The British Museum | How to make a Hawaiian Drum | Lapaiki @britishmuseum | Uploaded 1 year ago | Updated 9 hours ago
When Dennis Kanaʻe Keawe started learning pahu (Hawaiian drum) making in the mid-1960s, he was guided by his teachers Ollie Roberts, Clayton McKinzie and Herman Gomes, and inspired by the works of his ancestors. Over the years, Kanaʻe Keawe has meticulously researched and studied pahu collections in Hawaiʻi and overseas with this ultimate goal: re-carving to-scale contemporary drums that feel, look and sound like ancestral pahu, now often too fragile to be played.
Recently, Kanaʻe Keawe shifted his focus towards recreating several Hawaiian drums under the care of the British Museum, aiming to bring back the voices of these ancestors. After supporting his work remotely during the pandemic, we were finally able to host him in London to connect with the collections, including one lapaiki (small drum), possibly collected during Captain Cook's third and fatal voyage to the Pacific in 1778-79.
Here, Kanaʻe Keawe shares with us a moment that had been decades in the making, reuniting his newly carved drum with this lapaiki, the oldest documented Hawaiian drum at the Museum. As he brings them side by side, explaining his process and noticing slight differences, he reminds us of the importance of "having a voice".
Dennis Kanaʻe Keawe is a Native Hawaiian cultural practitioner specializing in pahu making, and based in Hilo, Hawaiʻi. He was hosted in London through the Benioff Oceania Programme at the British Museum, a programme that aims to transform the research, stewardship and curation of collections from Hawaiʻi and Rapa Nui.
Our thanks go to Kanaʻe Keawe for allowing us to witness this moment, and to kumu hula (dance teacher) Laʻakea Perry for giving voice to Kanaʻe's drums, and for providing the chant for this video.
When Dennis Kanaʻe Keawe started learning pahu (Hawaiian drum) making in the mid-1960s, he was guided by his teachers Ollie Roberts, Clayton McKinzie and Herman Gomes, and inspired by the works of his ancestors. Over the years, Kanaʻe Keawe has meticulously researched and studied pahu collections in Hawaiʻi and overseas with this ultimate goal: re-carving to-scale contemporary drums that feel, look and sound like ancestral pahu, now often too fragile to be played.
Recently, Kanaʻe Keawe shifted his focus towards recreating several Hawaiian drums under the care of the British Museum, aiming to bring back the voices of these ancestors. After supporting his work remotely during the pandemic, we were finally able to host him in London to connect with the collections, including one lapaiki (small drum), possibly collected during Captain Cook's third and fatal voyage to the Pacific in 1778-79.
Here, Kanaʻe Keawe shares with us a moment that had been decades in the making, reuniting his newly carved drum with this lapaiki, the oldest documented Hawaiian drum at the Museum. As he brings them side by side, explaining his process and noticing slight differences, he reminds us of the importance of "having a voice".
Dennis Kanaʻe Keawe is a Native Hawaiian cultural practitioner specializing in pahu making, and based in Hilo, Hawaiʻi. He was hosted in London through the Benioff Oceania Programme at the British Museum, a programme that aims to transform the research, stewardship and curation of collections from Hawaiʻi and Rapa Nui.
Our thanks go to Kanaʻe Keawe for allowing us to witness this moment, and to kumu hula (dance teacher) Laʻakea Perry for giving voice to Kanaʻe's drums, and for providing the chant for this video.
