Politics and Prose | James Shapiro — The Playbook: A Story of Theater, Democracy, and the Making of a Culture War @politicsprose | Uploaded June 2024 | Updated October 2024, 2 hours ago.
Watch author James Shapiro's book talk and reading at Politics and Prose bookstore in Washington, D.C.
PURCHASE BOOK HERE: politics-prose.com/book/9780593490204
From 1935 to 1939, the Federal Theatre Project staged over a thousand productions in 29 states that were seen by thirty million (or nearly one in four) Americans, two thirds of whom had never seen a play before. At its helm was an unassuming theater professor, Hallie Flanagan. It employed, at its peak, over twelve thousand struggling artists, some of whom, like Orson Welles and Arthur Miller, would soon be famous, but most of whom were just ordinary people eager to work again at their craft. It was the product of a moment when the arts, no less than industry and agriculture, were thought to be vital to the health of the republic, bringing Shakespeare to the public, alongside modern plays that confronted the pressing issues of the day--from slum housing and public health to racism and the rising threat of fascism.
The Playbook takes us through some of its most remarkable productions, including a groundbreaking Black production of Macbeth in Harlem and an adaptation of Sinclair Lewis's anti-fascist novel It Can't Happen Here that opened simultaneously in 18 cities, underscoring the Federal Theatre's incredible range and vitality. But this once thriving Works Progress Administration relief program did not survive and has left little trace. For the Federal Theatre was the first New Deal project to be attacked and ended on the grounds that it promoted "un-American" activity, sowing the seeds not only for the McCarthyism of the 1950s but also for our own era of merciless polarization. It was targeted by the first House un-American Affairs Committee, and its demise was a turning point in American cultural life--for, as Shapiro brilliantly argues, "the health of democracy and theater, twin born in ancient Greece, have always been mutually dependent."
A defining legacy of this culture war was how the strategies used to undermine and ultimately destroy the Federal Theatre were assembled by a charismatic and cunning congressman from East Texas, the now largely forgotten Martin Dies, who in doing so pioneered the right-wing political playbook now so prevalent that it seems eternal.
James Shapiro is Larry Miller Professor of English and Comparative Literature at Columbia University. He has written several award-winning books, including Shakespeare in a Divided America, The Year of Lear: Shakespeare in 1606, and 1599: A Year in the Life of William Shakespeare. His essays and reviews have appeared in the New York Times, the Guardian, and the New York Review of Books, among other places. He has been awarded fellowships from the National Endowment for the Humanities, the Guggenheim Foundation, and The New York Public Library Cullman Center for Scholars and Writers. In 2011, he was inducted into the American Academy of Arts and Sciences. He currently serves as a Shakespeare Scholar in Residence at the Public Theater in New York City.
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Founded by Carla Cohen and Barbara Meade in 1984, Politics and Prose Bookstore is Washington, D.C.'s premier independent bookstore and cultural hub, a gathering place for people interested in reading and discussing books. Politics and Prose offers superior service, unusual book choices, and a haven for book lovers in the store and online.
Watch author James Shapiro's book talk and reading at Politics and Prose bookstore in Washington, D.C.
PURCHASE BOOK HERE: politics-prose.com/book/9780593490204
From 1935 to 1939, the Federal Theatre Project staged over a thousand productions in 29 states that were seen by thirty million (or nearly one in four) Americans, two thirds of whom had never seen a play before. At its helm was an unassuming theater professor, Hallie Flanagan. It employed, at its peak, over twelve thousand struggling artists, some of whom, like Orson Welles and Arthur Miller, would soon be famous, but most of whom were just ordinary people eager to work again at their craft. It was the product of a moment when the arts, no less than industry and agriculture, were thought to be vital to the health of the republic, bringing Shakespeare to the public, alongside modern plays that confronted the pressing issues of the day--from slum housing and public health to racism and the rising threat of fascism.
The Playbook takes us through some of its most remarkable productions, including a groundbreaking Black production of Macbeth in Harlem and an adaptation of Sinclair Lewis's anti-fascist novel It Can't Happen Here that opened simultaneously in 18 cities, underscoring the Federal Theatre's incredible range and vitality. But this once thriving Works Progress Administration relief program did not survive and has left little trace. For the Federal Theatre was the first New Deal project to be attacked and ended on the grounds that it promoted "un-American" activity, sowing the seeds not only for the McCarthyism of the 1950s but also for our own era of merciless polarization. It was targeted by the first House un-American Affairs Committee, and its demise was a turning point in American cultural life--for, as Shapiro brilliantly argues, "the health of democracy and theater, twin born in ancient Greece, have always been mutually dependent."
A defining legacy of this culture war was how the strategies used to undermine and ultimately destroy the Federal Theatre were assembled by a charismatic and cunning congressman from East Texas, the now largely forgotten Martin Dies, who in doing so pioneered the right-wing political playbook now so prevalent that it seems eternal.
James Shapiro is Larry Miller Professor of English and Comparative Literature at Columbia University. He has written several award-winning books, including Shakespeare in a Divided America, The Year of Lear: Shakespeare in 1606, and 1599: A Year in the Life of William Shakespeare. His essays and reviews have appeared in the New York Times, the Guardian, and the New York Review of Books, among other places. He has been awarded fellowships from the National Endowment for the Humanities, the Guggenheim Foundation, and The New York Public Library Cullman Center for Scholars and Writers. In 2011, he was inducted into the American Academy of Arts and Sciences. He currently serves as a Shakespeare Scholar in Residence at the Public Theater in New York City.
Be Sure To Click SUBSCRIBE: youtube.com/channel/UCT83IOUtKdPUL9hOzYjxbcQ?sub_confirmation=1
@politicsprose
Visit us online at: politics-prose.com
Follow us on Twitter: twitter.com/PoliticsProse
Follow us on instagram: instagram.com/politicsprose
Like us on Facebook: facebook.com/politicsandprose
Follow us on Threads: threads.net/@politicsprose
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politics-prose.us9.list-manage.com/subscribe/post?u=804c700632a508a8e792e69cf&id=6a0dbf1855&SIGNUP=HomepageFooter
Become a store member and save: politics-prose.com/membership
Audio Archive: archive.org/details/@politics_prose_bookstore
Founded by Carla Cohen and Barbara Meade in 1984, Politics and Prose Bookstore is Washington, D.C.'s premier independent bookstore and cultural hub, a gathering place for people interested in reading and discussing books. Politics and Prose offers superior service, unusual book choices, and a haven for book lovers in the store and online.
