Uploaded December 2025 | Updated September 2026, 2 weeks ago
In this in-depth interview, I’m joined by Alessandro Bianchini, Italian vibraphonist and marimba player, and a recording artist for Birdbox Records—a small Italian label devoted entirely to all-analog recording.
Alessandro’s album My Space 24 was recently included in Audiophilia’s Recordings of the Year, and we begin by discussing what that recognition means to him as an artist. From there, we explore his musical journey in detail: classical training, discovering jazz, learning composition, and the influences that shape his sound.
We also dive deep into:
• The Italian jazz scene
• His relationship with Lorenzo Vela and Birdbox Records
• Why analog recording is so important to his vision
• The musical and conceptual differences between 10/5 and My Space 24
• Future recording plans and upcoming performances in Europe and the U.S.
If you’re interested in modern jazz, vibraphone and marimba, or how contemporary musicians are still making true all-analog records, this conversation offers a rare inside look.
🎶 Alessandro Bianchini’s music is available via Birdbox Records in Europe and Bellisariosonic in the US
Audiophilia Review for My Space 24
audiophilia.com/reviews/2025/7/11/alessandro-bianchinimy-space-24-birdbox-records
Related Video
Alessandro Bianchini: My Space 24 - AAA Audiophile Jazz Vinyl Triumph
youtu.be/2uJZRyNkGW0
Alessandro Bianchini on Birdbox Records | Stunning All-Analog Audiophile Jazz
youtu.be/U2o4-uu02d4
To purchase:
In EU: birdboxrecords.com
In US: https://bellisariosonic-arts.square.site/
#AlessandroBianchini
#MySpace24
#BirdboxRecords
#AudiophileJazz
#AllAnalog
#JazzInterview
#Vibraphone
#Marimba
#ModernJazz
#ItalianJazz
#Audiophilia
#pressingmatters
00:00 Introduction
02:14 Beginnings In Music
06:43 Classical Influences
08:57 Jazz Influences
10:11 Learning Composition
12:31 Composing 10/5 and Cape Town
14:25 Different Approaches
19:15 The Jazz Scene In Italy
23:01 Birdbox and Lorenzo Vela
27:07 Thoughts On Analog
29:32 Future Recording
31:18 Live Appearances
33:21 Availability of LPs
38:34 Conclusion
In this in-depth interview, I’m joined by Alessandro Bianchini, Italian vibraphonist and marimba player, and a recording artist for Birdbox Records—a small Italian label devoted entirely to all-analog recording.
Alessandro’s album My Space 24 was recently included in Audiophilia’s Recordings of the Year, and we begin by discussing what that recognition means to him as an artist. From there, we explore his musical journey in detail: classical training, discovering jazz, learning composition, and the influences that shape his sound.
We also dive deep into:
• The Italian jazz scene
• His relationship with Lorenzo Vela and Birdbox Records
• Why analog recording is so important to his vision
• The musical and conceptual differences between 10/5 and My Space 24
• Future recording plans and upcoming performances in Europe and the U.S.
If you’re interested in modern jazz, vibraphone and marimba, or how contemporary musicians are still making true all-analog records, this conversation offers a rare inside look.
🎶 Alessandro Bianchini’s music is available via Birdbox Records in Europe and Bellisariosonic in the US
Audiophilia Review for My Space 24
audiophilia.com/reviews/2025/7/11/alessandro-bianchinimy-space-24-birdbox-records
Related Video
Alessandro Bianchini: My Space 24 - AAA Audiophile Jazz Vinyl Triumph
youtu.be/2uJZRyNkGW0
Alessandro Bianchini on Birdbox Records | Stunning All-Analog Audiophile Jazz
youtu.be/U2o4-uu02d4
To purchase:
In EU: birdboxrecords.com
In US: https://bellisariosonic-arts.square.site/
#AlessandroBianchini
#MySpace24
#BirdboxRecords
#AudiophileJazz
#AllAnalog
#JazzInterview
#Vibraphone
#Marimba
#ModernJazz
#ItalianJazz
#Audiophilia
#pressingmatters
00:00 Introduction
02:14 Beginnings In Music
06:43 Classical Influences
08:57 Jazz Influences
10:11 Learning Composition
12:31 Composing 10/5 and Cape Town
14:25 Different Approaches
19:15 The Jazz Scene In Italy
23:01 Birdbox and Lorenzo Vela
27:07 Thoughts On Analog
29:32 Future Recording
31:18 Live Appearances
33:21 Availability of LPs
38:34 Conclusion
