PBS Voices | How Are Digital Replicas Preserving Hip-Hop History? @pbsvoices | Uploaded 1 year ago | Updated 7 hours ago
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As Hip-Hop reached its 50th anniversary, the question of preserving its culture and artifacts is coming to a head. While hip-hop's cultural artifacts can be found everywhere from private collections, to museums, to the merchandise stand — new technologies like photogrammetry and LiDAR are establishing a means of historic preservation in a digital space through 3D twins of the real world.
With simple tools like a photo camera or even a smart phone, users can make 3D renditions of real-life objects, places, and people with a simple scan. The “digital twin” is becoming a tool of historic preservation in virtual worlds.
But Hip-Hop remains a marketable and a popular cultural currency. 3D renditions of places and artifacts can be done without the artist’s consent and remain in the hands of interests outside of the culture. In a world where anything can be turned into a virtual 3D object, how do artists maintain sovereignty and control over their works in a digital space?
***** PBS Member Stations rely on viewers like you. To support your local station, go to: http://to.pbs.org/DonateVoices ***** HIP-HOP AND THE METAVERSE is an original documentary series from PBS that explores the intersection between Hip-Hop and emerging technologies. Subscribe so you never miss an episode! bit.ly/PBSVoices Hip-Hop and the Metaverse is a part of PBS Digital Studios.
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#hiphopandthemetaverse #hiphop #photogrammetry
Take the 2023 PBS Survey: to.pbs.org/pbssurvey2023hhop
As Hip-Hop reached its 50th anniversary, the question of preserving its culture and artifacts is coming to a head. While hip-hop's cultural artifacts can be found everywhere from private collections, to museums, to the merchandise stand — new technologies like photogrammetry and LiDAR are establishing a means of historic preservation in a digital space through 3D twins of the real world.
With simple tools like a photo camera or even a smart phone, users can make 3D renditions of real-life objects, places, and people with a simple scan. The “digital twin” is becoming a tool of historic preservation in virtual worlds.
But Hip-Hop remains a marketable and a popular cultural currency. 3D renditions of places and artifacts can be done without the artist’s consent and remain in the hands of interests outside of the culture. In a world where anything can be turned into a virtual 3D object, how do artists maintain sovereignty and control over their works in a digital space?
***** PBS Member Stations rely on viewers like you. To support your local station, go to: http://to.pbs.org/DonateVoices ***** HIP-HOP AND THE METAVERSE is an original documentary series from PBS that explores the intersection between Hip-Hop and emerging technologies. Subscribe so you never miss an episode! bit.ly/PBSVoices Hip-Hop and the Metaverse is a part of PBS Digital Studios.
Keep up with us!
Facebook: https://www.facebook.com/PBSDigitalSt...
Twitter: twitter.com/pbsds
Instagram: instagram.com/pbsds
#hiphopandthemetaverse #hiphop #photogrammetry
