Correccional (1952) Celia Flor, Mario Montenegro, Rosa Rosal, Tony Arnaldo. (Dir: Susana de Guzman) Edgar Ebro Videokeking2018 2021-06-09 | Copyrights: LVN & ABS CBNThe forthcoming wedding of Norma (Celia Flor) and Armando (Mario Montenegro), a young lawyer, was supposed to be a great and wonderful event for the two, but everything went haywire. Perhaps, it was because the bride tried on her bride gown, and that’s bad luck, according to a popular belief.Salome (Rosa Rosal), Armando’s client, was hosting a birthday party. She is married to Don Julio (Tony Arnaldo), much older than her. However, Salome is in love with Armando, the same way with Don Julio to Norma.During the party, the scheming Salome slips a pill into Norma’s drink which makes the latter dizzy and unknowingly went into the bedroom to sleep. Don Julio follows her and starts to take advances. Then, enters Salome with Armando in tow into the room and found the two in a scandalous position.Despite pleas from Norma, Armando calls off the engagement. Salome, on the other hand, demands separation from her husband and monetary settlement. In one of the bitter confrontations between the couple, Salome stabbed and killed Don Julio. Norma, at that time, went to see Don Julio to clear her name, only to find him dead with a letter opener stuck in his body. Salome comes out from behind shouting murder and the two househelps seeing Norma holding the bloody weapon. Evidences point to Norma as the guilty person and is sentenced to a prison term at the Correccional, where her own mother is the Superintendent.The mother believes firmly in her daughter's innocence, and she wants justice done, so she resigns her position and begins to take steps to vindicate her daughter. The mother confronts Salome, threatens her with a gun if she does not clear out her daughter, but in the scuffle that ensues, the gun goes off killing Norma’s mother. Salome is found guilty of murder and committed at the Correccional. There, she meets Norma.The hatred between the two flares up into a first class cat-fighting, as a result of which they are placed in solitary confinement. Norma begins to work on the nerves of the guilty Salome by mentioning to her that her husband's soul and the soul of Norma’s mother will haunt her. Salome could no longer stand it and decides to sign a written confession clearing Norma.The good news spreads out, and Armando who has been making moves to win back Norma for some time, is happy enough to welcome his sweetheart into his arms.Courtesy of Video48
Music Maestro Part 3: Edgar Ebro vs. Lani Nandi Edgar Ebro Videokeking2018 2021-10-26 | Copyright: GMA Network Host: Joey de Leon & Christine Jacob
Music Maestro Part 2 : Edgar Ebro Vs Delfin Maraviles Edgar Ebro Videokeking2018 2021-10-20 | @Copyright: GMA NetworkHost: Vic Sotto & Allan K
Hongkong Holiday (1957) Dolphy, Gloria Romero, Ric Rodrigo, Paraluman, Tony Cayado Aring Bautista Edgar Ebro Videokeking2018 2021-10-17 | Copyright: Sampaguita Pictures Hongkong Holiday (1957)Sampaguita PicturesRelease Date January 28- February 17. 1957/ LifeScreenplay Luciano B. CarlosMusic Nestor Robles and the Hongkong Symphony OrchestraDirection Mar S. TorresCast Gloria Romero, Ric Rodrigo, Paraluman, Dolphy, Daisy Romualdez, Tony cayado, Aring Bautista, Liza Ferrer.Courtesy of Simon Santos (Video48)
Kandidatong Pulpol (1961) Dolphy, Panchito, Jean Lopez, Patsy, Horacio Morelos Directed:Tony Cayado Edgar Ebro Videokeking2018 2021-10-17 | The 1961 classic comedy, Kandidatong Pulpol, a parody or lampoon on our election we Pinoys can identify with and laugh about. It tells of four ridiculous and outrageous candidates, Dolphy of Partido Lagay, Panchito of Partido Bigay Nang Bigay, Patsy of Partido Mabuhay and Horacio Morelos of Partido Unang Sigaw, fighting it out for the town mayor. These candidates tried to put one on the other, discrediting their opponents, making malicious remarks, the way our politicians today are doing. Comedy legends Dolphy, Panchito and Patsy in their comic best! Enjoy the short clip---Kandidatong Pulpol (1961)Vera-Perez ProductionsReleased thru Sampaguita Pictures, Inc.Release Date October 11-20. 1961/ Dalisay TheaterStory Jose Leonardo and Luciano B. CarlosScreenplay Luciano B. CarlosMusic Restie UmaliDirection Tony CayadoCast Dolphy and Panchito, Greg Martin, Jean Lopez, Patsy, Horacio Morelos, Meldy Corrales, Johnny Misa, Mitos Seva, Lillian Laing, Cora Maceda, Nena Perez RubioCourttesy of Simon Santos Video48
Darna at ang Babaing Tuod (1965) Gina Alonzo, Eva Montes, Nancy Roman Tito Galla Aruray, Anita Linda Edgar Ebro Videokeking2018 2021-10-17 | Copyright: People's PicturesThe first version of Darna epic in full color Darna at ang Babaeng Tuod" (1965)People's Pictures, Inc,Cirio H. Santiago PresentationRelease Date April 14- 23, 1965/ DalisaySerialized in Liwayway MagazineStory Mars RaveloScreenplay Ruben RustiaMusic Tito ArevaloDirection Cirio H. SantiagoCast: Gina Alonzo, Eva Montes, Nancy Roman, Tito Galla, Ruben Rustia, Aruray, Georgie Quizon, Anita Linda, Renato Robles, Oscar Roncal, Nello Nayo, Mona del Cielo, Connie Angeles, Capri Asturias, Tommy RomuloCourtesy of Simon Santos (Video45)
Florante at Laura (1949) Leopoldo, Celia Flor, Armando Goyena. (Dir: Vicente Salumbides) Edgar Ebro Videokeking2018 2021-08-23 | @Copyrights: LVN Pictures & ABS CBN 1950 Florante at Laura. Directed by Vicente Salumbides. Based on the metrical romance written by Francisco Baltazar aka Francisco Balagtas. Starring Leopoldo Salcedo, Celia Flor, Armando Goyena. Supported by Alfonso Carvajal, Teody Belarmino, Delia Razon, Gil de Leon, Vicente Salumbides, Cecilio Joaquin, Nemesio Caravana, Gregorio Fernandez, Jose Cris Soto, Angge, Inday Jalandoni. Script and Technical Assistance Nemesio E. Caravana; Music Francisco Buencamino Sr. & Jr.; Cinematography Bayani Abelardo; Sound Luis Reyes; Editing Enrique Jarlego.“…This metrical romance or ‘awit’ in dodecasyllabic lines was signed with the initials F. B. and was dedicated to one ‘Selya.’ ‘Florante at Laura’ is the most artistically written of all Philippine metrical romances, and many of its aphoristic passages are also the most often quoted. In the process, it entered folk consciousness with the force of transmitted wisdom… ‘Florante at Laura’ has been studied in high school for decades. It has been made into film at least twice in 1939 with Carlos Padilla and Lila Luna; and in 1950 by LVN with Leopoldo Salcedo and Celia Flor. It was made into a ‘komedya’ in San Dionisio, Parañaque, and Pakil, Laguna, in the 20th century; an opera by Lucino T. Sacramento in 1970; a play by Rene O. Villanueva for Bulwagang Gantimpala in 1987; and a musical by Tony Perez and Nonong Buencamino for Tanghalang Pilipino in 1988.” (Excerpt from Volume 12-Literature 2 of the CCP Encyclopedia of Art [2017 Edition] by Damiana Eugenio and Edgardo Maranan).“…Metrical romances—known as ‘awit’ or ‘korido’ in Tagalog... are long verse narratives with chivalric-heroic, legendary, religious, and folkloric themes. Legacies of Spanish colonial culture, they flourished in the Philippines throughout the 19th and well into the 20th century. In subject matter, form, and intention, they come closest to the metrical romances of European literature… ‘Korido’ is the generic term for the Philippine metrical romance. The term is derived from the Spanish ‘corrido,’ which is defined as ‘a metrical story, usually sung to the accompaniment of a guitar, in fandango style…Romances have been printed since 1815 in small booklets or chapbooks, one romance to a volume, and sold for a few centavos by vendors after holy mass…” (Excerpt from Volume 11-Literature 1 of the CCP Encyclopedia of Art [2017 Edition] by Damiana Eugenio)
Anak Dalita (1956) Tony Santos, Rosa Rosal & Leroy Salvador (Directed by Lamberto V. Avellana) Edgar Ebro Videokeking2018 2021-08-21 | Copyright: LVN/ABS CBNThe film was made by the great director Lamberto Avellana and was produced by LVN Pictures. The story of a Filipino soldier who fought in the Korean war (Tony Santos) and the kindhearted prostitute (Rosa Rosal) he passionately falls for, it’s also a portrait of post-war Manila. It allows us a peek into the world of people who lived in poverty amongst the ruins of Intramuros at that time (“The Ruins” is the film’s English title): the gossip mongers, the bystanders, a young mother breastfeeding her child, drunkards, sabungeros—imperfect individuals who may have nothing much but who know exactly what they're worth. With the plight of the poor as it’s theme, actors who were not exactly box-office draws as leads, and without a single song and dance sequence, the film almost did not get the green light from LVN grande dame Narcisa de Leon, or Doña Sisang. She always knew what kind of movies made money—-and this wasn’t one of them. Good thing her son Manuel’s belief in the project was so strong that “Anak Dalita” got made. It was most likely a good thing, too, that the director Avellana was not the type to build elaborate sets to tell his stories. The guy liked to keep it real. According to his daughter Ivi Avellana Cosio, who remembers being in the Intramuros set twice as a teenager, her father used whatever was existing in the location. For the wooden houses used in “Anak Dalita,” he just asked the residents if the production could use their home—and the dwellers would just move into a neighbor’s house for the length of the shoot. Just as real backdrops appealed to the director, so did real people—he invited select characters from the ruins to play bit roles, maybe even say a line or two, and they would say yes. Of course, nobody really says no to Lamberto Avellana. “He could get his actors to do things they normally wouldn’t do,” recalls Avellana Cosio. For example, walk the pretty high ledge of the church ruins with a small child, with the ledge probably not even more than 10 inches wide. “Papatayin yata ako ng tatay mo eh,” Avellana Cosio recalls Santos telling her jokingly. There were, of course, times when he just couldn’t get what he wanted—then he knew he just needed to be inventive. Like when he was trying to get the right reaction from Vic Bacani who plays Ipe, the kid brother of Tita (Rosal). Bacani, being a non-actor before “Anak Dalita”, didn’t quite know how to feign being hit by a bullet from his back. After several tries, Avellana snuck behind the boy and just when he was going to get shot, the director threw a pebble in the direction of the child’s back and got just the right response from Bacani.Actors are usually the least of Avellana’s problems, however—maybe because he liked working with the same stars over and over: Rosal, Santos, Vic Silayan who plays the priest in “Anak Dalita,” Charito Solis, Leopoldo Salcedo and Leroy Salvador. He always drew excellent performances from these actors—that or they knew just what Avellana wanted from them. The performances in “Anak Dalita” are so distinct from the acting in most movies of that period. The way the characters talk is closer to how real people talk. The way they react is how people react in real life. Nothing is excessive. That’s why it’s such a treat to watch Rosal take control but also have fun with her role Tita, who straddles between haughty vamp toughened by the world and softhearted woman in love. And what a thrill to watch her exchange lines with the fiercely masculine Santos who knew how to mine the few words he was given as much as the silences. They really light up the screen—and when they throw each other a look, they set it on fire. “Anak Dalita” is also a concisely told narrative—without the meandering montages and, yes, musical numbers that characterize the films of that era (just when you think the kid was going to come up with a performance to entertain the community’s drinkers, the film moves on to more exciting things). Which should endear the movie to contemporary audiences with shorter attention spans, although there are a myriad of amusements the film also offers: seeing the Manila Hotel poolside of the 50s, and the Manila International Airport where an entire exciting sequence takes place. There’s Ms Rosal always looking smashing in the most tight-fitting dresses, and that ending—suspenseful, artistic, heartbreaking, bittersweet. “Avellana’s best films are some of the finest examples of contemporary Filipino cinema,” says the book, “The Urian Anthology 1980-1989”—and “Anak Dalita” is rightfully considered among his best. It was the first Filipino film to win the Grand Prix for Best Picture in the Southeast Asian Film Festival in 1956, the first movie from the Philippines to get honored with an international award (Luciano Carlos previously won for Best Screenplay, and Gerry de Leon for Best Director).
Dagohoy (1953) Mario Montenegro, Tessie Quintana,Rosa Rosal,Tony Santos,Alfonso Carvajal,Gil de Leon Edgar Ebro Videokeking2018 2021-08-21 | @Copyright: LVN Pictures & Abs Cbn The pages of our history are emblazoned by the blood of valiant heroes like Francisco Dagohoy led the longest revolt against the Spaniards in Philippine history. The revolt took the Spaniards 85 years (1744-1829) to quell portrayed by Mario MontenegroDagohoy" (1953)LVN PicturesRelease Date November 21-30, 1953/ DalisayMusic F. Buencamino Jr.Direction Dr. Gregorio FernandezCast Mario Montenegro, Tessie Quintana, Rosa Rosal, Tony Santos, Alfonso Carvajal, Gil de Leon, Jose de Cordova, Ven Medina, Frank Gordon, Jose Vergara, Arturo Moran, Natoy Katindig, Mario Roldan, Casmot, Simplicio Pajarillo, Mario Taguibulos, Ezar Visenio, Nora Dy, Antonio Medina/ Introducing Lorna MirasolAnak Dalita (1956) youtube.com/watch?v=JI4JIRs9I4QBatanguena (1953) youtube.com/watch?v=T1uboTCkrYMCombo Festival (1958) youtube.com/watch?v=xe_QAG_XGwYCorreccional (1952) youtube.com/watch?v=ISkwL4p_j7kDarling ko (1955) youtube.com/watch?v=WFq8agquty8Dawn of Freedom (1944) youtube.com/watch?v=LRGNr1WOBoMDona Sisang & the Philippine Cinema youtube.com/watch?v=MsWAkRXwYkkHawayana (1953) youtube.com/watch?v=MsWAkRXwYkkKambal-Tuko (1952) youtube.com/watch?v=gPrzOzrMoiMMalvarosa (1958) youtube.com/watch?v=p9EnI5RVmZ8Matandang Dalaga (1953) youtube.com/watch?v=AandzmEmTncMutya ng Pasig (1950) youtube.com/watch?v=FlF4GKLurRgPakiusap (1940) youtube.com/watch?v=lgiydO1DsPUSumpaan (1948) youtube.com/watch?v=MsWAkRXwYkkTogo (1952) youtube.com/watch?v=gPrzOzrMoiMVirginia (1949) youtube.com/watch?v=McT_ePmod4c
Malvarosa (1958) Charito Solis, Leroy Salvador, Carlos Padilla Jr, Eddie Rodriguez, Rebecca del Rio Edgar Ebro Videokeking2018 2021-06-11 | Copyright: LVN Pictures& ABS CBN Charito Solis (Rosa)Leroy Salvador (Candido)Carlos Padilla Jr (Alberto)Eddie Rodriguez (Avelino)Rebecca del Rio (The Mother)Linda Roxas (Mining)Vic Silayan (Melanio)Vic Diaz (Leonides)Rey Ruiz (Velasco)Johnny Reyes (Antonio Carranza)Priscilla Ramirez (Aling Nepang) Ramon Olmos (The Father)Levi Celerio (Manghuhula)Caridad Sanchez (Girlfriend of Melanio)Nita Ramos (Girlfriend of Melanio)Perla Bautista (Wife of Melanio)Story: Clodualdo del MundoScreenplay: Consuelo P. OsorioSerialized: Espesyal KoniksCinematography: Mike AccionSound: Luis S, ReyesFilm Editor: Enrique JarlegoMusic Scored & Director: Francisco Buencamino JrOrchestration: Restie UmaliExecutive Producer: Dna Narcisa B. Vda de LeonDir: Gregorio FernandezPhoto; Courtesy of Simon Santos (Video48)
Darling ko (1955) Nida Blanca, Nestor de Villa, Lorna Mirasol, Leroy Salvador. Dir: F.H Constantino Edgar Ebro Videokeking2018 2021-06-10 | @Copyright: LVN Pictures/ABS CBNYou'll split your sides laughing at - The romancing, the quarreling and making up of newly-weds love-birds - NIDA and NESTOR, LORNA and LEROY. The wacky dance number on NIDA and NESTOR as an aged couple. Lively dances and merry songs. Jokes and gags.
Pakiusap 1940 Rudy Concepción Rosario Moreno Edgar Ebro Videokeking2018 2021-01-04 | Copyright: Excelsior Pictures Don Andres (Franco Garcia) and his son, Ernesto (Rudy Concepcion) were both in love with a pretty barrio lass, Amparing (Rosario Moreno), whose principled father, Mang Teong (Pedro Faustino) was working on the hacienda owned by Don Andres. Mang Teong was not in favor of Don Andres and his intention towards Amparing. He advised her daughter not to receive any gifts from Don Andres.Ernesto, the good-looking son of Don Andres, on the other hand, disguised himself as a lowly farmer from a nearby barrio so as to get near Amparing. The two eventually fell in love.Life became hard on the family of Amparing--- Mang Teong was fired from his job when he vehemently refused Don Andres’ gifts in exchange of Amparing’s hand. Her mother, Aling Clara (Naty Bernardo) was down due to a lingering illness. At the same time, she learned of Ernesto’s true identity. Amparing, feeling he was betrayed, broke off with Ernesto.Amparing tried to look for job but to no avail. Desperate, she decided to approach Don Andres and ask for financial assistance--- for his father, who was in jail and for her ailing mother for the medical needs. In return, she had to marry Don Andres.Ernesto returned and learned of Amparing’s upcoming marriage to his father. In a drastic move, he snatched Amparing.It was a happy ending for the couple as Don Andres realized his mistake and ask for forgiveness.v
Dawn of Freedom (1944)Carmen Rosales, Leopoldo Salcedo, Fernando Poe,Norma Blancaflor, Fred Montilla Edgar Ebro Videokeking2018 2021-01-04 | Rosa Aguirre, Tessie Quintana. Directed by Yutaka Abe and Gerardo de LeonSucceeds in becoming a Japanese propaganda film during the peak of the Second World War in the Philippines. This film depicts the Americans as the main enemy between the three involved states and romanticizes the relationship between the Filipinos and the Japanese despite the recorded war crimes the latter has committed to the former. Naturally, as propaganda, the Japanese declare themselves as the protagonist by withdrawing the Philippines from the Westerners. The film then dismisses the violent crimes the Japanese soldiers have done to Filipinos during their 5-year occupation.Disregarding these important events in a war film results in the advocacy of imperialism for the Filipinos. Watching the Japanese soldier show empathy and kindness to Filipino children brings me great anger and disgust as the same soldiers represented in the film acted brutally towards Filipinos, the complete opposite of what was expressed in the film. Altering the narrative for the benefit of honoring a country's history is downright offensive to the individuals and nations that were oppressed in the process. 'Comfort women' and soldiers who experienced trauma or genocide during this era are in the course of being erased from history while Japan, to this day, refuses to acknowledge these atrocities.Even with the endless glorification of the Japanese army, the film tackles the Americans' injustices and propaganda during their colonization, further pushing the narrative of Japan as the sole liberator of the colonized Philippines. Portraying the American soldiers as discriminatory and Japanese soldiers as sympathetic to the troubled Filipinos coaxes the audience to recognize the United States as the main enemy and Japan as an ally.Portraying the empathy of Japanese soldiers to Filipinos is dangerous to our history and nationalism as it continues to erase the thousands of deaths and victims caused by these imperialist states. Growing up as a Japanese-Filipino, the crimes of my ancestors are responsibilities that I have to carry throughout my life. To overlook these war crimes for the sake of positivity results in the betrayal of Filipinos who risked their lives for the country's independence. One thing we can take from this piece of propaganda is that both Americans and the Japanese were colonizers and the effects of their rule and violence are relevant to the modern Philippines nonetheless.I don't care if this film is anti-American or pro-Japanese as I never saw it as pro-Filipino. Filipino nationalism was not present in the entire film, or if it did, it was too subtle to notice as I was bombarded with false Japanese dignity. If this is the only film Filipinos had about the second World War, we will continue to succumb to ethnic inferiority and lose our Filipino identity. The production of the film is undeniably great considering the year it was produced. However, the intention and message remain to be imperialist propaganda.side note: i also dont understand the title because we were only free from colonial powers until 1946 i think, making the film a fake (which it is) and the current government is authoritarian in nature sooo are we truly free 😭
Matandang Dalaga (1953) Carmen Rosales, Jose padilla Jr., Ramon Revilla, Myrna Delgado, Rosa Mia. Edgar Ebro Videokeking2018 2021-01-04 | Pakakasal na sana si Carmen patungong simbahan ng nakiusap si Rosa Mia na wag ng ituloy ang kasal dahil asawa niya ang mapapangasawa ni Carmen subalit ipinilit pa rin ng huli ang pagmamahal sa mapapangasawa hanggang sa isang sulat ang inihatid na nagsasabing hindi na tuloy ang kasal.Simula noon dahil mabalasik na at walang tiwala si Carmen sa mga lalake pati ang pagmamahalan ng kanyang kapatid na si Myrna Delgado at Ramon Revilla ay kanyang hinahadlangan.Matandang Dalaga (1954)Sampaguita PicturesRelease Date April 21- 30, 1954/ CenterStory Ben GallardoMusic Nestor RoblesDirection by Olive La Torre Cast Carmen Rosales, Jose Padilla, Jr., Ramon Revilla, Myrna Delgado, Aruray, Precy Ortega, Conrado Conde, Etang Discher, Horacio Morelos, Pablo Raymundo/ Guests Rosa Mia, Tony CayadoCourtesy of Simon Santos (Video48)
BATANGUENA (1953). Jaime De La Rosa and Nida Blanca Edgar Ebro Videokeking2018 2021-01-04 | Copyrights: LVN /ABS CBN a Bundle of gaiety, Brawling action, Slashing fun, Nida plays a Batanguena girl who sells a Kulambo with astonishing Batanguena accent she is surely a winner with her talent in dancing together with prewar actor Jaime dela Rosa.Although Nida herself said in a 1990 interview that she was her home studio's 'most unglamorous star' she was arguably Philippine Cinema's biggest star of the time.Batangueña" (1953)Jaime de la Rosa, Nida Blanca, Lou Salvador, Letty Alonso, Chito Navarro, Cecilia Lopez, Nora Dy, Ike Jarlego, Jr., Lourdes Yumol, Tony Dantes and Levi CelerioDirected by F.H. ConstantinoCourtesy of Simon Santos (Video48)
Virginia (1949) Armando Goyena, Tessie Quintana, Rosa Rosal, Jose Cris Soto Dir Nemesio E Caravana. Edgar Ebro Videokeking2018 2021-01-03 | Copyright: LVN & ABS CBNVirginia (1949) Cast of Characters02:58 - Ramon Medina04:00 - Chuchi & Jose Cris Soto11:09 - Tessie Quintana14:59 - Herman Jimenez15:16 - Tolindoy16:28 - Florentino Ballecer50:58 - Jaime Castellvi 52:32 - Naty Bernardo 54:33 - G. Buencamino1:02:14 - Rosa Rosal 1:02:56 - Armando Goyena1:38:09 - Luis San JuanVirginia (1949) is a melodrama with predictable themes and stereotyped characters seen in most movies from the big studios that were now slowly becoming film factories. People from Manila are rich and haughty while the people from the province are poor, simple, but live dignified lives. The story is set during the latter part of the Pacific war, when the Americans began their offensive to take back the country from the Japanese. The rich family of Doña Tentay (Naty Bernardo) and her son Reynaldo (Armando Goyena), together with his cousin Mameng (Rosa Rosal) evacuate Manila and move to the province to escape the incessant bombing. There they encounter the pretty provincial lass, Virginia (Tessie Quintana), a corn vendor and Reynaldo and Virginia fall in love. Virginia and her father (Florentino Ballecer) are also secretly hiding an American officer from the Japanese, a Mr. Powell. Mameng is also in love with Reynaldo and tries her best to belittle and humiliate Virginia. At the war’s end, they return to Manila and Reynaldo is forced by an unexpected turn of events to marry Mameng. But Mameng is a spoiled society girl who not only dissipates Reynaldo’s fortune but is also unfaithful. Reynaldo loses his money and is forced to work as a taxi driver. One day he meets an accident and loses his sight. In the meantime, Mr. Powell, the American officer returns to the province and leaves all his property to Virginia. The roles are now reversed. Virginia is rich while Reynaldo and Mameng are dirt poor. Virginia learns about Reynaldo’s miserable situation and secretly has him cured. He regains his sight and confronts Mameng and her lover (Jaime Castelvi). A fight ensues and Mameng’s lover is accidentally killed. Reynaldo takes the blame but at the trial, a thoroughly repentant Mameng confesses to her role in this tragedy and takes poison. Reynaldo returns to the province and is reunited with Virginia.
COMBO FESTIVAL (1958) Pugo, Lou Salvador Jr., Luz Valdez, Chona Sandoval. Dir: Manuel Silos) Edgar Ebro Videokeking2018 2021-01-03 | Copyrights: LVN & ABS CBNAll your favourite teen-age stars singing and dancing in a story of today's youth afflicted with Stars Pugo, Lou Salvador, Luz Valdez, Lou Salvador Jr., Hector Reyes, Chona Sandoval, Ponga, Ronnie Villamor, Oscar Keese, Naty Bernardo, Noel Villaroman, Robert Campos
Hawayana (1953) Armando Goyena, Tessie Quintana, Jose deCordova, Jose Cris Soto, Angge, Frank Gordon Edgar Ebro Videokeking2018 2019-09-12 | Copyright: LVN Pictures & ABS CBN Hawayana (1953)LVN PicturesRelease Date June 14-23, 1953/ DalisayDirection Manuel SilosArmando Goyena, Tessie Quintana, Jose de Cordova, Jose Cris Soto, Angge, Frank Gordon, Casmot, Arturo MoranCourtesy of Simon Santos (Video48)
Doña Sisang and the Philippine Cinema Edgar Ebro Videokeking2018 2019-09-12 | Copyright: LVN PIctures 1989 Doña Sisang and Philippine Cinema (1989) (2000). Produced and Compiled by Mike De Leon
Ano ang masasabi ninyo sa Kanong ito na pinagmumura ang mga Pilipino Edgar Ebro Videokeking2018 2019-09-08 | Take Note: nasa Pilipinas siyaMagviral ka sana buwisit ka
Sumpaan (1948) Ely Ramos, Norma Blancaflor, Tony Arnaldo, Rosa Rosal, Alfonso Carvajal Edgar Ebro Videokeking2018 2019-09-07 | Copyright: LVN PIctures & ABS CBNSumpaanLVN PicturesRelease Date: May 24- June 2, 1948/DalisayDirection Susana C. de GuzmanEly Ramos, Norma Blancaflor, Tony Arnaldo, Rosa Rosal, Alfonso Carvajal, Rosa Mia
The Fastest Growing Channel in Asia got 10 Billion with Diamond Content Creator Award ng YouTube Edgar Ebro Videokeking2018 2019-09-06 | Copyright: Dear Uge
Dear Uge Edgar Ebro Videokeking2018 2019-09-06 | Uge with Xanford Jr @Dear UgeShowing Today- Septemebr 22, 2019 - 2:30 PM
Descendants of the Sun (Gapan, Nueva Ecija) - September 2, 2019 Edgar Ebro Videokeking2018 2019-09-03 | Copyright: GMA 7 NetworkOST Always
Jingle Bell Rock (1970) by Nora Aunor (HQ) Edgar Ebro Videokeking2018 2019-09-01 | Copyright: Alpha Records
Mutya ng Pasig (1950) Jose Padilla Jr, Rebecca Gonzales, Delia Razon, Teody Belarmino, Tolindoy. Edgar Ebro Videokeking2018 2019-09-01 | Copyright: LVN Pictures & ABS CBN Jose Padilla Jr. ... Dr. Modesto MillarRebecca Gonzales Rebecca Gonzales ... MercedesTeody Belarmino Teody Belarmino ... BasilioDelia Razon Delia Razon ... ConsueloRoger Nite Roger Nite ... DelfinLily Miraflor Lily Miraflor ... MatildeTony Dantes Tony Dantes ... AntonioPat Salvador Pat Salvador ... KumpadreTolindoy Tolindoy ... Childless CoupleAngge Angge ... Childless CoupleLuis San Juan Luis San Juan Tomas Esteban Tomas Esteban Dimas Cortez Dimas Cortez ... (as Dimas Cortes)Milagros Erana Milagros Erana Lito Carvajal Lito CarvajalDirected by Richard AbelardCourtesy of Simon Santos (Video48)
Biglang Yaman (1949) Jaime dela Rosa, Rosa Rosal, Pugo,Togo, Rita Amor. Directed by Joe Climaco Edgar Ebro Videokeking2018 2019-09-01 | Copyright: LVN PIctures & ABS CBNJaime de la Rosa, Rosa Rosal, Rita Amor and Pugo & TogoRelease Date: April 1, 1949Theater: LifeDirection: Joe ClimacoCourtesy of Simon antos (Video 48)
Biyaya ng Pasko (1972) by Nora Aunor (HQ) Edgar Ebro Videokeking2018 2019-09-01 | Copyright: Mayon Records (Alpha Music Corporation)
Daigdig ng Pangarap (1979) by Nora Aunor & Rico Puno (HD) Edgar Ebro Videokeking2018 2019-08-30 | Copyright: Vicor Records (Vicor Music Corporation)
All of my Life (1975) by Nora Aunor (HQ) Edgar Ebro Videokeking2018 2019-08-30 | Copyright: Alpha Records (Alpha Music Corporation)
Open Your Eyes (1968) by Nora Aunor (HQ) Edgar Ebro Videokeking2018 2019-08-30 | Copyright: Alpha Records (Alpha Music Corporation)
Kambal Tuko (1952) Pugo, Togo, Inday Jalandoni, Carmencita Palma, Eddie San Jose, Gil de Leon. Edgar Ebro Videokeking2018 2019-08-23 | Copyright: LVN Pictures & ABS CBNStarring Pugo & TogoKambal Tuko (1952)LVN PicturesRelease Date April 25- May 4, 1952/ Life TheaterStory Nemesio E. CaravanaMusic S.S. SuarezDirection F. H. ConstantinoPugo and Togo, Inday Jalandoni,Carmencita Palma, Eddie San Jose, Gil de Leon, Jose de Cordova, Chuchi, Ramon Monroy, Pamboy, Berting Liwanag, Henry DayaoCourtesy of Simon Santos (Video 48)
1952 Togo (Filipino Comedian) Funeral Edgar Ebro Videokeking2018 2019-08-22 | Copyright: LVN PIctures & ABS CBN
All in LOve is Fair (1975) by Nora Aunor (HQ) Edgar Ebro Videokeking2018 2019-08-22 | Copyright: Vicor Records (Vicor Music Corporation)
Everybodys Somebodys Fool (1972) by Nora Aunor (HQ) Edgar Ebro Videokeking2018 2019-08-16 | Copyright: Alpha Records
Around the World (1971) by Nora Aunor (HQ) Edgar Ebro Videokeking2018 2019-08-16 | Copyright: Alpha Records (Alpha Music Corporation)
Bakit mo Nilimot (1976) by Nora Aunor (HQ) Edgar Ebro Videokeking2018 2019-08-16 | Copyright: Vicor Records (Vicor Music Corporation)
Buhay ko Karugtong ng Buhay Mo (1978) by Nora Aunor & Tirso Cruz III (HD) Edgar Ebro Videokeking2018 2019-08-03 | Copyrights: Vicor Music Corporation
Baby Abraham ... tawa pa more !!!! Edgar Ebro Videokeking2018 2019-07-31 | Baby Abharam..laugh in your own risk!
Prima Donna (Fogosa, Sampaloc, Manila) - July 29, 2019 Edgar Ebro Videokeking2018 2019-07-30 | Copyrights: GMA Network Company Courtesy of Se Vuelva Loca by CNCO
Come Back to Me (1968) by Nora Aunor (HD) Edgar Ebro Videokeking2018 2019-07-28 | Copyrights: Alpha Records
Come Back to Me (1968) by Nora Aunor (HD) Edgar Ebro Videokeking2018 2019-07-28 | Copyrights: Alpha Records
Nora My Love (1970) by Tirso Cruz III (HD) Edgar Ebro Videokeking2018 2019-07-28 | Copyrights: Vicor Music Corporation
On the Job 2 Shooting Video Edgar Ebro Videokeking2018 2019-07-28 | Courtesy of DJ Snake - Taki Taki ft. Selena Gomez, Ozuna, Cardi B On the Job 2 Lido Hotel, Ongpin, Manila July 21, 2019
Ang Supremo (2012) Edgar Ebro Videokeking2018 2019-07-28 | Music Copyrights: Beethoven 7 Symphony No. 9Ang Supremo Binangonan, Rizal June 16, 2012
