Uploaded July 2016 | Updated September 2026, 2 weeks ago
This version is a little bit different because I changed the original key to E flat major and used inspiration from other covers. I hope you all enjoy this particular rendition in this key. If you like the video, give it a thumbs up. :)
Composer(s): Ramin Djawadi
Synthesia Channel for Classical Music
youtube.com/channel/UC_qU22ezOp-n0P7Wp319otg
This version is a little bit different because I changed the original key to E flat major and used inspiration from other covers. I hope you all enjoy this particular rendition in this key. If you like the video, give it a thumbs up. :)
Composer(s): Ramin Djawadi
Synthesia Channel for Classical Music
youtube.com/channel/UC_qU22ezOp-n0P7Wp319otg



![Bomb-Omb Battlefield [Super Mario 64] -Synthesia
I hope you guys like my arrangement of this Super Mario 64 classic.
Bomb-Omb Battlefield. :) Bomb-Omb Battlefield [Super Mario 64] -Synthesia](https://i.ytimg.com/vi/o-U0HYxDi30/mqdefault.jpg)





![La Campanella - Franz Liszt
La campanella (Italian for The little bell) is the nickname given to the third of Franz Liszts six Grandes études de Paganini (Grand Paganini Études), S. 141 (1851). It is in the key of G-sharp minor. This piece is a revision of an earlier version from 1838, the Études dexécution transcendente daprès Paganini, S. 140. Its melody comes from the final movement of Niccolò Paganinis Violin Concerto No. 2 in B minor, where the tune was reinforced by a little handbell.[1][2][3]
The étude is played at a brisk allegretto tempo and studies right hand jumping between intervals larger than one octave, sometimes even stretching for two whole octaves within the time of a sixteenth note. As a whole, the étude can be practiced to increase dexterity and accuracy at large jumps on the piano, along with agility of the weaker fingers of the hand. The largest intervals reached by the right hand are fifteenths (two octaves) and sixteenths (two octaves and a second). Sixteenth notes are played between the two notes, and the same note is played two octaves or two octaves and a second higher with no rest. Little time is provided for the pianist to move the hand, thus forcing the pianist to avoid tension within the muscles. Fifteenth intervals are quite common in the beginning of the étude, while the sixteenth intervals appear twice, at the thirtieth and thirty-second measures.However, the left hand studies about four extremely large intervals, larger than those in the right hand. For example, in bar 101, the left hand makes a sixteenth-note jump of just a half-step below three octaves. The étude also involves other technical difficulties, e.g. trills with the fourth and fifth fingers.
The work has been arranged by other composers and pianists, most notably Ferruccio Busoni and Marc-André Hamelin.
Synthesia Channel for Classical Music
https://www.youtube.com/channel/UC_qU22ezOp-n0P7Wp319otg La Campanella - Franz Liszt](https://i.ytimg.com/vi/oOLRin8--pI/mqdefault.jpg)
