Uploaded August 2026 | Updated September 2026, 2 weeks ago
When the designer Kelly Wearstler was five or six years old, she made little drawings and small sculptures out of cans and cartons, laid them out on the table at family gatherings, and put price tags on them.
She grew up in Myrtle Beach, South Carolina, raised by what she calls fiercely independent women who took her to thrift stores, flea markets and auctions. She got her first job at 13. She studied graphic design in Boston, apprenticed in New York with Milton Glaser, the designer behind the I Love New York logo, and then moved to Los Angeles where she waited tables at a Beverly Hills restaurant until one of her regulars became her first client.
Today her design studio runs to 60 people and six verticals — interiors, architecture, licensing, creative direction, a gallery and a Substack newsletter. And next month she launches a 29-piece collection with H&M Home: the first time the retailer has put furniture into a designer collaboration, and the first time it has worked with one designer across both home and fashion.
This week on The BoF Podcast, Kelly joins Amed to talk about advocating for herself before she had any track record, what waiting tables taught her about designing restaurants and how she is using AI inside her studio.
Subscribe to BoF’s YouTube channel to never miss a video.
CONNECT WITH THE BUSINESS OF FASHION:
Web: businessoffashion.com
Twitter: twitter.com/BoF
Facebook: https://www.facebook.com/businessoffa...
Instagram: instagram.com/BoF
LinkedIn: https://www.linkedin.com/company/the-...
Newsletter: businessoffashion.com/newsletters
ABOUT THE BUSINESS OF FASHION: The Business of Fashion is a next-generation fashion media company conceived for today’s global and hyper-connected world. Founded in 2007 by Imran Amed, BoF is known for its authoritative, agenda-setting point of view on the global fashion industry, and is an indispensable resource for fashion executives, creatives, students, and entrepreneurs in over 200 countries. It has been described as “The Economist of Fashion,” “A Daily Destination for Fashion’s Power Players”, and “The Industry Bible”, businessoffashion.com
When the designer Kelly Wearstler was five or six years old, she made little drawings and small sculptures out of cans and cartons, laid them out on the table at family gatherings, and put price tags on them.
She grew up in Myrtle Beach, South Carolina, raised by what she calls fiercely independent women who took her to thrift stores, flea markets and auctions. She got her first job at 13. She studied graphic design in Boston, apprenticed in New York with Milton Glaser, the designer behind the I Love New York logo, and then moved to Los Angeles where she waited tables at a Beverly Hills restaurant until one of her regulars became her first client.
Today her design studio runs to 60 people and six verticals — interiors, architecture, licensing, creative direction, a gallery and a Substack newsletter. And next month she launches a 29-piece collection with H&M Home: the first time the retailer has put furniture into a designer collaboration, and the first time it has worked with one designer across both home and fashion.
This week on The BoF Podcast, Kelly joins Amed to talk about advocating for herself before she had any track record, what waiting tables taught her about designing restaurants and how she is using AI inside her studio.
Subscribe to BoF’s YouTube channel to never miss a video.
CONNECT WITH THE BUSINESS OF FASHION:
Web: businessoffashion.com
Twitter: twitter.com/BoF
Facebook: https://www.facebook.com/businessoffa...
Instagram: instagram.com/BoF
LinkedIn: https://www.linkedin.com/company/the-...
Newsletter: businessoffashion.com/newsletters
ABOUT THE BUSINESS OF FASHION: The Business of Fashion is a next-generation fashion media company conceived for today’s global and hyper-connected world. Founded in 2007 by Imran Amed, BoF is known for its authoritative, agenda-setting point of view on the global fashion industry, and is an indispensable resource for fashion executives, creatives, students, and entrepreneurs in over 200 countries. It has been described as “The Economist of Fashion,” “A Daily Destination for Fashion’s Power Players”, and “The Industry Bible”, businessoffashion.com
