Uploaded January 2009 | Updated September 2026, 7 hours ago
Jaganatha Mangalacharan - Odissi Dance by Avatari Devi Dey (contact: ensi_mix21@hotmail.com) dancer from Natyashakti - Gait to the Spirit.
This particular style of dance is treated as Mangalacharan (that which starts and concludes auspiciously). In this, permission is sought from the Lord of the Universe, Mother Earth, the Guru and the Audience. This is performed in three sections:
1)Bhumi Pranam : Earth is our mother. We believe that we commit a sin by kicking on her while dancing. So, we salute the earth initially in dance to excuse us from that sin.
2) Bandana : A prayer to Lord Jagannatha is presented with the recitation of Slokas (hymn) after Bhumi Pranam.
3) Sabha Pranama : The dancer presents a piece of dance according to the rhythm of the Mrdanga (drum) after prayer. 1st Bol (recitation) is pronounciated according to the rhythm. Mainly, the hands are styled in "Anjali Mudra" (folded prayer posture). At last, the dancer concludes the dance with three salutes "Trikandi Pranam". These three salutes are justified by "Natya Shastra". The first one is presented on head for the purpose of the Gods, the second is placed in front of the face to the Guru (teacher) and the third showed in front of the chest towards the audience. It is purported to excuse the dancer if there is any fault in the presentation of the art.
Filmed at New Govardhana Community NSW Australia by Soolaba for SMDoyle Video Production © 2009.
Jaganatha Mangalacharan - Odissi Dance by Avatari Devi Dey (contact: ensi_mix21@hotmail.com) dancer from Natyashakti - Gait to the Spirit.
This particular style of dance is treated as Mangalacharan (that which starts and concludes auspiciously). In this, permission is sought from the Lord of the Universe, Mother Earth, the Guru and the Audience. This is performed in three sections:
1)Bhumi Pranam : Earth is our mother. We believe that we commit a sin by kicking on her while dancing. So, we salute the earth initially in dance to excuse us from that sin.
2) Bandana : A prayer to Lord Jagannatha is presented with the recitation of Slokas (hymn) after Bhumi Pranam.
3) Sabha Pranama : The dancer presents a piece of dance according to the rhythm of the Mrdanga (drum) after prayer. 1st Bol (recitation) is pronounciated according to the rhythm. Mainly, the hands are styled in "Anjali Mudra" (folded prayer posture). At last, the dancer concludes the dance with three salutes "Trikandi Pranam". These three salutes are justified by "Natya Shastra". The first one is presented on head for the purpose of the Gods, the second is placed in front of the face to the Guru (teacher) and the third showed in front of the chest towards the audience. It is purported to excuse the dancer if there is any fault in the presentation of the art.
Filmed at New Govardhana Community NSW Australia by Soolaba for SMDoyle Video Production © 2009.







![Soolaba - Vande Krishna (1997)
Videos from the vault: Soolaba backed by Morgans band, Hot Rubber Glove, performing a sitar-rock version of the Hindi bhajan [devotional song] Vande Krishna Nanda Kumara at the Tanks performing arts space, Cairns, QLD way back in 1997. Special thanks to Annie Morris and Evan Clarry for filming the event.
From the ancient Gaudiya Krishna tradition:
Srila Vishvanatha Chakravarti Thakur refers to this verse from the Srimad Bhagavatam:
O pious mother Yaśodā, your son, who is expert in all the arts of herding cows, has invented many new styles of flute-playing. When He takes His flute to His bimba-red lips and sends forth the tones of the harmonic scale in variegated melodies, Lord Brahmā, Śiva, Indra and other chief Gods become confused upon hearing the sound. Although they are the most learned authorities, they cannot ascertain the essence of that music, and thus they bow down their heads and hearts.
(Bhagavatam 10.35.14-15) Soolaba - Vande Krishna (1997)](https://i.ytimg.com/vi/cfsOZMjrA0s/mqdefault.jpg)


