Uploaded October 2025 | Updated September 2026, 2 weeks ago
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Camera by Julia Blair, Amos Pitch, and Ridley Tankersley
Edited by Ridley Tankersley
Web: dgrecords.com
Instagram: instagram.com/dongiovannirecords
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Don't forget to subscribe for more great exclusive videos: dongiovanni.co/subscribe
Order/Stream "All Of My Important Things": dongiovanni.co/AllOfMyImportantThings
Camera by Julia Blair, Amos Pitch, and Ridley Tankersley
Edited by Ridley Tankersley
Web: dgrecords.com
Instagram: instagram.com/dongiovannirecords
Facebook: facebook.com/dongiovannirecords
![Mourning [A] BLKstar - Literary Witches | Music Video](https://i.ytimg.com/vi/WDn12HAkdtY/mqdefault.jpg "Mourning [A] BLKstar - Literary Witches | Music Video
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Ancient//Future is the band’s first official album since their acclaimed 2020 album The Cycle, and arrives in the wake of Celestial Bodies—a collection of works that includes collaborations with beloved television programming block Adult Swim, Berlin-based dance company Christoph Winkler, and the Cleveland Museum of Art. Putting on Ancient//Future, it quickly becomes clear that M[A]B have grown exponentially since their last studio effort. Featuring contributions by violinist Caitlin Edwards, Ancient//Future presents M[A]B at their most direct, unrepressed, and thought-provoking – a work aptly represented in the album’s compelling cover art, created by LA-based artist Dakari Akil. Through a dialogue between contemporary digital techniques and live instrumentation, they are dedicated to crafting aural stories that illuminate the African Diaspora. With a unique blend of organic textures, harmonized vocals, and hip-hop production, M[A]Bs work transcends genre and eschews convention.
Arriving on the heels of a tour supporting celebrated experimentalist Lonnie Holley, M[A]B returns with a commanding album filled with rich auditory exploration and profound narratives. At the core of Ancient//Future is a rousing, ruminative thesis: “In a world that is shaken at its core, at war with the earth and in its values, in its capital perspective and ignorant to the depth of life’s meaning we offer a suite of songs entitled Ancient//Future. How do you approach a flame that spits fire in all directions? A flame that careens the message on its very back? In a landscape filled with love and love lost, valor and brewing contempt of a marginalized box with tight locks. This output breaks through the ceiling and demands to be seen in full color and uninhibited nakedness.” Exploring themes of intense passion, love, loss, courage, and marginalized anger, M[A]B aren’t afraid to confront the turmoils and conflicts of our contemporary world to blaze new paths forward.
Ancient//Future is a bold continuation of their commitment to challenging the cultural paradoxes of America and forging new pathways in what they call heart music, further solidifying their place as one of the most innovative forces in modern music. Stay tuned for more updates and announcements from M[A]B as they gear up to share more of their inspired and unexpected music.
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![Paisley Fields - Are U Mad At Me [FULL ALBUM]](https://i.ytimg.com/vi/XAwFlwiHdzM/mqdefault.jpg "Paisley Fields - Are U Mad At Me [FULL ALBUM]
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00:00 parTy girl
03:01 Straight Panic Defense
05:12 In The Shadows
07:46 Arthur Gets A Ring
08:17 1984
11:22 You Should Tell Your Wife
15:12 Are U Mad At Me
15:18 Pronoun Meltdown
17:28 Hands Off The Hat
21:12 Apalachicola to Tallahassee
26:01 Silver Spurs
29:06 Uncle Charlies
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![Salem 66 - A Ripping Spin (1985) [remastered]](https://i.ytimg.com/vi/ZW1czFeVYC0/mqdefault.jpg "Salem 66 - A Ripping Spin (1985) [remastered]
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http://dongiovanni.co/Salem66
Salem 66 were founded by Judy Grunwald, Beth Kaplan and Susan Merriam in Boston in 1981. A major part of a thriving Boston scene that produced bands like Mission of Burma and Dinosaur Jr (Dinosaur Jrs first New York show was notably an opening slot for Salem 66 at Folk City), the band were ahead of their time.
They were one of the few women-led bands in their scene, and made their mark with an adventurous blend of arty post-punk (they notably covered Wires Fragile) and melodic pop. Between 1984 and 1990 they released one self-titled EP, 2 singles and 4 albums, 1985s A Ripping Spin, 1987s Frequency & Urgency, 1988s Natural Disasters, National Treasures, and 1990s Down The Primrose Path (produced by Sean Slade and Paul Q. Kolderie who went on to produce Radiohead’s Pablo Honey and Hole’s Live Through This), all on the venerable New York imprint Homestead Records, label home to bands like Sonic Youth, Big Black and The Chills. The band earned comparisons to R.E.M., The Talking Heads and The Velvet Underground from The New York Times, and further praise from outlets like Rolling Stone, CREEM and the Village Voice. They shared stages with The Replacements, Mission of Burma, the Go-Betweens, the Wipers, the Saints and the Raincoats, and toured across the country on multiple occasions, but despite their prominence in the 80s, the Salem 66 catalog has been out of print for decades and their music has never been available on streaming.
00:00 Love and Truth
04:04 Primavera
07:24 Fragile
08:42 Water Watch Dog
12:48 Carry a Torch
17:02 Across the Sea
20:53 Chinchilla
24:46 Ancient Eyes
27:40 Playground
32:36 The Vessel
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