Uploaded November 2025 | Updated September 2026, 1 week ago
Hank Mobley [ts] ハンク・モブレー
Cedar Walton [p] シダー・ウォルト
Charles Davis [bs,ss] チャールズ・デイビス
Sam Jones [b] サム・ジョーンズ
Billy Higgins [d] ビリー・ヒギンズ
1972/02/22
3. House on Maple Street (Cedar Walton) – 6:42
3. メープルストリートの家 (シダー・ウォルトン) – 6:42
House On Maple Street was inspired by the home of
a friend of Walton, a place he could visit unannounced
and find an honest and generous welcome. "Whatever
I needed for my leisure time was there and available,"
Cedar says, "a tennis racket, a movie camera, a type.
writer, you name it. I remember the house and its owner
warmly." The ominous introduction may indicate the
presence of a ghost in the house on Maple Street, but
soon we're into happy 4/4 time and an exploratory
Mobley solo, with Higgins' drums chattering away in
empathy. Brahms may not have influenced any of these
musicians but he would certainly have understood the
ending. Indeed, he could have written it.
イン・テンポとテンポ・ルバートの部分が交互に現れる、変わったテーマを持つシダーの作曲です。この曲でもシダーはエレクトリックピアノを弾いています。少々単調な気味のあるソロ中にも、ヒギンズは叩くシンバルやリズムパターンを変えたり、3連符の4つ割を入れたりして変化を加えています。
@johnnystaccata
#johnnystaccata
Hank Mobley [ts] ハンク・モブレー
Cedar Walton [p] シダー・ウォルト
Charles Davis [bs,ss] チャールズ・デイビス
Sam Jones [b] サム・ジョーンズ
Billy Higgins [d] ビリー・ヒギンズ
1972/02/22
3. House on Maple Street (Cedar Walton) – 6:42
3. メープルストリートの家 (シダー・ウォルトン) – 6:42
House On Maple Street was inspired by the home of
a friend of Walton, a place he could visit unannounced
and find an honest and generous welcome. "Whatever
I needed for my leisure time was there and available,"
Cedar says, "a tennis racket, a movie camera, a type.
writer, you name it. I remember the house and its owner
warmly." The ominous introduction may indicate the
presence of a ghost in the house on Maple Street, but
soon we're into happy 4/4 time and an exploratory
Mobley solo, with Higgins' drums chattering away in
empathy. Brahms may not have influenced any of these
musicians but he would certainly have understood the
ending. Indeed, he could have written it.
イン・テンポとテンポ・ルバートの部分が交互に現れる、変わったテーマを持つシダーの作曲です。この曲でもシダーはエレクトリックピアノを弾いています。少々単調な気味のあるソロ中にも、ヒギンズは叩くシンバルやリズムパターンを変えたり、3連符の4つ割を入れたりして変化を加えています。
@johnnystaccata
#johnnystaccata
