Film at Lincoln Center | Intercepted | Clip | ND/NF 2024 @filmlinc | Uploaded April 2024 | Updated October 2024, 3 days ago.
Oksana Karpovych's Intercepted is an official selection of the 53rd New Directors/New Films. Get tickets: newdirectors.org/2024/films/intercepted
In the two years since Russia’s full-scale invasion of Ukraine in 2022, the Security Service of Ukraine has intercepted, recorded, and made public thousands of cell phone calls between Russian soldiers on the front line and their mothers, wives, and girlfriends back home. For her sophomore feature, Ukrainian-Canadian documentarian Oksana Karpovych charted a photojournalistic course across the country in the occupation’s wake to construct a fraught dialectical juxtaposition of sound and image, pairing fragments of those overheard conversations with arresting filmic compositions that capture the unsettled aftermath of invasion. Karpovych’s keen editorial sensitivity produces startling contrasts, drawing out the inherent tension between the soldiers’ casual accounts of looting and violent displacement (coupled with their family members’ muddled and distorted perception of geopolitical realities) and the camera’s deceptively tranquil tableaux of destruction and waste. The result is a document of astonishing discursive power, at once a stark reflection of the Russian imperial project’s callous disregard for civilian lives and a testament to the insidious efficacy of its propaganda machine.
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Oksana Karpovych's Intercepted is an official selection of the 53rd New Directors/New Films. Get tickets: newdirectors.org/2024/films/intercepted
In the two years since Russia’s full-scale invasion of Ukraine in 2022, the Security Service of Ukraine has intercepted, recorded, and made public thousands of cell phone calls between Russian soldiers on the front line and their mothers, wives, and girlfriends back home. For her sophomore feature, Ukrainian-Canadian documentarian Oksana Karpovych charted a photojournalistic course across the country in the occupation’s wake to construct a fraught dialectical juxtaposition of sound and image, pairing fragments of those overheard conversations with arresting filmic compositions that capture the unsettled aftermath of invasion. Karpovych’s keen editorial sensitivity produces startling contrasts, drawing out the inherent tension between the soldiers’ casual accounts of looting and violent displacement (coupled with their family members’ muddled and distorted perception of geopolitical realities) and the camera’s deceptively tranquil tableaux of destruction and waste. The result is a document of astonishing discursive power, at once a stark reflection of the Russian imperial project’s callous disregard for civilian lives and a testament to the insidious efficacy of its propaganda machine.
More info: filmlinc.org
Subscribe: youtube.com/subscription_center?add_user=filmlincdotcom
Like on Facebook: facebook.com/filmlinc
Follow on X: twitter.com/filmlinc
Follow on Instagram: instagram.com/filmlinc
