Uploaded June 2025 | Updated September 2026, 3 days ago
On the evening of Friday, June 6th, we proudly presented experimental electronic musician Allan Pichardo’s solo project My Love Mhz (PDX), experimental electronic musician Hal McGee (FL), Chris Phinney and Jeff Chenault’s noise project Skull Vacuum (CMH/MEM), and noise musician/circuit bender/artist Michael Hancock (CVG).
Supporters of our 2024-2025 season include the Greater Columbus Arts Council, Columbus City Council, Columbus Mayor, and Franklin County Commissioners, the Ohio Arts Council, the National Endowment for the Arts, and the Columbus Foundation.
About the artist: Performing under the name My Love MHz, Allan Pichardo creates hypnotic and groove-driven ambient music through the expressive use of analog synthesizers, loopers, and live sequencing. His layered, meditative soundscapes seamlessly blend evolving drones and improvisational rhythms, balancing tranquil textures with dynamic, groove-oriented percussion. His latest album, Polychord Drone, exemplifies this approach—shifting fluidly between deeply immersive atmospheres and energetic, improvised drum grooves.
On the evening of Friday, June 6th, we proudly presented experimental electronic musician Allan Pichardo’s solo project My Love Mhz (PDX), experimental electronic musician Hal McGee (FL), Chris Phinney and Jeff Chenault’s noise project Skull Vacuum (CMH/MEM), and noise musician/circuit bender/artist Michael Hancock (CVG).
Supporters of our 2024-2025 season include the Greater Columbus Arts Council, Columbus City Council, Columbus Mayor, and Franklin County Commissioners, the Ohio Arts Council, the National Endowment for the Arts, and the Columbus Foundation.
About the artist: Performing under the name My Love MHz, Allan Pichardo creates hypnotic and groove-driven ambient music through the expressive use of analog synthesizers, loopers, and live sequencing. His layered, meditative soundscapes seamlessly blend evolving drones and improvisational rhythms, balancing tranquil textures with dynamic, groove-oriented percussion. His latest album, Polychord Drone, exemplifies this approach—shifting fluidly between deeply immersive atmospheres and energetic, improvised drum grooves.
