Uploaded July 2016 | Updated September 2026, 2 hours ago
Her Decorated Post Love -- released by Second Royal in 2013.
I don't own the rights to this etc etc.
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0:00 Suicide Of Pops
3:49 A.I. In Dreams
7:13 Wilson
10:34 This Moon Down
14:47 G For Good
19:47 A Palm House In The Sky
22:39 Boy
Her Decorated Post Love -- released by Second Royal in 2013.
I don't own the rights to this etc etc.
_________________________________
0:00 Suicide Of Pops
3:49 A.I. In Dreams
7:13 Wilson
10:34 This Moon Down
14:47 G For Good
19:47 A Palm House In The Sky
22:39 Boy
![[COM-017] Chronophasia (S/T) [1990]](https://i.ytimg.com/vi/oEX4o8DKD8s/mqdefault.jpg "[COM-017] Chronophasia (S/T) [1990]
Happy Cassette Store Day! This year Cream Over Misery is proud to present CHRONOPHASIA. a 1990 artifact from far, far away.......
Purchase a cassette tape here before theyre all gone!:
https://creamovermisery.bandcamp.com/album/chronophasia
Patrick Stevens and Evelyn Tremble were making music (if you can call it that) since the early 1970s. They were known for their erratic tape experiments juxtaposed with Pats bizarrely manipulated guitar. using his own home-built effect units, and Evelyns enormous modular synthesizer, which he had acquired through questionable means. Their noteriety preceded their desperate flight into the Canadian wilderness in order to avoid the draft. In their woodland cabin, they perfected a sound that was equal parts melodic bliss and anxiety-inducing drones: a cacophonous whirlwind of noise that would often leave the listener with feelings of manic schizophrenic amnesia. Their performances were mostly limited to the psychedelic sex clubs in the Windsor and Detroit underground. It was here that Ron Day (a student of the school of music at the University of Michigan) and his wife, Cindy Walker (a prolific punk drummer in her own right) saw a performance of Pat and Eves audio mania. After a chilly late October show, the four discussed Italian Futurism and Maoist Third-Worldism, and the cosmos aligned. Ron convinced Pat and Eve to move back to America under false identities to live in his makeshift home studio in order to create what was later deemed the album too dangerous for North American release. While the LP contained original songs, there was so much sampled material under then-current copyright domain that no North American label would dare release it, despite its overwhelming praise from the New York and Eastern European punk communities: most of the English-speaking world would have to acquire their copies through Portuguese, Polish, or Malaysian bootlegs. After a santized CD re-master in the early 1990s, Cream Over Misery is now proud to present, in its intended and unadulterated form: Chronophasia.
Chronophasia is:
Ron Day (bass/fuzz bass/flange bass)
Tartarus Barrett (phase guitar/synthesized guitar)
Patrick Stevens (vox/guitar)
Evelyn Tremble (synthesizers/vox/data memory)
Cindy Skins Walker (drums)
Jean Barrett (euphonium)
Produced by Ronnie Frank
Mixed and Mastered at Grosse Zeit Studios
0:00 The UFO Pilot & His Sexy Wife
3:42 Mist Enveloped The Boat As Soon As We Left Dock
6:04 Intercontinentalballasticmaster
7:26 Fifteen Minute Pharoahs
10:30 HRG
12:45 The Scourging Of The Devil
16:37 French Moments
19:00 Drag
23:02 Instrumentalballisticmaster
24:10 Gas Station Eye-Catcher
28:55 Death By 1,000 Cuts/Jungle Punk Boogie/Columbia")
