Uploaded July 2026 | Updated September 2026, 2 weeks ago
Howard Skempton (b. 1947) — On Dignity (2026) for toy piano
Carson Cooman, toy piano
English composer Howard Skempton (b. 1947) was born in Cheshire and began composing at a young age. He was a protégé of Cornelius Cardew with whom he studied privately and at Morley College. In 1969, Skempton was one of the co-founders (with Cardew and Michael Parsons) of the Scratch Orchestra, a landmark ensemble in the history of English experimental music. In addition to his active compositional output, Skempton has worked as a music editor and a performer (on accordion and piano). Known for his economy of means and essentialist compositional style, Skempton’s language has come to encompass a variety of genres and scopes: from miniatures to large-scale ensemble works. His catalog began in 1967 with solo piano pieces, which have remained a consistent backbone of his work. Commissions and projects in the decades that followed led to explorations of other genres, including orchestral works and a great deal of chamber and choral music. His orchestral work “Lento” (1990) won wide acclaim and brought his music to significant mainstream attention. In 2005, Skempton joined the composition faculty of the Birmingham Conservatoire.
Toy piano by Michelsonne Paris
13-key; C5–C6; plastic hammers
Howard Skempton (b. 1947) — On Dignity (2026) for toy piano
Carson Cooman, toy piano
English composer Howard Skempton (b. 1947) was born in Cheshire and began composing at a young age. He was a protégé of Cornelius Cardew with whom he studied privately and at Morley College. In 1969, Skempton was one of the co-founders (with Cardew and Michael Parsons) of the Scratch Orchestra, a landmark ensemble in the history of English experimental music. In addition to his active compositional output, Skempton has worked as a music editor and a performer (on accordion and piano). Known for his economy of means and essentialist compositional style, Skempton’s language has come to encompass a variety of genres and scopes: from miniatures to large-scale ensemble works. His catalog began in 1967 with solo piano pieces, which have remained a consistent backbone of his work. Commissions and projects in the decades that followed led to explorations of other genres, including orchestral works and a great deal of chamber and choral music. His orchestral work “Lento” (1990) won wide acclaim and brought his music to significant mainstream attention. In 2005, Skempton joined the composition faculty of the Birmingham Conservatoire.
Toy piano by Michelsonne Paris
13-key; C5–C6; plastic hammers
