Uploaded September 2026 | Updated September 2026, 1 week ago
Out now: orcd.co/rkd022
Berlin’s Khadija unveils the third instalment in her 'Dunya' series on Radio Slave's REK'D label, landing 4th September 2026. Following the release of the fi rst two chapters, which earmarked her as an artist to watch earlier this year, Khadija has become a core presence within the Rekids family, joining label events at Berghain, as well as Amsterdam and Zurich as part of the imprint's 20th Anniversary celebrations. While ‘Dunya’ was originally conceived as a three-part series, it has continued to evolve, with more music in the works and a fourth instalment to follow.
Khadija’s ‘Dunya III’ opens with ‘God’, where an all-encompassing title is distilled into a stripped-back groove, soft string motifs and an impassioned gospel vocal. ‘Glory’ follows with a choir harmonising around deep, soulful vocals as smooth House chords glide over a snappy rhythm, building into a nostalgic and uplifting moment. Closing the release, ‘On and On’ leans into jazz-infl ected territory, pairing delicate piano keys with subtle percussion and raw, emotive singing for a warm and intimate finale.
Khadija is a Berlin-based music producer, DJ, and creative director whose soulful House sound is shaped by her Eritrean heritage. A resident at Heideglühen and founder of the Rafi ki artist collective, she has appeared at venues such as Robert Johnson, Tresor, and Fusion Festival, while her collaboration with Detroit’s Stacey Hotwaxx Hale on Movement Music Records and previous REK’D EPs earned playlist support from Defected and Keinemusik, who also hosted her for a guest radio show.
Out now: orcd.co/rkd022
Berlin’s Khadija unveils the third instalment in her 'Dunya' series on Radio Slave's REK'D label, landing 4th September 2026. Following the release of the fi rst two chapters, which earmarked her as an artist to watch earlier this year, Khadija has become a core presence within the Rekids family, joining label events at Berghain, as well as Amsterdam and Zurich as part of the imprint's 20th Anniversary celebrations. While ‘Dunya’ was originally conceived as a three-part series, it has continued to evolve, with more music in the works and a fourth instalment to follow.
Khadija’s ‘Dunya III’ opens with ‘God’, where an all-encompassing title is distilled into a stripped-back groove, soft string motifs and an impassioned gospel vocal. ‘Glory’ follows with a choir harmonising around deep, soulful vocals as smooth House chords glide over a snappy rhythm, building into a nostalgic and uplifting moment. Closing the release, ‘On and On’ leans into jazz-infl ected territory, pairing delicate piano keys with subtle percussion and raw, emotive singing for a warm and intimate finale.
Khadija is a Berlin-based music producer, DJ, and creative director whose soulful House sound is shaped by her Eritrean heritage. A resident at Heideglühen and founder of the Rafi ki artist collective, she has appeared at venues such as Robert Johnson, Tresor, and Fusion Festival, while her collaboration with Detroit’s Stacey Hotwaxx Hale on Movement Music Records and previous REK’D EPs earned playlist support from Defected and Keinemusik, who also hosted her for a guest radio show.
![Justin Harris - Jutzjazz [RKD016]
Out now: https://orcd.co/rkd016
Justin Harris arrives on REK’D with the ‘Check Your Chains’ EP 6th February 2026. Music For Freaks label co-founder and one half of Freaks alongside Luke Solomon, Harris has been active for over three decades. His ‘Check Your Chains’ EP on Radio Slave’s latest sublabel joins a massive discography spanning four albums and over a hundred EPs between Freaks and his solo work, on labels like Perlon, Visionquest, Classic, Crosstown Rebels, and many more, showing the wealth of experience at his command.
The ‘Check Your Chains’ EP sees Justin Harris delve deep: lush chords, paired-back grooves, delectable keys, and a certain funky, loopy hypnotism that’s modern and classy. ‘Who Needs Rescuing’ brings the Balearic sunshine, while ‘Jutzjazz’ feels right at home in a dim-lit speakeasy, before ‘DJs Should Be Heard And Not Seen’ reads like a statement on the scene, yet as a piece of music is first and foremost deeply felt - this is a four-tracker of pure House quality.
“For me, any release is an opportunity to present a snapshot of my creative pursuits, which now run to more than 30 years. The sole (and soul) reason I make music is for it to be heard and appreciated as far and wide as possible by like-minded people. Any track that I produce is a reflection of what’s going on around me in my world, same as any artist. In that world, for me, Rekids is truly one of my favourite and most respected labels, consistently releasing house music future classics that I always want to play out. So this release for me is a truly great start to 2026!!” Justin Harris Justin Harris - Jutzjazz [RKD016]](https://i.ytimg.com/vi/jnSSBTw2nzc/mqdefault.jpg)
![Odee X - Agent X [RKD009]
Out now: https://orcd.co/Rkd009 Odee X - Agent X [RKD009]](https://i.ytimg.com/vi/kYL_i8ymqFo/mqdefault.jpg)
![Mark Broom - Eyes [REKIDS288]
Out now: orcd.co/REKIDS288
UK Techno and House lynchpin Mark Broom returns to Rekids with the ‘Touch’ EP, landing 8th May 2026. Active since the late ‘80s and widely regarded as one of UK dance music’s most enduring figures, Broom’s catalogue spans key imprints including Warp Records, M-Plant, Hardgroove, and his own Pure Plastic and Beardman, alongside collaborations with the likes of Riva Starr, Baby Ford, and James Ruskin. Since first appearing on Rekids in 2019, he’s gone on to deliver 13 further releases, including his five-part ‘Mutated Battle Breaks’ EP series on sister label RSPX.
Following 2024’s ‘Showtime’ EP, his last House-leaning outing for Rekids, Mark Broom now drops the ‘Touch’ EP. The title track leads the charge, pairing a nostalgic vocal with a Disco-House hybrid feel and jackin’ edge, setting the tone for ‘Eyes’, where he works the filters to build suspense as a loopy sample drives those feel-good dancefloor moments.
The B-side shifts into Techno territory with ‘MXM’, a robust, driving groove marked by a machine-like swirl that steadily pushes the pressure, before closer ‘Don’t’ rounds things out with a hard-hitting drumline and tough, strobe-lit stab work. Mark Broom - Eyes [REKIDS288]](https://i.ytimg.com/vi/kcGQiCladFg/mqdefault.jpg)
![Tiger Stripes - A Dance [REKIDS267]
Out now: https://orcd.co/REKIDS267 Tiger Stripes - A Dance [REKIDS267]](https://i.ytimg.com/vi/kdKTzb_65RI/mqdefault.jpg)
![Dino Lenny - Not About The Volume (Tiger Stripes Remix) [REKIDS277]
Out now: orcd.co/rekids277
Dino Lenny debuts on Radio Slave’s Rekids with ‘Not About The Volume’ on 5th December 2025 alongside a remix from label regular Tiger Stripes. Active for over three decades, Italian/UK DJ, producer, singer, and Fine Human Records label owner Dino Lenny has released on R&S, Diynamic, Innervisions, and Bedrock, while working with artists such as Underworld, Missy Elliott, Wu-Tang Clan, and Madonna on remixes and collaborations. Since 2021, he’s hosted Tomorrowland’s Core, the festival’s alternative electronic stages radio show, which has featured Nina Kraviz, Ellen Allien, DJ Tennis, and more.
Lenny’s ‘Not About The Volume’ boasts a loopy groove that forms the base for impactful, jazz-inflected hits, and at the centre, a quirky, party-starting vocal that’s sure to cement itself in the minds of the dancefloor. Tiger Stripes reworks ‘Not About The Volume’ with a fresh new bassline, quicker drums, and amplified synth elements for a more hypnotic take on yet another Rekids anthem.
“I just wanted to make for once something really simple and fun. A track that made me smile but also reminded me the reason why I started playing records 40 years ago. Not About The Volume’ has a lot of late 80/90 vibes floating in the mix. I still think those were the most creative & innovative days for electronic music.” - Dino Lenny Dino Lenny - Not About The Volume (Tiger Stripes Remix) [REKIDS277]](https://i.ytimg.com/vi/lHIpPcuN9wc/mqdefault.jpg)
![Oliver Dollar & Seven Davis Jr - Speakers Bleed [REKIDS276]
Out now: orcd.co/REKIDS276
German House artist Oliver Dollar announces his ‘Contemporary’ LP on Rekids, arriving 21st November 2025. Since 2024, he has released four EPs on Radio Slave’s label, featuring collaborations with over a dozen artists and singer-songwriters, supported by the likes of Dam Swindle, Louie Vega, Honey Dijon, Hunee, Kai Alce, and more.
Contemporary stands for what Im playing right now, from deeper tunes to more jacking and booty bangers. Ive been working on this album for the last four years and want to thank all of the collaborators and remixers (so far) involved in making this album happen. Also, big thanks to the Rekids team who gave me full creative control and the stage to bring my favourite artists and friends along for the ride.”
Oliver Dollar
Since 2011, Industry Standard label boss Oliver Dollar has become a trusted name in House music, he was one of the leading proponents of its Fidget subgenre in Berlin at the height of its popularity, propelling him towards releases on labels such as Snatch!, Classic Music Company, and Defected, alongside a reputation as a formidable collaborator that’s worked with the likes of Crazy P, Mousse T, and Todd Edwards. For the ‘Contemporary’ LP, he doubles down on this spirit of partnership, bringing together a transatlantic cast of friends and peers, linking Berlin and Detroit through a shared House vision.
The album begins with ‘The New Is Here’, where Oliver Dollar teams up with Nils Ohrman for a soulful sermon that sets the tone with warmth and gravity, which was previously reimagined into a club-focused dub for ‘Contemporary Part Four’. From there, the mood shifts into ‘Downtown’ with Phil WZK, a deep, Jazz-inflected groove underpinned by a spoken monologue that feels both intimate and eternal.
Vocalists like APROPOS, Boog Brown, and Billy Love then bring soul and gospel fire, while producers including ADMN, Seven Davis Jr., Harvard Bass, Brillstein, and Austin Ato shape grooves that range from Disco-tinged uplift to deep, dubby hypnotism. Rather than a showcase of features, the album flows as one unified statement, a celebration of community, connection, and the timeless energy of House music.
Founded in 2006, Radio Slave’s Rekids has since launched the Techno-focused Rekids Special Projects in 2017 and its latest sublabel, REK’D, in 2024. With Matt Edwards as the sole A&R, Rekids has been instrumental in developing emerging artists and remains a trusted home for House and adjacent sounds, recently featuring names such as Hilit Kolet, Tal Fussman, Frankey & Sandrino, Mathias Kaden, Huxley, and many more.
Oliver Dollar’s ‘Contemporary’ LP on Rekids is a genuine team effort, bringing together some of the brightest voices and producers for a masterpiece that seamlessly blends modern and classic House, Dub, and Disco. Oliver Dollar & Seven Davis Jr - Speakers Bleed [REKIDS276]](https://i.ytimg.com/vi/luNOOoyjeyY/mqdefault.jpg)


![Modat - Dish Dash [RKD021]
Out now: orcd.co/rkd021
Scottish DJ, producer and Johnny Johnny Records boss Modat makes his debut on Radio Slaves REKD with the Dashin EP, arriving 21st August 2026. He kicks things off with Still Dashin, a dubbed-out adventure complete with glitchy stabs, acid licks and a subtle shuffle through its straight house groove. Its followed by Phreak Out, which places a playful spoken-word vocal alongside its wonky low-end, before Thawber delivers another deep and stripped-back cut. Closing the EP, Dish Dash pairs futuristic modular bleeps with a tight late-night rhythm to round off the release in style.
“I dont tend to overthink the why behind making music. I just enjoy sitting down, making tunes, and seeing where it leads. With the Dashing EP, the only real brief was to make four records that felt built for the club: energetic, functional, and each with its own personality. Listening back, I can hear a bit of my older Nico Mendez sound creeping back in, which wasnt intentional. But Im not arguing with it either.” — Modat
Glasgows Modat, aka Beau You Know, has been a fixture of the UKs underground house and techno scene since 2010. Alongside appearances at venues and festivals including The Berkeley Suite, The Mash House, Hideout Festival and Platform 18, he heads up Johnny Johnny Records, launched in 2017, and its sister imprint Rhythm. Modat - Dish Dash [RKD021]](https://i.ytimg.com/vi/m1X6yuS6kWg/mqdefault.jpg)

![Tal Fussman - Sea of Blue [REKIDS275]
Out now: https://orcd.co/REKIDS275
Berlin’s Tal Fussman returns to Rekids with the ‘Walking on Mars’ EP, releasing 7th November 2025. It follows the Survival Tactics boss’ recent album on Binh’s Time Passages, as well as his ‘Definition’ (2024) and ‘I Feel’ (2025) EPs on Rekids, with Fussman’s fresh spin on classic House and Techno winning support from the likes of Raresh, Cromby, DVS1, Saoirse, Carista, Honey Dijon, and many more.
The ‘Walking on Mars’ EP opens with ‘Crystallized’, a cavernous cut exclusive to 12”, where Tal Fussman pares back his signature percussive style in favor of a rolling groove set against a deep, atmospheric backdrop. ‘Who’s Who?’ follows, its wild sequences and skewed drumlines colliding in restless motion, before giving way to ‘Sea of Blue’, a pure rhythmic trip infused with dub textures and a hypnotic, evocative vocal sample.
The title track, ‘Walking on Mars’, drives forward on hard-hitting drums that gradually unfold into a soulful house melody, setting the stage for ‘Knowledge_Machine’, a razor-sharp electro finale of snaking synths and an apt robotic vocal. Fussman’s versatility shines throughout, with the EP already winning support from Antal, Rene Wise, Marcel Dettmann, and Fred P.
Founded in 2006, Radio Slave’s Rekids has since launched the Techno-focused Rekids Special Projects in 2017 and its latest sublabel, REK’D, in 2024. With Matt Edwards as the sole A&R, Rekids has been instrumental in developing emerging artists and remains a trusted home for House and adjacent sounds, recently featuring names such as Hilit Kolet, Frankey & Sandrino, Mathias Kaden, Huxley, and many more. Tal Fussman - Sea of Blue [REKIDS275]](https://i.ytimg.com/vi/mYV4uexr1ME/mqdefault.jpg)