Uploaded August 2025 | Updated September 2026, 29 minutes ago
How can a minor arpeggio work as a dominant? Seems impossible, but it is a great way to get a outside altered dominant sound. We’ll use two minor family arpeggios that are connected to the so called altered scale. A typical fusion and Jazz scale (7th mode of the melodic minor scale) that is used for improvising over dominant and dominant altered chords. Using minor arpeggios from this scale results in a sophisticated feel that adds interest, colour and tension into your licks.
Level 5 (of 6)
Tablature, diagrams, examples and backing tracks will be available on my Patreon page: patreon.com/QJamTracks
*Chapters:*
0:00 Introduction
0:35 The concept
1:45 The altered scale
3:45 Altered scale harmonized
4:39 Altered sister: minMaj7
6:37 Altered sister: min7b5
8:46 Final thoughts
*Crystal Clear E-BOOKS with audio files:*
qjamtracks.shopify.com
*Tabs and tracks at PATREON:*
patreon.com/Qjamtracks
*Social Media/contact: *
https:// facebook.com/QJamTracks
https:// instagram.com/QJamTracks
https:// youtube.com/QJamTracks
*Strandberg Guitars*
strandbergguitars.com
*Fractal AxeFx II*
fractalaudio.com
Neural DSP Plini X Plugin
neuraldsp.com
(c)2025 Rob van Hal, Netherlands
How can a minor arpeggio work as a dominant? Seems impossible, but it is a great way to get a outside altered dominant sound. We’ll use two minor family arpeggios that are connected to the so called altered scale. A typical fusion and Jazz scale (7th mode of the melodic minor scale) that is used for improvising over dominant and dominant altered chords. Using minor arpeggios from this scale results in a sophisticated feel that adds interest, colour and tension into your licks.
Level 5 (of 6)
Tablature, diagrams, examples and backing tracks will be available on my Patreon page: patreon.com/QJamTracks
*Chapters:*
0:00 Introduction
0:35 The concept
1:45 The altered scale
3:45 Altered scale harmonized
4:39 Altered sister: minMaj7
6:37 Altered sister: min7b5
8:46 Final thoughts
*Crystal Clear E-BOOKS with audio files:*
qjamtracks.shopify.com
*Tabs and tracks at PATREON:*
patreon.com/Qjamtracks
*Social Media/contact: *
https:// facebook.com/QJamTracks
https:// instagram.com/QJamTracks
https:// youtube.com/QJamTracks
*Strandberg Guitars*
strandbergguitars.com
*Fractal AxeFx II*
fractalaudio.com
Neural DSP Plini X Plugin
neuraldsp.com
(c)2025 Rob van Hal, Netherlands









![Yngwie Malmsteen Style Phrygian Dominant Backing Track (Neo-Classical Metal)
Relive the 80s with this power packed (Phrygian Dominant) Neo classical Rock backing track in the style of master guitarist Yngwie Malmsteen and guitarists like Jason Backer, Paul Gilbert, Tony MacAlpine, Marty Friedman and Michael Angelo. Excellent for improvising, learning modes, scales, chords, licks and arpeggios in the Phrygian mode and Phrygian Dominant mode. This Q JAM TRACKS jam track in provides a visual representation of the chords and scales in diagrams as they appear in the music. Extra theoretical information is shown in the video. It is a backing track and tutorial (or lesson) at the same time.
Its also a play along video for learning exiting beautiful chords.
Photo Yngwie Malmsteen:
Rachmaninoff [CC BY-SA 4.0 (https://creativecommons.org/licenses/by-sa/4.0)], from Wikimedia Commons
Used:
Ibanez JEM 7v (www.Ibanez.com)
Ibanez SD GR Bass (www.Ibanez.com)
Takamine GD930 (www.takamine.com)
Axe FX II (www.fractalaudio.com)
Social Media:
www.facebook.com/QJamTracks
www.instagram.com/QJamTracks
www.youtube.com/QJamTracks
(c)2018 Rob van Hal Yngwie Malmsteen Style Phrygian Dominant Backing Track (Neo-Classical Metal)](https://i.ytimg.com/vi/kWTxGBLlaUs/mqdefault.jpg)
