![Jessica Aszodi: Practice-based research in experimental performing practice [06.11.2018] @HuddCeReNeM](https://i.ytimg.com/vi/Rack3LdfNi8/maxresdefault.jpg)
Uploaded January 2019 | Updated September 2026, 1 week ago
Jessica Aszodi presents her lecture "Practice-based research in experimental performing practice", in which she discusses what she does, how she does it, and why she works the way she does with regards to contemporary vocal performance. In doing so she discusses Jennifer Walshe's 'Glori', as well as her own work and devisement's both solo and via collaboration.
jessicaaszodi.com
research.hud.ac.uk/institutes-centres/cerenem
Jessica Aszodi presents her lecture "Practice-based research in experimental performing practice", in which she discusses what she does, how she does it, and why she works the way she does with regards to contemporary vocal performance. In doing so she discusses Jennifer Walshe's 'Glori', as well as her own work and devisement's both solo and via collaboration.
jessicaaszodi.com
research.hud.ac.uk/institutes-centres/cerenem
![Jessica Aszodi: Practice-based research in experimental performing practice [06.11.2018]](https://i.ytimg.com/vi/Rack3LdfNi8/mqdefault.jpg "Jessica Aszodi: Practice-based research in experimental performing practice [06.11.2018]
Jessica Aszodi presents her lecture Practice-based research in experimental performing practice, in which she discusses what she does, how she does it, and why she works the way she does with regards to contemporary vocal performance. In doing so she discusses Jennifer Walshes Glori, as well as her own work and devisements both solo and via collaboration.
https://www.jessicaaszodi.com/
https://research.hud.ac.uk/institutes-centres/cerenem/")
![Alex Harker: Meaningless Numbers? Using Audio Descriptors in a Musical Manner [30.10.2018]](https://i.ytimg.com/vi/Sh7LvH39dsY/mqdefault.jpg "Alex Harker: Meaningless Numbers? Using Audio Descriptors in a Musical Manner [30.10.2018]
Alex Harker talks about the use of audio descriptors in creative work. He examines what audio descriptors are, and how they can be used to control realtime processes or aid the construction of music from sample databases. The topic is examined from both a technical viewpoint and a musical one, with a particular highlight on the issues that arise from naïve assumptions about what might occur when we apply descriptor analysis to real world musical situations, even those which might seem simple.
http://www.alexanderjharker.co.uk/
https://research.hud.ac.uk/institutes-centres/cerenem/projects/creativecodinglab/
References:
Peeters, G. (2004). A large set of audio features for sound description (similarity and classification) in the CUIDADO project:
http://recherche.ircam.fr/anasyn/peeters/ARTICLES/Peeters_2003_cuidadoaudiofeatures.pdf
CataRT website:
http://imtr.ircam.fr/imtr/CataRT
CataRT demonstration:
https://www.youtube.com/watch?v=cWXdTlu_n44
Ben Hackbarths audioGuide:
http://www.benhackbarth.com/audioGuide/
Stefano Fascianis Real Time Voice Control of Instruments:
https://stefanofasciani.com/?p=85
Stefano Fascianis Timbral Space of Synthesizers:
https://stefanofasciani.com/?p=1216
Thomas Grills Perceptually Motivated and Validated Descriptors for Texture:
http://grrrr.org/pub/grill-2012-ofai-slides.pdf
http://grrrr.org/data/research/texmap/")
![Alex Harker: Optimising for Real Time [26.10.2017]](https://i.ytimg.com/vi/U9c3SJRoqJE/mqdefault.jpg "Alex Harker: Optimising for Real Time [26.10.2017]
Dr Alex Harker discusses optimising DSP code for realtime processing, with a particular focus on devices and objects for Max/MSP and Max4Live at CeReNeMs Creative Coding Lab.
https://pure.hud.ac.uk/en/persons/alex-harker
http://www.alexanderjharker.co.uk/
https://research.hud.ac.uk/institutes-centres/cerenem/projects/creativecodinglab/
http://www.cerenem.org/")
