Uploaded March 2026 | Updated September 2026, 3 days ago

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Before a single frame is shot, the search for the right lenses begins.
For Erik Alexander Wilson BSC (Better Man, Landscapers), prep starts quietly—alone in a test room, pulling every piece of glass he can get his hands on. Trying, comparing, revisiting. Lens choice shapes the entire emotional language of a film, and the process is as personal as it is technical.

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