Uploaded December 2023 | Updated September 2026, 2 weeks ago
"(Your Love Keeps Lifting Me) Higher and Higher" is an R&B song written by Gary Jackson, Raynard Miner, and Carl Smith. It was recorded by Jackie Wilson for his album Higher and Higher (1967), produced by Carl Davis, and became a Top 10 pop and number one R&B hit.
The backing track was recorded on July 6, 1967 at Columbia's studios in Chicago. Produced by Carl Davis, the session, arranged by Sonny Sanders, featured bassist James Jamerson, drummer Richard "Pistol" Allen, guitarist Robert White, and keyboardist Johnny Griffith; these four musicians were all members of the Motown Records house band The Funk Brothers who often moonlighted on sessions for Davis to augment the wages paid by Motown.
According to Carl Davis, the Funk Brothers "used to come over on the weekends from Detroit. They'd load up in the van and come over to Chicago, and I would pay 'em double scale, and I'd pay 'em in cash." Similarly, two members of Motown's house session singers The Andantes, Jackie Hicks and Marlene Barrow, along with Pat Lewis (who was filling in for Andantes member Louvain Demps), performed on the session for "Higher and Higher". Drummer Maurice White (better known as a singer for Earth, Wind & Fire) also played on the recording. Motown's Mike Terry played the baritone saxophone.
The song was originally written by Chess Records' in-house writers and producers Carl Smith and Raynard Miner, and initially recorded by The Dells for the label, but not released. Another writer, Gary Jackson, made some changes to the song and pitched it to Davis at Brunswick. When the singer recorded his vocal track, Davis recalls, Wilson originally sang the song "like a soul ballad. I said that's totally wrong. You have to jump and go with the percussion... If he didn't want to sing it that way, I would put my voice on the record and sell millions." After hearing Davis's advice, Wilson cut the lead vocal for "Higher and Higher" in a single take.
A publishing deal for the song was reached with Brunswick after Chess producer/A&R head, Billy Davis, intervened. Writing credits were agreed, with Smith, Miner, Jackson and Billy Davis all named. Later, Davis removed his credit and BMI now lists the song as by the three other writers. The Dells' version appeared on their album, There Is, for Chess subsidiary Cadet the same year.
Released in August 1967, the song reached number one on the US Billboard R&B chart and, in November, peaked on the Billboard Hot 100 at No. 6. Wilson's version also rose to number 11 on the UK Singles Chart during 1969.
"(Your Love Keeps Lifting Me) Higher and Higher" is an R&B song written by Gary Jackson, Raynard Miner, and Carl Smith. It was recorded by Jackie Wilson for his album Higher and Higher (1967), produced by Carl Davis, and became a Top 10 pop and number one R&B hit.
The backing track was recorded on July 6, 1967 at Columbia's studios in Chicago. Produced by Carl Davis, the session, arranged by Sonny Sanders, featured bassist James Jamerson, drummer Richard "Pistol" Allen, guitarist Robert White, and keyboardist Johnny Griffith; these four musicians were all members of the Motown Records house band The Funk Brothers who often moonlighted on sessions for Davis to augment the wages paid by Motown.
According to Carl Davis, the Funk Brothers "used to come over on the weekends from Detroit. They'd load up in the van and come over to Chicago, and I would pay 'em double scale, and I'd pay 'em in cash." Similarly, two members of Motown's house session singers The Andantes, Jackie Hicks and Marlene Barrow, along with Pat Lewis (who was filling in for Andantes member Louvain Demps), performed on the session for "Higher and Higher". Drummer Maurice White (better known as a singer for Earth, Wind & Fire) also played on the recording. Motown's Mike Terry played the baritone saxophone.
The song was originally written by Chess Records' in-house writers and producers Carl Smith and Raynard Miner, and initially recorded by The Dells for the label, but not released. Another writer, Gary Jackson, made some changes to the song and pitched it to Davis at Brunswick. When the singer recorded his vocal track, Davis recalls, Wilson originally sang the song "like a soul ballad. I said that's totally wrong. You have to jump and go with the percussion... If he didn't want to sing it that way, I would put my voice on the record and sell millions." After hearing Davis's advice, Wilson cut the lead vocal for "Higher and Higher" in a single take.
A publishing deal for the song was reached with Brunswick after Chess producer/A&R head, Billy Davis, intervened. Writing credits were agreed, with Smith, Miner, Jackson and Billy Davis all named. Later, Davis removed his credit and BMI now lists the song as by the three other writers. The Dells' version appeared on their album, There Is, for Chess subsidiary Cadet the same year.
Released in August 1967, the song reached number one on the US Billboard R&B chart and, in November, peaked on the Billboard Hot 100 at No. 6. Wilson's version also rose to number 11 on the UK Singles Chart during 1969.










![The Four Tops - Reach Out Ill Be There (2026 Stereo Mix)
Reach Out Ill Be There (also formatted as Reach Out (Ill Be There)) is a song recorded by the American vocal quartet Four Tops from their fourth studio album, Reach Out (1967). Written and produced by Motowns main production team, Holland–Dozier–Holland, the song is one of the most widely-known Motown hits of the 1960s and is today considered the Four Tops signature song.
It was the number one song on the Rhythm & Blues chart for two weeks and on the Billboard Hot 100 for two weeks, in October 15–22, 1966. The track also reached number one on the UK Singles Chart, becoming Motowns second UK chart-topper after the Supremes 1964 release Baby Love. It reached number one on October 27, 1966, and stayed there for three weeks.
In 1966, Holland, Dozier and Holland were writing new songs for the Four Tops to record for an album. Lamont Dozier said that he wanted to write a journey of emotions with sustained tension, like a bolero. To get this across, I alternated the keys, from a minor, Russian feel in the verse to a major, gospel feel in the chorus. He developed the lyrics with Eddie Holland, aiming for them to sound as though they were being thrown down vocally. Dozier said that they were strongly influenced by Bob Dylan at the time, commenting: We wanted Levi [Stubbs] to shout-sing the lyrics... as a shout-out to Dylan.
For the recording, the writers and producers intentionally put Levi Stubbs at the top of his vocal range, according to Abdul Fakir of the Four Tops, to make sure hed have that cry and hunger and wailing in his voice. Arranger Paul Riser overdubbed instruments including a piccolo and flute in the intro, and a drum pattern made by using timpani mallets on a tambourine head. After the recording was completed and on hearing the final version, the group begged Berry Gordy not to release it; according to Fakir, for us, the song felt a little odd. However, Gordy insisted that it be issued as a single.
Eddie realized that when Levi hit the top of his vocal range, it sounded like someone hurting, so he made him sing right up there. Levi complained, but we knew he loved it. Every time they thought he was at the top, he would reach a little further until you could hear the tears in his voice. The line Just look over your shoulder was something he threw in spontaneously. Levi was creative like that; he could always add something from the heart. The Four Tops - Reach Out Ill Be There (2026 Stereo Mix)](https://i.ytimg.com/vi/i0G_Ks_2-B4/mqdefault.jpg)