Uploaded May 2009 | Updated September 2026, 2 weeks ago
August 26, 1904
Thomas A. Edison Manufacturing Co.
General Grant National Monument (Grant's Tomb),
Riverside Drive, Manhattanville, New York
Whoa! They're gaining on 'em! This is the first shot that has him and them in the same frame. Better get some wind in your sails b'hoy, those dames look like they mean business and you're the business!
[1:05] Oh no, the edge of the island, trapped! There's only one thing to do now. You're gonna have to take the plunge if you don't wanna take the plunge. Hey, you should consider yourself plenty lucky mister. That must be some handshake this guy has! It doesn't seem as if they'll be going away just because he's got wet feet.
[2:10] A winner! Some people and scripts will stop at nothing to get what they want. You just found yourself a lady. Any woman willing to cross the water for you without a boat or a second thought is definitely a keeper. Well! That must be the most lucrative 50¢ any guy has spent on advertising himself in Manhattan. What a letter to home this is going to make! France ain't got nothin' on New York women. Cie et la vie.....Au revior.....later buddy.
August 26, 1904
Thomas A. Edison Manufacturing Co.
General Grant National Monument (Grant's Tomb),
Riverside Drive, Manhattanville, New York
Whoa! They're gaining on 'em! This is the first shot that has him and them in the same frame. Better get some wind in your sails b'hoy, those dames look like they mean business and you're the business!
[1:05] Oh no, the edge of the island, trapped! There's only one thing to do now. You're gonna have to take the plunge if you don't wanna take the plunge. Hey, you should consider yourself plenty lucky mister. That must be some handshake this guy has! It doesn't seem as if they'll be going away just because he's got wet feet.
[2:10] A winner! Some people and scripts will stop at nothing to get what they want. You just found yourself a lady. Any woman willing to cross the water for you without a boat or a second thought is definitely a keeper. Well! That must be the most lucrative 50¢ any guy has spent on advertising himself in Manhattan. What a letter to home this is going to make! France ain't got nothin' on New York women. Cie et la vie.....Au revior.....later buddy.


![Little Egypt 1896
Fatimas Couchee-Couchee Dance also known as Muscle Dance
Thomas A. Edison / Black Maria Studio 1896 (Kinetographic Theater)
Director: James H. White
Camera: William Heise
Not the original Little Egypt, but one of the later women to go by the name. This is an original Edison film (censored at 0:32) featuring scandalous hips of the 19th century. The censor tag was a concession to earning those pennies and avoiding refusal of distribution on the part of Kinetoscope house proprietors fearful of raids by the moral enforcement thugs of the day. Film historians consider this the first film to suffer so.
From the Midway of Chicagos Columbian Exposition to the Midway of Brooklyns own Coney Island.
Step right up! See Little Egypt and Pharaohs harem of harlots bare it all live on the inside.
The legend and lore of Belly Dance in America most likely begins at the Worlds Columbian Exposition held in Chicago in 1893, the first Worlds Fair in the United States. The main attraction for fair visitors seems to have been the Midway Plaisance, a crowded boisterous main street with rides and a carnival atmosphere that led to the pristine White City of beau-arts architecture and major attractions of serious exhibits.
This was also the fair at which Captain Paul Boyton of Coney Islands Sea Lion Park fame had his start, bringing the idea for Coney Islands first major attraction Shoot-the-Chutes back to New York with him http://tinyurl.com/7j9uhc6. George C. Tilyou, creator of the future Steeplechase Park also came away inspired, having seen a new ride designed and built by Englands G.W.G. Ferris. Tilyou built his own scaled down version of the wheel on Coney the next year.
The Midway itself was filled with representations of cultures and countries from around the world. Among those small self contained cities were a number of Middle Eastern representations including Egypt, Morocco, Syria, Tunisian, Algeria, Turkey and others. But one had an entertainment that became the talk of the town, a show called the Streets of Cairo produced by Gaston Akoun which featured snake charmers, camel rides, and the unfamiliar but attractive strains of exotic instruments.
It was upon the Midway stage before the entrance that performers did their thing in hopes of attracting customers to the foreign magic and exotic treasures within. One such performer was Farida Mahzar-Spyropoulos, a member of The Algerian Dancers of Morocco. As men in turbans accompanied on instruments she and other girls danced a dance formally called Raks Sharki, a traditional dance not so traditional to a culture used to staid formal waltzes and prim propriety. While a number of dancers were usually present to entertain and entice it was Farida .a.k.a. Fatima who apparently shook it best. Here was a specimen of feminine pulchritude showing her bare arms, gyrating in a provocative fashion and probably smiling about it. Women were shocked into gasps of Victorian dismay and men were shocked into undivided attention, and probably smiling too.
Sol Bloom, entertainment director for the expo (and later a Tammany Congressman for New York) had the biggest smile of them all as lots of spectators parted with lots of coin to see more inside. Bloom was quite the impresario, barking ballyhoo and drawing crowds with introductions to watch them shimmy and shake! Known to some as the Music Man he claimed to have improvised the melody on the piano at a press briefing in 1893 to introduce Little Egypt. This became the song most associated with danse du ventre (literally dance of the belly), so named by Napoleons men after seeing this strange entertainment in Egypt after invasion earlier in the century. Bloom never bothered to copyright his composition which he may have swiped from North African or European Orientalist musicians, inspiring later variations and rip-offs with as many different titles: From the Vaudeville inspired Hoochy Koochy to Hoolah! Hoolah!, Kutchi Kutchi, Dance of the Midway, Coochi-Coochi Polka, On the Streets of Cairo: https://www.youtube.com/watch?v=6A5yJ5Z2Ezw&spfreload=10, Kutchy Kutchy and probably the most famous of them, the Snake Charmer [a brief sample: http://tinyurl.com/3s4ev7m] He also claimed to have coined the term belly dance, but this may have been the self promoting hyperbole of a carny. The word coochi was derived from the French couche, past part of coucher which means to lay down. (not sure what laying down has to do with this dance, though I suppose one could easily imagine)
01/08/12 - 50 ระบำหน้าท้อง Little Egypt 1896](https://i.ytimg.com/vi/zxZoXJBILbc/mqdefault.jpg)