Uploaded September 2025 | Updated September 2026, 1 week ago
Lifelong San Francisco Bay Area Latin jazz percussionist, producer, and Machete record label founder John Santos recalls his Puerto Rican and Cape Verdean family roots and his path into a career of music. He philosophizes on the power of a recording and the value of album notes that place the music in a meaning-giving cultural and social context.
Videography by Mariana Núñez Lozado, Lillian Schneyer, Yijo Shen, Cara Taylor, and Charlie Weber Produced by Daniel E. Sheehy, Charlie Weber
Story by Los Herederos
Edited by Los Herederos
Project coordination by Logan E. Clark
Captioning by Francisco A. Philibert, Alphi Productions
Photos by Michael G. Stewart, Tom Erlich, C. Daniel Dawson, Tony Portillo, David Belove, and S. A. Cohner
Album design by Jeremy Sutton, Rick Rawlins, Tyler Askew, Tony Portillo, Ericka Hamburg, Juan Raymat, and Ronald Clyne, courtesy of John Santos, Machete Records, and Smithsonian Folkways Recordings
Este Proyecto recibió apoyo federal del Fondo de Iniciativas Latinas, administrado por el Museo Nacional del Latino Estadounidense.
This project received federal support from the Latino Initiatives Pool, administered by the National Museum of the American Latino.
Stream John Santos here:
Smithsonian Folkways: https://folkways.si.edu/search?query=john%20santos
Bandcamp: thejohnsantossextet.bandcamp.com/album/art-of-the-descarga
Smithsonian Folkways: https://folkways.si.edu
Facebook: facebook.com/smithsonianfolkwaysrecordings
Twitter: https://x.com/SmithsonianFolk
Instagram: instagram.com/smithsonianfolkways
Support our work, become a Friend of Folkways:
https://folkways.si.edu/friends-of-folkways
The content and comments posted here are subject to the Smithsonian Institution copyright and privacy policy (www.si.edu/copyright). Smithsonian reserves the right in its sole discretion to remove any content at any time.
Lifelong San Francisco Bay Area Latin jazz percussionist, producer, and Machete record label founder John Santos recalls his Puerto Rican and Cape Verdean family roots and his path into a career of music. He philosophizes on the power of a recording and the value of album notes that place the music in a meaning-giving cultural and social context.
Videography by Mariana Núñez Lozado, Lillian Schneyer, Yijo Shen, Cara Taylor, and Charlie Weber Produced by Daniel E. Sheehy, Charlie Weber
Story by Los Herederos
Edited by Los Herederos
Project coordination by Logan E. Clark
Captioning by Francisco A. Philibert, Alphi Productions
Photos by Michael G. Stewart, Tom Erlich, C. Daniel Dawson, Tony Portillo, David Belove, and S. A. Cohner
Album design by Jeremy Sutton, Rick Rawlins, Tyler Askew, Tony Portillo, Ericka Hamburg, Juan Raymat, and Ronald Clyne, courtesy of John Santos, Machete Records, and Smithsonian Folkways Recordings
Este Proyecto recibió apoyo federal del Fondo de Iniciativas Latinas, administrado por el Museo Nacional del Latino Estadounidense.
This project received federal support from the Latino Initiatives Pool, administered by the National Museum of the American Latino.
Stream John Santos here:
Smithsonian Folkways: https://folkways.si.edu/search?query=john%20santos
Bandcamp: thejohnsantossextet.bandcamp.com/album/art-of-the-descarga
Smithsonian Folkways: https://folkways.si.edu
Facebook: facebook.com/smithsonianfolkwaysrecordings
Twitter: https://x.com/SmithsonianFolk
Instagram: instagram.com/smithsonianfolkways
Support our work, become a Friend of Folkways:
https://folkways.si.edu/friends-of-folkways
The content and comments posted here are subject to the Smithsonian Institution copyright and privacy policy (www.si.edu/copyright). Smithsonian reserves the right in its sole discretion to remove any content at any time.
![Jake Blount & Mali Obomsawin - Old Indian Hymn (Official Audio)
Listen to Jake Blount & Mali Obomsawins textural and moody Old Indian Hymn, from their album symbiont. About the song, the artists write:
We learned Old Indian Hymn from a shape note hymnal titled Indian Melodies by Thomas Commuck (Narragansett, Brothertown)—what some have called the first published music by an Indigenous composer. In the text, Commuck explains that the Narragansett Tribe and others along the Atlantic coast heard [the song] in the air… many years before the arrival of the whites in America. Long afterward, representatives of those tribes heard the inhabitants of the nascent Plymouth Colony singing the same tune during a church service.
Our version of the song incorporates complex, interlocking percussion parts played on many different instruments, and textural components that blend processed vocal performances by Windborne with synthesizers controlled by a wormwood plant. A testament to the beauty, diversity and interconnectedness of life, Old Indian Hymn functions as the spiritual core of symbiont.
Jake Blount: synthesizers, percussion, vocals
Mali Obomsawin: percussion, vocals
Windborne: vocals
Artemisia absinthium also controls the synthesizers
Lyrics:
Glory to her the mother be
Glory to moon and sun
Glory to birds up on the wing,
To wild things where they run
Down from above the ancient ones
Have come into my breath
To speak of their eternal love
To warn us of the test
Hallelujah hosanna
Unto the ancients we shall cry
With confidence of soul
In hopes that may yet survive
When the final bell has tolled
Hallelujah hosanna
There is a stream that issues forth
From soil and from bone
A living stream both dark and deep
And strong as ancient stone
Stream/purchase:
Smithsonian Folkways: https://folkways.si.edu/jake-blount-and-mali-obomsawin/symbiont
All other platforms: https://orcd.co/jake-blount-and-mali-obomsawin
From the first notes of symbiont, the radical new collaborative album and document of Black and Indigenous futurism from Jake Blount and Mali Obomsawin, the listener is met with rising tidewaters, massive droughts, and the appearance of an iconoclastic uprising amidst the world’s indifference. Questions of future or present tense swirl around the music as the duo unspools the intertwined threads of racial and climate justice. Amid rumbling synthesizer drones, the thrum of banjo, and the thwack of drum machines, a whisper of truth can be heard: this crisis has been unfolding for centuries.
Jake Blount:
Website: https://jakeblount.com/
Facebook: https://www.facebook.com/notjacobnotblunt
Twitter: https://twitter.com/forked_queer
Instagram: https://www.instagram.com/jake.m.blount/
TikTok: https://www.tiktok.com/@jake.m.blount?lang=en
Mali Obomsawin:
Website: https://www.maliobomsawin.com/
Facebook: https://www.facebook.com/maliobomsawin/
Twitter: https://x.com/featherbitchxx
Instagram: https://www.instagram.com/maliobomsawin/
Smithsonian Folkways: https://folkways.si.edu
Facebook: https://www.facebook.com/smithsonianfolkwaysrecordings
Twitter: https://twitter.com/Folkways
Instagram: https://www.instagram.com/smithsonianfolkways/
Support our work! Become a Friend of Folkways: https://folkways.si.edu/friends-of-folkways
The content and comments posted here are subject to the Smithsonian Institution copyright and privacy policy (www.si.edu/copyright). Smithsonian reserves the right in its sole discretion to remove any content at any time. Jake Blount & Mali Obomsawin - Old Indian Hymn (Official Audio)](https://i.ytimg.com/vi/rprSEJymPL8/mqdefault.jpg)




