Uploaded April 2011 | Updated September 2026, 1 hour ago
Johann Sebastian Bach[1] (21 March 1685, O.S.31 March 1685, N.S. -- 28 July 1750, N.S.) was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.[2] Although he did not introduce new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation, and the adaptation of rhythms, forms and textures from abroad, particularly from Italy and France.
Revered for their intellectual depth, technical command and artistic beauty, Bach's works include the Brandenburg Concertos, the Goldberg Variations, the Partitas, The Well-Tempered Clavier, the Mass in B minor, the St Matthew Passion, the St John Passion, the Magnificat, the Musical Offering, The Art of Fugue, the English and French Suites, the Sonatas and Partitas for solo violin, the Cello Suites, more than 200 surviving cantatas, and a similar number of organ works, including the famous Toccata and Fugue in D minor and Passacaglia and Fugue in C minor, and the Great Eighteen Chorale Preludes and Organ Mass.
Bach's abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the main composers of the Baroque style, and as one of the greatest composers of all time.
Johann Sebastian Bach[1] (21 March 1685, O.S.31 March 1685, N.S. -- 28 July 1750, N.S.) was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.[2] Although he did not introduce new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation, and the adaptation of rhythms, forms and textures from abroad, particularly from Italy and France.
Revered for their intellectual depth, technical command and artistic beauty, Bach's works include the Brandenburg Concertos, the Goldberg Variations, the Partitas, The Well-Tempered Clavier, the Mass in B minor, the St Matthew Passion, the St John Passion, the Magnificat, the Musical Offering, The Art of Fugue, the English and French Suites, the Sonatas and Partitas for solo violin, the Cello Suites, more than 200 surviving cantatas, and a similar number of organ works, including the famous Toccata and Fugue in D minor and Passacaglia and Fugue in C minor, and the Great Eighteen Chorale Preludes and Organ Mass.
Bach's abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the main composers of the Baroque style, and as one of the greatest composers of all time.
![Life of Ernesto Che Guevara Part 7
The Cuban Revolution was a successful armed revolt by Fidel Castros 26th of July Movement that overthrew the U.S.-backed Cuban dictator Fulgencio Batista on January 1, 1959.
Ernesto Che Guevara (Spanish pronunciation: [ˈtʃe geˈβaɾa];[5] June 14,[1] 1928 October 9, 1967), commonly known as El Che or simply Che, was an Argentine Marxist revolutionary, physician, author, intellectual, guerrilla leader, diplomat and military theorist. A major figure of the Cuban Revolution, his stylized visage has become a ubiquitous countercultural symbol of rebellion and global insignia within popular culture. Life of Ernesto Che Guevara Part 7](https://i.ytimg.com/vi/kfgDArbnBfg/mqdefault.jpg)
![Franz Schubert (Unfinished) Symphony No.8 in B minor
Franz Schuberts Symphony No. 8 in B minor (sometimes renumbered as Symphony No. 7[1]), commonly known as the Unfinished Symphony (German: Unvollendete), D.759, was started in 1822 but left with only two movements known to be complete, even though Schubert would live for another six years. A scherzo, nearly completed in piano score but with only two pages orchestrated, also survives. It has long been theorized that Schubert may have sketched a finale which instead became the big B minor entracte from his incidental music to Rosamunde, but all the evidence for this is circumstantial.[1] One possible reason for Schuberts leaving the symphony incomplete is the predominance of the same meter (three-in-a-bar). The first movement is in 3/4, the second in 3/8 and the third (an incomplete scherzo) also in 3/4. Three consecutive movements in exactly the same meter rarely occur in the symphonies, sonatas or chamber works of the great Viennese composers (one notable exception being Haydns Farewell Symphony).The complete movements form a convincing unity; masterful in harmonic organization and orchestration, they are expressive without being diffuse, a criticism often levelled against passages in Schuberts earlier works.
The work is often referred to as the first romantic symphony (alluding to classical musics romantic period, about 1790 to 1910) because of its emphasis on expressive melody, vivid harmony, and creative combinations of orchestral tone color. To this day, musicologists disagree as to why Schubert failed to complete the symphony, but there is wide agreement that the work offers a compelling vision unprecedented in classical music. Franz Schubert (Unfinished) Symphony No.8 in B minor](https://i.ytimg.com/vi/kn7z1C0FQqQ/mqdefault.jpg)
![Johann Sebastian Bach BBC Documentary part 5
Johann Sebastian Bach[1] (21 March 1685, O.S.31 March 1685, N.S. 28 July 1750, N.S.) was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.[2] Although he did not introduce new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation, and the adaptation of rhythms, forms and textures from abroad, particularly from Italy and France.
Revered for their intellectual depth, technical command and artistic beauty, Bachs works include the Brandenburg Concertos, the Goldberg Variations, the Partitas, The Well-Tempered Clavier, the Mass in B minor, the St Matthew Passion, the St John Passion, the Magnificat, the Musical Offering, The Art of Fugue, the English and French Suites, the Sonatas and Partitas for solo violin, the Cello Suites, more than 200 surviving cantatas, and a similar number of organ works, including the famous Toccata and Fugue in D minor and Passacaglia and Fugue in C minor, and the Great Eighteen Chorale Preludes and Organ Mass.
Bachs abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the main composers of the Baroque style, and as one of the greatest composers of all time. Johann Sebastian Bach BBC Documentary part 5](https://i.ytimg.com/vi/ks3UowzjYls/mqdefault.jpg)
![Ludwig van Beethoven BBC Documentary (Part 13 of 18)
Ludwig van Beethoven[1] (17 December 1770 26 March 1827) was a German composer and pianist. The crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential composers of all time.
Born in Bonn, then the capital of the Electorate of Cologne and part of the Holy Roman Empire of the German Nation in present-day Germany, Beethoven moved to Vienna in his early 20s, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. His hearing began to deteriorate in the late 1790s, yet he continued to compose, conduct, and perform, even after becoming completely deaf. Ludwig van Beethoven BBC Documentary (Part 13 of 18)](https://i.ytimg.com/vi/kuUcZIiwIlE/mqdefault.jpg)
![Wolfgang Amadeus Mozart BBC Documentary Part 10/18
Wolfgang Amadeus Mozart (German: [ˈvɔlfɡaŋ amaˈdeus ˈmoːtsaʁt], English see fn.),[1] baptismal name Johannes Chrysostomus Wolfgangus Theophilus Mozart[2] (27 January 1756 5 December 1791), was a prolific and influential composer of the Classical era. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. He is among the most enduringly popular of classical composers.
Mozart showed prodigious ability from his earliest childhood in Salzburg. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, he was engaged as a court musician in Salzburg, but grew restless and travelled in search of a better position, always composing abundantly. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of Mozarts death. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons.
Mozart learned voraciously from others, and developed a brilliance and maturity of style that encompassed the light and graceful along with the dark and passionate. His influence on subsequent Western art music is profound. Beethoven wrote his own early compositions in the shadow of Mozart, of whom Joseph Haydn wrote that posterity will not see such a talent again in 100 years.[3] Wolfgang Amadeus Mozart BBC Documentary Part 10/18](https://i.ytimg.com/vi/kzt7N8Rlm6g/mqdefault.jpg)
![Wolfgang Amadeus Mozart BBC Documentary Part 5/18
Wolfgang Amadeus Mozart (German: [ˈvɔlfɡaŋ amaˈdeus ˈmoːtsaʁt], English see fn.),[1] baptismal name Johannes Chrysostomus Wolfgangus Theophilus Mozart[2] (27 January 1756 5 December 1791), was a prolific and influential composer of the Classical era. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. He is among the most enduringly popular of classical composers.
Mozart showed prodigious ability from his earliest childhood in Salzburg. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, he was engaged as a court musician in Salzburg, but grew restless and travelled in search of a better position, always composing abundantly. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of Mozarts death. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons.
Mozart learned voraciously from others, and developed a brilliance and maturity of style that encompassed the light and graceful along with the dark and passionate. His influence on subsequent Western art music is profound. Beethoven wrote his own early compositions in the shadow of Mozart, of whom Joseph Haydn wrote that posterity will not see such a talent again in 100 years.[3] Wolfgang Amadeus Mozart BBC Documentary Part 5/18](https://i.ytimg.com/vi/m7-fehe66xc/mqdefault.jpg)
![French Revolution 7/9
The French Revolution (French: Révolution française; 1789 99) was a period of radical social and political upheaval in French and European history. The absolute monarchy that had ruled France for centuries collapsed in three years. French society underwent an epic transformation as feudal, aristocratic and religious privileges evaporated under a sustained assault from liberal political groups and the masses on the streets. Old ideas about hierarchy and tradition succumbed to new Enlightenment principles of citizenship and inalienable rights.
The French Revolution began in 1789 with the convocation of the Estates-General in May. The first year of the Revolution witnessed members of the Third Estate proclaiming the Tennis Court Oath in June, the assault on the Bastille in July, the passage of the Declaration of the Rights of Man and of the Citizen in August, and an epic march on Versailles that forced the royal court back to Paris in October. The next few years were dominated by tensions between various liberal assemblies and a conservative monarchy intent on thwarting major reforms. A republic was proclaimed in September 1792 and King Louis XVI was executed the next year. External threats also played a dominant role in the development of the Revolution. The French Revolutionary Wars started in 1792 and ultimately featured spectacular French victories that facilitated the conquest of the Italian peninsula, the Low Countries and most territories west of the Rhine—achievements that had defied previous French governments for centuries. Internally, popular sentiments radicalized the Revolution significantly, culminating in the Reign of Terror from 1793 until 1794 during which between 16,000 and 40,000 people were killed.[1] After the fall of Robespierre and the Jacobins, the Directory assumed control of the French state in 1795 and held power until 1799, when it was replaced by the Consulate under Napoleon Bonaparte.
The modern era has unfolded in the shadow of the French Revolution. The growth of republics and liberal democracies, the spread of secularism, the development of modern ideologies and the invention of total war[2] all mark their birth during the Revolution. Subsequent events that can be traced to the Revolution include the Napoleonic Wars, two separate restorations of the monarchy and two additional revolutions as modern France took shape. In the following century, France would be governed at one point or another as a republic, constitutional monarchy and two different empires (the First and Second). French Revolution 7/9](https://i.ytimg.com/vi/mIhUfYoaVwc/mqdefault.jpg)
![Frédéric François Chopin Ballade No.1 in G minor, Opus 23
Frédéric Chopins four ballades are one-movement pieces for solo piano, composed between 1835 and 1842. They are some of the most challenging pieces in the standard piano repertoire.[1][2]
The term ballade was associated with French poetry until the mid-19th century, when Chopin was among the first to pioneer the ballade as a musical form. The four ballades are said to have been inspired by poet Adam Mickiewicz.[1][3] The exact inspiration for each individual ballade, however, is unclear and disputed.
It is clear, however, that they are a novel innovation of Chopins, and that they cannot be placed into another (e.g. the sonata) form. Although they do not conform exactly to Sonata form, the ballade form created by Chopin for his 4 ballades is a distinct variant of Sonata form with specific discrepancies, such as the mirror reprise (presenting the two expositional themes in reverse order during the recapitulation). The ballades have also directly influenced composers such as Franz Liszt and Johannes Brahms who, after Chopin, wrote ballades of their own.[2]
Besides sharing the title, the four ballades are entities distinct from each other. According to composer and music critic Louis Ehlert, Each [ballade] differs entirely from the others, and they have but one thing in common their romantic working out and the nobility of their motifs. [2] Modern theorists have shown, however, that the ballades do have much in common, such as the ballade meter (6/4 or 6/8) and certain formal practices like the mirror reprise and delaying the structural dominant.
The four ballades are among the most enduring of Chopins compositions, and are frequently heard in concerts.[4] Frédéric François Chopin Ballade No.1 in G minor, Opus 23](https://i.ytimg.com/vi/mUjDlW78lOE/mqdefault.jpg)
![Wolfgang Amadeus Mozart Symphony No. 41 Jupiter Leibowitz part 3/3
Wolfgang Amadeus Mozart (German: [ˈvɔlfɡaŋ amaˈdeus ˈmoːtsaʁt], English see fn.),[1] baptismal name Johannes Chrysostomus Wolfgangus Theophilus Mozart[2] (27 January 1756 5 December 1791), was a prolific and influential composer of the Classical era. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. He is among the most enduringly popular of classical composers.
Mozart showed prodigious ability from his earliest childhood in Salzburg. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, he was engaged as a court musician in Salzburg, but grew restless and travelled in search of a better position, always composing abundantly. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of Mozarts death. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons.
Mozart learned voraciously from others, and developed a brilliance and maturity of style that encompassed the light and graceful along with the dark and passionate. His influence on subsequent Western art music is profound. Beethoven wrote his own early compositions in the shadow of Mozart, of whom Joseph Haydn wrote that posterity will not see such a talent again in 100 years.[3] Wolfgang Amadeus Mozart Symphony No. 41 Jupiter Leibowitz part 3/3](https://i.ytimg.com/vi/mj85BT4twt8/mqdefault.jpg)

![History of Italian opera-Viva Verdi - part 3of 7
Giuseppe Fortunino Francesco Verdi (Italian pronunciation: [dʒuˈzɛppe ˈverdi]; 10 October 1813 27 January 1901) was an Italian Romantic composer, mainly of opera. He was one of the most influential composers of the 19th century. His works are frequently performed in opera houses throughout the world and, transcending the boundaries of the genre, some of his themes have long since taken root in popular culture such as La donna è mobile from Rigoletto, Va, pensiero (The Chorus of the Hebrew Slaves) from Nabucco, Libiamo ne lieti calici (The Drinking Song) from La traviata and the Grand March from Aida.
Verdis masterworks dominate the standard opera repertoire a century and a half after their composition. History of Italian opera-Viva Verdi - part 3of 7](https://i.ytimg.com/vi/mvZz9FG6OME/mqdefault.jpg)