Uploaded June 2026 | Updated September 2026, 5 days ago
Jennifer Barth, editor of Spider-Noir, reveals how she cut much of the series entirely in black-and-white before ever seeing the footage in color. Alongside VFX supervisor Hnedel Maximore, she discusses the unique challenges of creating both color and black-and-white versions of the Nicolas Cage-led series and how the noir aesthetic influenced every editorial decision.
Jennifer Barth, editor of Spider-Noir, reveals how she cut much of the series entirely in black-and-white before ever seeing the footage in color. Alongside VFX supervisor Hnedel Maximore, she discusses the unique challenges of creating both color and black-and-white versions of the Nicolas Cage-led series and how the noir aesthetic influenced every editorial decision.
