Uploaded September 2008 | Updated September 2026, 1 hour ago
Part 4: youtube.com/watch?v=Rgf15YJ2NaQ
***PLEASE NOTE: Some users have noticed problems with 'Bass - part 4' - not available in their country etc - this may be because some of the content has been marked as a copyright breach by UMG, tho they have allowed it to remain with advertising***
The coolness of bass scales!
A downward stepping major scale in J.S. Bach's "Air on the G String".
Chromatic scale in the bass generates more sophisticated and ambiguous chords.
Purcell, in "Dido and Aneas", uses a descending "Ground Bass" to generate a suicidal mood. The same technique was used 300 years later by Stevie Wonder in "They won't go when I go".
Inversions (using 3rd or 5th in the bass instead of the tonic) markedly change the character of a chord.
Part 4: youtube.com/watch?v=Rgf15YJ2NaQ
***PLEASE NOTE: Some users have noticed problems with 'Bass - part 4' - not available in their country etc - this may be because some of the content has been marked as a copyright breach by UMG, tho they have allowed it to remain with advertising***
The coolness of bass scales!
A downward stepping major scale in J.S. Bach's "Air on the G String".
Chromatic scale in the bass generates more sophisticated and ambiguous chords.
Purcell, in "Dido and Aneas", uses a descending "Ground Bass" to generate a suicidal mood. The same technique was used 300 years later by Stevie Wonder in "They won't go when I go".
Inversions (using 3rd or 5th in the bass instead of the tonic) markedly change the character of a chord.
