Uploaded July 2020 | Updated September 2026, 17 hours ago
Judge Dread - Big Six
WAV/MP3 Download @ judgedread.bandcamp.com/track/big-six
"Big Six" is a song and single written by Alvin Ranglin and Judge Dread performed by Dread and released in 1972.
"Big Six" was Dread's first UK hit single. It made 11 on the UK Singles Chart in 1972 staying there for 27 weeks. Costing only £6 to record and described as "lewd", the song received almost no radio airplay due to its risqué lyrics. The song consists of Dread's ribald lyrics over a nursery rhyme tune."Big Six" is a song and single written by Alvin Ranglin and Judge Dread performed by Dread and released in 1972.
"Big Six" was Dread's first UK hit single. It made 11 on the UK Singles Chart in 1972 staying there for 27 weeks. Costing only £6 to record and described as "lewd", the song received almost no radio airplay due to its risqué lyrics. The song consists of Dread's ribald lyrics over a nursery rhyme tune.
When Prince Buster had a big underground hit in 1969 with "Big 5", singer Alexander Hughes capitalised on it with the recording of his own "Big Six", based on Verne & Son's "Little Boy Blue", which was picked up by Trojan boss Lee Gopthal, and released on Trojan's 'Big Shot' record label under the stage name Judge Dread, the name taken from another of Prince Buster's songs.
According to UK newspaper The Independent, this came about after he played the track to Trojan Records' production team in 1972: one of the team, Joe Sinclair, later recalled: "When Dread brought in his demo, we didn't exactly think it was a national hit but we reckoned we could pick up something around the region of 70,000 sales with the help of a change of title. You see, the Judge called it 'Little Boy Blue', whereas I thought 'Big Six' would create interest by making the association with Prince Buster's 'Big Five' more obvious. It sold 300,000 copies in the UK and in 1973, it made No 1 in Africa."
As a reggae song it was also popular in Jamaica. So much so that Dread visited the country to perform in Kingston to a surprised audience who, until he appeared on stage, had never considered that he might be white.
#JudgeDread #BigSix
Judge Dread - Big Six
WAV/MP3 Download @ judgedread.bandcamp.com/track/big-six
"Big Six" is a song and single written by Alvin Ranglin and Judge Dread performed by Dread and released in 1972.
"Big Six" was Dread's first UK hit single. It made 11 on the UK Singles Chart in 1972 staying there for 27 weeks. Costing only £6 to record and described as "lewd", the song received almost no radio airplay due to its risqué lyrics. The song consists of Dread's ribald lyrics over a nursery rhyme tune."Big Six" is a song and single written by Alvin Ranglin and Judge Dread performed by Dread and released in 1972.
"Big Six" was Dread's first UK hit single. It made 11 on the UK Singles Chart in 1972 staying there for 27 weeks. Costing only £6 to record and described as "lewd", the song received almost no radio airplay due to its risqué lyrics. The song consists of Dread's ribald lyrics over a nursery rhyme tune.
When Prince Buster had a big underground hit in 1969 with "Big 5", singer Alexander Hughes capitalised on it with the recording of his own "Big Six", based on Verne & Son's "Little Boy Blue", which was picked up by Trojan boss Lee Gopthal, and released on Trojan's 'Big Shot' record label under the stage name Judge Dread, the name taken from another of Prince Buster's songs.
According to UK newspaper The Independent, this came about after he played the track to Trojan Records' production team in 1972: one of the team, Joe Sinclair, later recalled: "When Dread brought in his demo, we didn't exactly think it was a national hit but we reckoned we could pick up something around the region of 70,000 sales with the help of a change of title. You see, the Judge called it 'Little Boy Blue', whereas I thought 'Big Six' would create interest by making the association with Prince Buster's 'Big Five' more obvious. It sold 300,000 copies in the UK and in 1973, it made No 1 in Africa."
As a reggae song it was also popular in Jamaica. So much so that Dread visited the country to perform in Kingston to a surprised audience who, until he appeared on stage, had never considered that he might be white.
#JudgeDread #BigSix








![Scientist V Prince Jammy Big Showdown at King Tubbys (1980)
Scientist V Prince Jammy Big Showdown at King Tubbys (1980)
Hopeton Overton Brown (born 18 April 1960 in Kingston, Jamaica) is a recording engineer and producer who rose to fame in the 1980s mixing dub music as Scientist. A protégé of King Tubby (Osbourne Ruddock), Scientists contemporaries include several figures who, working at King Tubbys studio, had helped pioneer the genre in the 1970s: Ruddock, Bunny Lee, Philip Smart, Pat Kelly and Prince Jammy.
Scientist was introduced to electronics by his father, who worked as a television and radio repair technician. He began building his own amplifiers and would buy transformers from Tubbys Dromilly Road studio. While at the studio, Scientist asked Tubby to give him a chance at mixing. He was taken on at Tubbys as an assistant, performing tasks such as winding transformer coils, and began working as a mixer in the mid-1970s, initially creating dubs of reworked Studio One tracks for Don Maiss Roots Tradition label, given his chance when Prince Jammy cut short a mixing session for Mais because he was too tired to continue.[1] His name originated from a comment by Tubby to Bunny Lee, with regard to his technical proficiency, Damn, this little boy must be a scientist.
He left King Tubbys at the end of the 1970s and became the principal engineer for Channel One when hired by the Hoo Kim brothers, giving him the chance to work on a 16-track mixing desk rather than the four tracks at Tubbys.
Scientist came to prominence in the early 1980s and produced many albums, his mixes featuring on many releases in the first part of the decade. He made a series of albums in the early 1980s, released on Greensleeves Records with titles themed around Scientists fictional achievements in fighting Space Invaders, Pac-Men, and Vampires, and winning the World Cup. The music on these albums was played by Roots Radics, his most frequent collaborators. In particular, he was the favourite engineer of Henry Junjo Lawes, for whom he mixed several albums featuring the Roots Radics, many based on tracks by Barrington Levy. He also did a lot of work for Linval Thompson and Jah Thomas. In 1982 he left Channel One to work at Tuff Gong studio as second engineer to Errol
Brown.
Scientist worked as an engineer in recording studios in the Washington, D.C. area starting in 1985.
Scientist has alleged in court that Greensleeves originally released albums without his knowledge, according to his interview with United Reggae online magazine. After this, Dub Мир label began working directly with Scientist to reissue his best-known work. In 2016, Greensleeves removed the Scientist moniker for a run of reissues, substituting titles such as Junjo Presents: Wins The World Cup.
#Scientist #MusicManzionHolland
01 –Scientist Round 1
02 –Prince Jammy Round 2
03 –Scientist Round 3
04 –Prince Jammy Round 4
05 –Scientist Round 5
06 –Prince Jammy Round 6
07 –Scientist Round 7
08 –Prince Jammy Round 8
09 –Scientist Round 9
10 –Prince Jammy Round 10 Scientist V Prince Jammy Big Showdown at King Tubbys (1980)](https://i.ytimg.com/vi/Ra5HIxEh_JU/mqdefault.jpg)

