Uploaded April 2019 | Updated September 2026, 1 week ago
For many My Chemical Romance were the band that changed their life, the band that saved them. But something about them really fucking irked a certain subsection of rock fans. In 2007, readers of British rock magazine Kerrang voted them Best and Worst band of the year, such was their polarizing appeal. Its debatable what warranted this reaction, maybe it was their aesthetic, their demeanour, their fans. Most likely it was just an older generation of rock fans not understanding the appeal of these new upstarts. And the songs, they'd melt your soul: “I'm Not Okay (I Promise)”, “Helena”, “Headfirst for Halos”, “The Ghost of You” and “Welcome to the Black Parade”. Each one an emo anthem tailor-made for the downtrodden. And yet, My Chemical Romance were probably the most important rock band of the 2000s, they were the saviours of the outcasts.
#MyChemicalRomance #VideoEssay #Emo
Soundtrack:
WYS – close my eyes (soundcloud.com/wyslofi)
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For many My Chemical Romance were the band that changed their life, the band that saved them. But something about them really fucking irked a certain subsection of rock fans. In 2007, readers of British rock magazine Kerrang voted them Best and Worst band of the year, such was their polarizing appeal. Its debatable what warranted this reaction, maybe it was their aesthetic, their demeanour, their fans. Most likely it was just an older generation of rock fans not understanding the appeal of these new upstarts. And the songs, they'd melt your soul: “I'm Not Okay (I Promise)”, “Helena”, “Headfirst for Halos”, “The Ghost of You” and “Welcome to the Black Parade”. Each one an emo anthem tailor-made for the downtrodden. And yet, My Chemical Romance were probably the most important rock band of the 2000s, they were the saviours of the outcasts.
#MyChemicalRomance #VideoEssay #Emo
Soundtrack:
WYS – close my eyes (soundcloud.com/wyslofi)
Subscribe for more Trash Theory
You can also follow me here:
Twitter: twitter.com/TrashTheory
Facebook: facebook.com/TrashTheoryYT
Or patronize me here:
patreon.com/TrashTheory
![Beauty and The Beast - Dealing with Adolescence 101 [Lessons Animation Taught Us]
This video will be a slightly different format than usual. Blame Movies with Mikey and his Lessons Animation Taught Us series for that.
Animation teaches a lot. For many animation is a childs first introduction to cinema and teaches them key concepts that they will encounter throughout life. You learn a lot from the media you consume as a small child, and whether your lessons are beneficial or ruinous is based on what you are watching and what you can take from them. As such today, I will be talking about Beauty and the Beast and what my tiny self took from this film.
A lot of pre-Beast Disney perpetuates this idea that for every girl, one day their prince will come to save them. Whether they are Snow White, Cinderella, Sleeping Beauty or The Little Mermaid, theres very little in the way of agency from the protagonists point of view. Beauty and the Beast flips this idea, so that Belle is saving the Beast. “Shes the one to break the spell”. But heres the thing, I was about five when I first watched this. I didnt get the fairytale script flipping because I had no previous frame of reference, I just absorbed the “love will triumph over all” concept and kept that as a standard to live by for way too long.
Soundtrack:
The Prologue Piano Instrumental Cover - Jason Frisk https://www.youtube.com/watch?v=x4NgiSCu7XY
Beauty and the Beast Piano Instrumental Cover - Jason Frisk https://www.youtube.com/watch?v=NTHqbP4F3jA
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https://www.patreon.com/TrashTheory Beauty and The Beast - Dealing with Adolescence 101 [Lessons Animation Taught Us]](https://i.ytimg.com/vi/r-8a7CuUORs/mqdefault.jpg)

![Tim & How The Replacements Ruined Everything
In 1985 The Replacements had the potential to become the next big thing. After four years of producing quality pop-coated hardcore, their major label debut Tim was supposed to be their next step, their leap into the mainstream. As stated in the album’s Rolling Stone review: “Tim... sounds as if it were made by the last real band in the world.” [Tim Holmes, Rolling Stone, November 1985] And in the face of new wave, electropop and the million made up faces of MTV, Replacements really did seem like the last bastions of that classic rock’n’roll sound, that lineage that went back through the Stooges via the Stones to Chuck Berry. With their previous albums Hootenanny and Let It Be, The Replacements had the sound. With Kids Dont Follow, Color Me Impressed, Unsatisfied, I Will Dare, Left of the Dial, Bastards of Young, and Cant Hardly Wait they had the songs; Nothing stood in their way other than themselves. This is the story of Tim and How The Replacements Blew It.
#TheReplacements #AlternativeRock #MusicDocumentary
Soundtrack:
Luar - Clouds (https://soundcloud.com/luarbeats)
Jesse Gallagher - The Inner Sound
Luar - Anchor (https://soundcloud.com/luarbeats)
00:00 Introduction
01:11 The Replacements Rip Off The Beatles
05:11 The Replacements Let Down The Music Industry
09:54 The Replacements Name a Record Tim
15:52 The Replacements Get Banned From SNL
19:48 And That Was The End of The Replacements
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https://www.patreon.com/TrashTheory Tim & How The Replacements Ruined Everything](https://i.ytimg.com/vi/rQShh_77bDo/mqdefault.jpg)







![The Most Bizarre UK No.1s of the 2000s
Taking care of your health just got easier – start here with Zocdoc: https://zocdoc.com/trashtheory #sponsored
Britain in the 00s had some great number one singles. Songs that summed up a moment, stretched the boundaries of what pop could be, yet have stood the test of time. “Stan”. “Can’t Get You Out Of My Head”. “I Bet You Look Good on the Dancefloor”. “Umbrella”. “Bad Romance”. From this list you would think the British record buying public had excellent, undeniable taste. But then there are other songs where you wonder “how did that become the most popular song in the country?” Whether that’s because it’s defiantly uncommercial, a random novelty or just offensively not very good. Does this make them bad? Not necessarily, but its weird they topped the UK charts. This is an exploration of those songs, the stories of the Most Bizarre UK No. 1s of the 2000s.
#00sPop #musiclist
Fact-checking by Chad Van Wagner.
00:00 Introduction
00:48 Oxide & Neutrino - Bound 4 Da Reload
03:49 Limp Bizkit - Rollin
08:19 Bob The Builder - Mambo No 5
11:39 Las Ketchup - Aserejé
13:57 Michael Andrews ft Gary Jules - Mad World
17:12 Eamon & Frankee
20:10 Crazy Frog - Axel F
23:21 Chico - Its Chico Time
25:57 Sandi Thom - I Wish I Was a Punk Rocker
28:59 Rage Against The Machine - Killing In The Name
Soundtrack
Luar - Citrine (https://soundcloud.com/luarbeats)
Luar - Anchor (https://soundcloud.com/luarbeats)
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https://www.patreon.com/TrashTheory
Birmingham Rock and Metal Tour: voicemap.me/brumrocktour
Sources
1000 UK Number One Hits by John Kutner & Spencer Leigh (2005) Omnibus Press
“The revolution will not be trivialised” John Robinson, NME, Jan 2000
“Bob the Builder makes number one” Staff, BBC News, Dec 2000
“Limp Bizkit: Hellraiser” Marc Weingarten, Vibe, Dec 2000
“Chart victory dream for singer” Staff, BBC News, Dec 2003
““What Goes Up Must Come Down, The Important Thing Is That We’re On Top Now.”” Staff, Terra Networks, 2004 [translated from Spanish]
“Eamon: Ho-Wop Sinsation” Jon Wiederhorn, MTV News, Feb 2004
“Eamon’s Alleged Old Flame Burns Him With Dis Track” Jon Wiederhorn, MTV News, Mar 2004
“That Eamon Dis Track? Ho-Wopper Now Claims He Was Behind It” Jon Wiederhorn, MTV News, Mar 2004
“Eamon Distances Himself From Frankee Track, Welcomes Her To Ho-Wop World” Jon Wiederhorn, MTV News, Mar 2004
“The Crazy Frog sound? Thats my fault.” Giles Wilson, BBC News, Jan 2005
“Crazy Frog hops to chart success” Staff, BBC News, May 2005
“Interview with ERIK WERNQUIST, animator at Kaktus Film Sweden and creator of Crazy Frog” Jan Blumentrath, HitQuarters, Oct 2005
“Was Sandi Thoms effortless rise just too good to be true?” Paul Kelbie, The Independent, May 2006
“An internet superstar - or just another rocknroll swindle?” Owen Gibson, The Guardian, May 2006
“Supposing ... Sandi Thom is the musical antichrist” Charlie Brooker, The Guardian, Jun 2006
“Sandi Thom - Article” Caroline Sullivan, The Guardian, May 2008
“Top Of The Noughties Pops” Bob Stanley, The Guardian, Dec 2009
“Cowell: Facebook music campaign cynical” Staff, BBC News, Dec 2009
“Rock anthem outselling X Factor winner Joe McElderry” Staff, BBC News, Dec 2009
“Rage Against The Machine swear on 5 live” Staff, BBC News, Dec 2009
“So Solid Crew: What Were Doing Is Bigger Than Music” Angus Batey, The Guardian, Jan 2010
“Why Bob the Builder is keeping women out of construction” Kate Lloyd, The Guardian, Jul 2014
“OXIDE AND NEUTRINO – Bound 4 Da Reload (Casualty)” Tom Ewing, Popular Number Ones, Mar 2015
“12 Years On, We Reflect On The Feud Which Shook The World Of Music To Its Core” Gavin Casey, The Sliced Pan, Nov 2015
“Limp Bizkit: We Got too Big, The Label Milked Us, We Fell Apart...” Terry Bezer, Metal Hammer, Oct 2016
“Oxide & Neutrino: how we made Bound 4 Da Reload (Casualty)” Dave Simpson, The Guardian, Jan 2019
“How Rage Against the Machine Created ‘Killing in the Name’” Brian Hiatt, Rolling Stone, Aug 2020
“GARY JULES ft MICHAEL ANDREWS – Mad World” Tom Ewing, Popular Number Ones, Sep 2021
“Ding Ding! Crazy Frog to make a comeback in December” Staff, BBC Culture, Nov 2021
“‘I Think We Opened Doors’: Las Ketchup Look Back on ‘The Ketchup Song’ at 20” Jonathan Bernstein, Rolling Stone, Jun 2022
“True story behind Eamon and Frankees infamous break-up diss songs that werent as they seemed” Ali Condon, Unilad, Apr 2023
“When People Run In Circles: Gary Jules And ‘Mad World’” Robin Murray, Clash Music, Dec 2023
“‘It knocked Eminem’s Stan off No 1’: how we made Can We Fix It? by Bob the Builder” Rich Pelley, The Guardian, Dec 2024
“Controversial call behind iconic earworm, The Ketchup Song” Nine Honey Celebrity, Nine dot Au, Apr 2026 The Most Bizarre UK No.1s of the 2000s](https://i.ytimg.com/vi/vzUpEAx58og/mqdefault.jpg)