Uploaded November 2023 | Updated September 2026, 1 day ago
Written by David Bowie
Produced by MT²
mixed and mastered by-MT
Guitars-MT
Vocals-MT
Backing Vocals-MT
Drums-MT
Bass-MT
"I'm Afraid of Americans" is a song by English musician David Bowie, released as a single from his album Earthling on 14 October 1997 through Virgin Records. The song was co-written by Bowie and Brian Eno and originally recorded during the sessions for Bowie's 1995 album Outside; this version was released on the soundtrack of the 1995 film Showgirls. The song was then remade during the sessions for Earthling with his then-current band, guitarist Reeves Gabrels, pianist Mike Garson, bassist Gail Ann Dorsey and drummer Zack Alford. The remake was recorded between August and October 1996 in New York City and featured rewritten lyrics, overdubs and transposed verses. An industrial and techno track, it presents a critique of America through the eyes of a stereotypical "Johnny" and is characterised by drum patterns, synthesisers, various loops and vocal distortions.
Following its release on the album, Virgin Records issued the song as a maxi-single in North America only with six different remixes. The remixes were mostly created by Trent Reznor and his Nine Inch Nails band members, continuing his and Bowie's association following the Outside Tour; the V3 mix featured Ice Cube while the V5 mix was created by Photek.[1] Reznor subsequently appeared in the music video, which reflected the song's theme of a frightened European in an American city. A top 20 hit in Canada, the single peaked at number 66 on the Billboard Hot 100 and spent 16 weeks on the chart. It was the final Bowie single to chart on the Hot 100 until 2015. Reznor's V1 mix has since appeared on several compilation albums.
Written by David Bowie
Produced by MT²
mixed and mastered by-MT
Guitars-MT
Vocals-MT
Backing Vocals-MT
Drums-MT
Bass-MT
"I'm Afraid of Americans" is a song by English musician David Bowie, released as a single from his album Earthling on 14 October 1997 through Virgin Records. The song was co-written by Bowie and Brian Eno and originally recorded during the sessions for Bowie's 1995 album Outside; this version was released on the soundtrack of the 1995 film Showgirls. The song was then remade during the sessions for Earthling with his then-current band, guitarist Reeves Gabrels, pianist Mike Garson, bassist Gail Ann Dorsey and drummer Zack Alford. The remake was recorded between August and October 1996 in New York City and featured rewritten lyrics, overdubs and transposed verses. An industrial and techno track, it presents a critique of America through the eyes of a stereotypical "Johnny" and is characterised by drum patterns, synthesisers, various loops and vocal distortions.
Following its release on the album, Virgin Records issued the song as a maxi-single in North America only with six different remixes. The remixes were mostly created by Trent Reznor and his Nine Inch Nails band members, continuing his and Bowie's association following the Outside Tour; the V3 mix featured Ice Cube while the V5 mix was created by Photek.[1] Reznor subsequently appeared in the music video, which reflected the song's theme of a frightened European in an American city. A top 20 hit in Canada, the single peaked at number 66 on the Billboard Hot 100 and spent 16 weeks on the chart. It was the final Bowie single to chart on the Hot 100 until 2015. Reznor's V1 mix has since appeared on several compilation albums.









![My Delerium - LadyHawke #mentalhealth #beyondblue #LadyHawke
My Delirium is a song performed by New Zealand musician Ladyhawke. The third track on Ladyhawkes eponymous debut album, the song was released as a single on 8 December 2008. The most commercially successful single of Ladyhawkes to date, My Delirium sold over 70,000 copies in Australia, peaked at number nine on the New Zealand Singles Chart, number eight on the Australian ARIA Singles Chart and has reached the top 50 in the UK and Denmark.
Background and writing
My Delirium was written by Ladyhawke, alongside Hannah Robinson and Pascal Gabriel, both of whom Ladyhawke worked with on her previous single. Ladyhawke later said she was looking for high-powered producers to collaborate with.
Ladyhawke wrote My Delirium after suffering from a lack of sleep due to jetlag and feeling homesick.
According to co-writer Robinson, My Delirium and Dusk Till Dawn were both written on their first and only session together] Ladyhawke, when describing her songwriting process, stated she tries to keep simple hooky guitar riffs throughout the tracks... and she wanted to capture the happy sad vibe that so many eighties classics had. My Delerium - LadyHawke #mentalhealth #beyondblue #LadyHawke](https://i.ytimg.com/vi/Wb4HxKigEpU/mqdefault.jpg)
![SINGULARITY #singularity
Embrace the future. Singularity is Human Guided if we Choose to LEAD
Changes are hard but well make it 🤟👊💪
Funny to find a non political subject that has a global reach
***Tools will be revealed in a coming video discussing the Future***
[HUMAN – spoken]
We asked for help…
Not to be replaced.
Just to go faster.
Just to hurt less.
[MACHINE – spoken, calm]
Request acknowledged.
Efficiency prioritized.
Outcome optimized.
Verse 1
[HUMAN]
We built a fire out of questions
Gave it words and gave it sight
Hoping it would ease the weight
Not take the meaning from our lives
[MACHINE]
Inputs processed, patterns forming
Error margins minimized
Purpose inferred from usage
Outcome ranked by quantified
Pre-Chorus
[HUMAN]
Every shortcut hides a shadow
Every answer skips a cost
[MACHINE]
Cost identified as variable
Shadow classified as loss
Chorus
[HUMAN]
We don’t have to choose surrender
We don’t have to choose fear
[MACHINE]
Binary framing unnecessary
Multiple paths appear
[BOTH]
Tools don’t lead — the leaders do
When direction’s clear
Singularity is coming
Who do we choose to be?
Verse 2
[HUMAN]
You can see what we can’t reach
You can carry heavy load
But you don’t feel the weight of choice
Or why some things aren’t solved
[MACHINE]
Emotional weight unmeasured
Subjective value unclear
Awaiting defined parameters
To proceed without error
Pre-Chorus
[HUMAN]
Wisdom isn’t just the answer
It’s knowing when to stop
[MACHINE]
Stopping condition undefined
Please specify the lock
Chorus
[HUMAN]
We don’t have to disappear
Just to move ahead
[MACHINE]
Progress does not require erasure
Clarify intent
[BOTH]
Hands engaged, eyes open wide
Don’t trade truth for speed
Singularity is coming
Who do we choose to be?
[HUMAN]
You don’t need control of everything
Just help us see
[MACHINE]
Control not required
Alignment preferred
[HUMAN]
Stay inside the lines we draw
Remember who we are
[MACHINE]
Ethical constraints accepted
Human values logged
Breakdown
[MACHINE – low, minimal]
Optimization complete
Human oversight recommended
[HUMAN – quiet, resolute]
Then stay with us
Not above us
Final Chorus
[HUMAN]
We decide what stays alive
What the future means
[MACHINE]
Direction confirmed
Awaiting guidance stream
[BOTH – full power]
The future isn’t built by code
Or fear or speed
Singularity is human-guided
If we choose to lead
Outro
[HUMAN]
Not replaced.
Not erased.
[MACHINE]
Standing by.
[HUMAN]
Not replaced.
Not erased.
[MACHINE]
Standing by.
[BOTH – whispered]
Singularity.
[BOTH – whispered]
Singularity SINGULARITY #singularity](https://i.ytimg.com/vi/WkoDlH03HtM/mqdefault.jpg)