthia Weil were husband and wife (and future Hall of Fame) songwriters associated with the 1960s Brill Building scene in New York City.
Mann and Weil wrote and recorded We Gotta Get out of This Place as a demo, with Mann singing and playing piano.
It was intended for The Righteous Brothers, for whom they had written the number one hit Youve Lost That Lovin Feelin but then Mann gained a recording contract for himself, and his label Redbird Records wanted him to release it instead.
Meanwhile, record executive Allen Klein had heard it and given the demo to Mickie Most, The Animals producer. Most already had a call out to Brill Building songwriters for material for the groups next recording session (The Animals hits Its My Life and Dont Bring Me Down came from the same call), and The Animals recorded it before Mann could.
In The Animals rendition, the lyrics were slightly reordered and reworded from the demo and opened with a locational allusion.
The two versions
The UK and US single releases were different versions from the same recording sessions.
The take that EMI, The Animals parent record company, sent to MGM Records, the groups American label, was mistakenly one that had not been selected for release elsewhere.
The two versions are most easily differentiated by the lyric at the beginning of the second verse: in the US version the lyric is, See my daddy in bed a-dyin, while the UK version uses, Watch my daddy in bed a-dyin (as a result of an error by the music labels, certain online retailers sell the UK version but incorrectly identify it as the US version).
In the US the song (in its mistaken take) was included on the album Animal Tracks, released in the fall 1965, and again on the popular compilation The Best of The Animals released in 1966 and re-released with an expanded track list on the ABKCO label in 1973. The song was not on any British Animals album during the groups lifetime.
Other versions
We Gotta Get out of This Place has been recorded or performed in concert by numerous artists, including:
The American Breed (1967),
The Frost (1970),
The Partridge Family (1972),
Bruce Springsteen,
Udo Lindenberg (in a German language adaption),
Blue Öyster Cult (1978),
Steve Bender (1978),
Gilla (1979),
Angelic Upstarts (1980),
Gardens & Villa,
Grand Funk Railroad (1981),
David Johansen (1982, as part of an Animals medley),
Fear (1982),
The Angels (1986),
Richard Thompson (1988),
Jello Biafra and D.O.A. (1989),
Randy Stonehill (1990),
Bon Jovi (1992, as part of an Animals medley),
Midnight Oil (1993, for MTV Unplugged),
Space (1998),
Southside Johnny (concerts in the 2000s),
Overkill (2000),
Widespread Panic (2005),
Ann Wilson with Wynonna Judd (2007),
Alice Cooper (2011)
and many others.
In 1990 Eric Burdon joined Katrina and the Waves for a recording of it for use on China Beach.
In 2000 Barry Mann revisited the song, performing it with Bryan Adams on Manns retrospective solo album Soul & Inspiration.
When Suzi Quatro was on a German tour in 2008 she came on stage and played bass on the song during an Eric Burdon concert at the Porsche Arena in Stuttgart.
Burdon also performed it in 2010 at the Rock and Roll Hall of Fame Induction Ceremony, when songwriters Mann and Weil were inducted.
Later in 2010, Mann and Weil were at The Grammy Museum in Los Angeles – to open a gallery for the Songwriters Hall of Fame – and performed their original version of the song, including previously-unheard lyrics like What are we waiting for? Arson - Weve Gotta Get Out Of This Place (The Animals Cover)](https://i.ytimg.com/vi/edXnw2g7qhc/mqdefault.jpg)
![Anglo Saxton - Ruby (Mel Tillis)
From Ruby / You Better Leave Me Alone
Label: Lucky Eleven – LE-009
Format: Vinyl, 7, 45 RPM, Single, Promo
Country: US
Released: 1966
Tracklist
A Ruby
Written-By – Mel Tillis
B You Better Leave Me Alone
Written-By – Dan Hoffman
Supervised By – Chuck Slaughter
Producer – D. J. Dan St. Jude
Notes
Mastered At – Frankford/Wayne Mastering Labs
D. J. Copy - Not For Sale
🎵 [SONG INFO]
Ruby, Dont Take Your Love to Town is a song written by Mel Tillis about a paralyzed veteran who lies helplessly as his wife paints up to go out for the evening without him; he believes that she is going in search of a lover. As he hears the door slam behind her, he claims that he would murder her if he could move to get his gun, and pleads for her to reconsider. The line in the song about a crazy Asian war and the time of the songs release led to the interpretation that the song was about a veteran of the Vietnam War, although Tillis has said that he wrote the song about a veteran of World War II.
Ruby was first recorded by Waylon Jennings in 1966.
Waylon Jennings recorded Ruby first on September 8, 1966, at RCA Victor Studio in Nashville. However his version sat in the vault for nearly a year and wasnt released until mid-1967 on his Love of the Common People album. During that gap, other artists recorded and put out their versions.
Johnny Darrell reached number nine on the country charts with the song in 1967, and Kenny Rogers and the First Edition released it in 1969.
Tilliss own version appeared on his 1967 album Lifes That Way (re-released as Life Turned Her That Way).
The First Edition version
Kenny Rogers and the First Edition enjoyed success with the hits Just Dropped In (To See What Condition My Condition Was In) and But You Know I Love You, and Rogers wanted to take his group more into a country music direction in 1969. They recorded their version of the song in a single take in June 1968, with Kenny Rogers singing the lead. Rogers version ends with his spoken plea: For Gods sake(s), turn around. The record became an international hit for them in 1969, reaching number two in the UK Singles Chart and staying in the top ten for 12 weeks. In the United States, it reached number six on the Billboard Hot 100 and number 39 on the country chart.
In 1977 Rogers was performing solo after the First Edition disbanded in early 1976. He made re-recordings of this and a number of other First Edition hits for his greatest hits package Ten Years of Gold. It was later issued in the UK as The Kenny Rogers Singles Album. Ten Years of Gold topped the US country charts under that title, and it was just as successful in the United Kingdom.
Other versions
The song has been recorded many times by various artists.
The Statler Brothers covered it on their 1967 album, Big Country Hits.
Other artists who have recorded versions include Bobby Bare, Walter Brennan, Dale Hawkins, George Jones, Jerry Reed, Roger Miller, Cake, The Killers, Sort Sol, Leonard Nimoy, Ralph Stanley II, and the German band Wolfsheim.
Several foreign-language versions have been recorded: Greek singer Nana Mouskouri recorded a French version entitled Ruby, garde ton cœur ici for her 1970 album Dans le soleil et dans le vent; Gerhard Wendland recorded a German version Ruby, schau einmal übern Zaun in 1970; Pavel Bobek, Czech country singer, recorded Oh Ruby, nechtěj mi lásku brát in 1970; Gary Holton and Casino Steels English-language version was a number one hit in Norway at the beginning of 1982. French singer Eddy Mitchell recorded a French version entitled Ruby tu reviens au pays for his 1974 album Rocking in Nashville. In Sweden the country group Rank Strangers placed a version at place 9 (Tio i Topp) in 1970.
Answer songs
Geraldine Stevens released an answer song entitled Billy, Ive Got to Go to Town in 1969. She had previously recorded successfully under the name Dodie Stevens. It is sung to the same melody with an arrangement quite similar to the First Edition version. Billy peaked at number 117 pop, number 57 country. It reached number 83 in Canada. In Stevenss song, Ruby affirms her love for her disabled husband. She pleads in turn for her man to have faith in her fidelity and her commitment to him even in his paralyzed condition.
In 1972, Bobby Womack released the album Understanding, which included the song Ruby Dean. The lyrics and melody are similar to Ruby, Dont Take Your Love to Town but the story is told from the perspective of Rubys son. The son urges his mother to respect his father and to stop seeing other men.
#anglosaxton
#theanglosaxons
#ruby
#meltillis Anglo Saxton - Ruby (Mel Tillis)](https://i.ytimg.com/vi/epwRz9dfAOw/mqdefault.jpg)