Uploaded April 2022 | Updated September 2026, 2 weeks ago
For the 2022 edition of Rewire Festival, writer and artist Holly Childs and composer and sound artist Gediminas Žygus commissioned a new video work from filmmakers Marijn Degenaar and Nicola Baratto, to accompany a new live performance that would debut at The Hague’s foremost experimental music and arts festival. The result was ‘, Throw,’ an audiovisual composition that started life towards the end of 2021, but that has gathered new, devastating resonance over the first few months of 2022. Developed from a poem that Childs wrote in the heat of the summer on visiting Odesa, Ukraine back in 2018, ‘, Throw’ is a reflection on fleeting moments of desire entangled inextricably with an intoxicating sense of place, as well as love letter to and from Odesa, an invocation of the city in both the interiority of the viewer and of a memory of its exterior physicality, caught out of time. “Odesa is a beautiful and often mythologized city in literature, and itself an influence on modern literature as it was a hub for a lot of writers and poets throughout the 19th and 20th century,” explain Childs and Žygus. “After we invited Nicola and Marijn, together we started adapting the poem to a musical composition in December 2021 with the idea that we would shoot the video in Athens (we decided to film there in order to get plenty of sunshine in early spring). It was just meant to be a spiritual homage to the magic of this Black Sea trading and tourist city. But the composition took on a completely different meaning as we worked on it, as the Russian invasion of Ukraine escalated in the last week of February.”
Centering around a yearning dialogue between two voices, one of them director and performer Marijn Degenaar ‘, Throw’ refracts sunlit vignettes of the city on the Black sea, focusing imagery through a lens clouded by heat haze and sea spray. In the context of the unremitting brutality of the ongoing Russian invasion of Ukraine, the melancholy nostalgia that steeps each of the work’s voices speaks to unbelievable tragedy, the longing of its protagonists expanding into a eulogy for peace in a country shrouded by war and a sun-tinged prayer of hope for a return to the light. “We were devastated for our friends in Ukraine,” Childs and Žygus continues. “We had scheduled to shoot the video in early March in Athens; working on it became a way of dealing with anger, fear and grief. Remembering what Odesa is, was, and will be when invasion is over.” In this sense the esoteric directions given by the film’s protagonists work to locate Odesa both in memory and, more urgently, in the transformational phase the city has been thrust into. The search for the city is also a search for those who know the city as it has been, as well as how it can be. “The characters who voice the track triangulate physical materials in a quest to find *you*, the one who is missing, describing to you where they are, using what’s close at hand as echolocation, radar, a verbal map, bouncing locational information between available landmarks,” explains Childs. “And what are the most significant landmarks? The sun, the moon and the earth. This feeling of triangulation begins and ends with celestial elements.” Bloody toes and towels on the shore serve as talismans of a specific time, just as the pontoon, the bistro and the dolphinarium are elevated to totems of a specific space, markers by which to navigate the sun and the sea.
You can find Nicola Baratto, Holly Childs, Marijn Degenaar and Gediminas Žygus on Instagram. For more information about Rewire Festival, follow them on Instagram and visit their website.
, Throw Credits:
Music and Text – Holly Childs & Gediminas Žygus
Video – Marijn Degenaar & Nicola Baratto
Voices – Danae Io, Marijn Degenaar
Performance – Naya Ferentinou, Marijn Degenaar, Yannis Iasonidis
Costumes – Serapis Maritime
Jewellery – Sankto Leono
Production Coordination – Viktor Gogas
Mixed and Mastered – James Ginzburg
Nicola and Marijn would like to thank Bend Studio, Despina Pavlaki, Yannis Iasonidis, Manolis Lemos, George Tigkas, Jola, Ilias Sanidas, Easton West, Yiannis Mouravas. Shout out to Poseidon too.
Commissioned for the 2022 edition of Rewire Festival.
© & ℗ Subtext / Multiverse LTD. 2021
For the 2022 edition of Rewire Festival, writer and artist Holly Childs and composer and sound artist Gediminas Žygus commissioned a new video work from filmmakers Marijn Degenaar and Nicola Baratto, to accompany a new live performance that would debut at The Hague’s foremost experimental music and arts festival. The result was ‘, Throw,’ an audiovisual composition that started life towards the end of 2021, but that has gathered new, devastating resonance over the first few months of 2022. Developed from a poem that Childs wrote in the heat of the summer on visiting Odesa, Ukraine back in 2018, ‘, Throw’ is a reflection on fleeting moments of desire entangled inextricably with an intoxicating sense of place, as well as love letter to and from Odesa, an invocation of the city in both the interiority of the viewer and of a memory of its exterior physicality, caught out of time. “Odesa is a beautiful and often mythologized city in literature, and itself an influence on modern literature as it was a hub for a lot of writers and poets throughout the 19th and 20th century,” explain Childs and Žygus. “After we invited Nicola and Marijn, together we started adapting the poem to a musical composition in December 2021 with the idea that we would shoot the video in Athens (we decided to film there in order to get plenty of sunshine in early spring). It was just meant to be a spiritual homage to the magic of this Black Sea trading and tourist city. But the composition took on a completely different meaning as we worked on it, as the Russian invasion of Ukraine escalated in the last week of February.”
Centering around a yearning dialogue between two voices, one of them director and performer Marijn Degenaar ‘, Throw’ refracts sunlit vignettes of the city on the Black sea, focusing imagery through a lens clouded by heat haze and sea spray. In the context of the unremitting brutality of the ongoing Russian invasion of Ukraine, the melancholy nostalgia that steeps each of the work’s voices speaks to unbelievable tragedy, the longing of its protagonists expanding into a eulogy for peace in a country shrouded by war and a sun-tinged prayer of hope for a return to the light. “We were devastated for our friends in Ukraine,” Childs and Žygus continues. “We had scheduled to shoot the video in early March in Athens; working on it became a way of dealing with anger, fear and grief. Remembering what Odesa is, was, and will be when invasion is over.” In this sense the esoteric directions given by the film’s protagonists work to locate Odesa both in memory and, more urgently, in the transformational phase the city has been thrust into. The search for the city is also a search for those who know the city as it has been, as well as how it can be. “The characters who voice the track triangulate physical materials in a quest to find *you*, the one who is missing, describing to you where they are, using what’s close at hand as echolocation, radar, a verbal map, bouncing locational information between available landmarks,” explains Childs. “And what are the most significant landmarks? The sun, the moon and the earth. This feeling of triangulation begins and ends with celestial elements.” Bloody toes and towels on the shore serve as talismans of a specific time, just as the pontoon, the bistro and the dolphinarium are elevated to totems of a specific space, markers by which to navigate the sun and the sea.
You can find Nicola Baratto, Holly Childs, Marijn Degenaar and Gediminas Žygus on Instagram. For more information about Rewire Festival, follow them on Instagram and visit their website.
, Throw Credits:
Music and Text – Holly Childs & Gediminas Žygus
Video – Marijn Degenaar & Nicola Baratto
Voices – Danae Io, Marijn Degenaar
Performance – Naya Ferentinou, Marijn Degenaar, Yannis Iasonidis
Costumes – Serapis Maritime
Jewellery – Sankto Leono
Production Coordination – Viktor Gogas
Mixed and Mastered – James Ginzburg
Nicola and Marijn would like to thank Bend Studio, Despina Pavlaki, Yannis Iasonidis, Manolis Lemos, George Tigkas, Jola, Ilias Sanidas, Easton West, Yiannis Mouravas. Shout out to Poseidon too.
Commissioned for the 2022 edition of Rewire Festival.
© & ℗ Subtext / Multiverse LTD. 2021









![Lyra Pramuk & Diego Barrera - Delta
Last year Lyra Pramuk revisited her essential debut album Fountain, a beguiling work of “futurist folk music” exploring themes of post-humanism and gender created entirely with her own voice and a virtuosic approach to electronics. Putting her own singular spin on the concept of the remix album, Delta brought together a community of some of the most thrilling musicians and producers from across four continents to bend, reshape and respond to her sound.
Three of these responses, Caterina Barbieri’s take on ‘Tendril’, Colin Self’s rework of ‘Witness’ and Eris Drew’s ‘Everything Is Beautiful & Alive’, are included in this short film version of Delta. Directed by esoteric video artist and teacher Diego Barrera, who has collaborated closely with Laetitia Sadier, Julee Cruise, Jim Jarmusch and Xiu Xiu, the film takes the form of a psychedelic healing ritual in three parts, “The Hanged Man”, “The Mandrake” and “The Butterfly”, each dedicated to the memory of Barrera’s late partner, Michel Beauvais (1982 – 2020). “Myth tells us that the mandrake is born from the blood and the semen of the hanged man, from the soil that absorbs his last strength, that post mortem ejaculation that William Burroughs talks about, which crystallizes the alchemical investigation of casting the human soul onto the earth,” writes Barrera in a statement that accompanies the short film.
“Understanding life as in Buddhism, earthly life as this hell where we come to see every loved one around us die, it is at that moment that you encounter death when you understand it as a lonely event. In that dizziness, in that confusion, in that chaos, in that rush, at that moment: WE SPEAK. Mappo, channeling you in this pataphysical act, I accompanied you here with the solar eclipse that you filmed, you used to tell us: let’s meet in the next eclipse. Your greatest joy, Cali, also accompanies you here, cats are wise creatures, they decide to accompany certain people. Burroughs also said this in his final writings of his diary before his death). The solar eclipse, where the moon occludes the sun, as another androgynization rite, another symbolic offering of masculinity represented by the solar star.”
“As Bataille tells us in “L’anus solaire”, the eroticism of the human being is nothing but a parody of the eroticism of nature, an evocation of the cyclical movement of continuity of life from death. We already have the cultivation medium for the butterfly to be born, the beautiful and the sublime of the gynandromorphic butterfly, the dual gender butterfly, another representation of the Alchemical Androgyne, another invocation of the Hyper-Androgynous, which seeks to concentrate the reactive forces of the self, but contradicting the phallocentric aspect of Nietzsche’s Übermensch / Superman.”
“Donna Haraway and you, Michel, taught me to cultivate the arts of living on a damaged planet, in a damaged country and now in a wounded soul, to work and play fiercely on it. To generate symbiosis with non-human beings (here I give you cats, fish, insects companions), a humanoid butterfly, with body modifications to extend sensitivities, putting into practice new genres, wings and horns that allow it to test signals diluted in the wind, in the water and in the depths. Using the chaos magic, where every being is a magician and there are no dogmas, to invoke the Vivian Girls, hermaphrodite warriors of Henry Darger and their secrets.”
“Secrets in the water, secrets that accompany the introspective modular synths of Caterina Barbieri, secrets that accompany the ritualistic sound of Colin Self, secrets that accompany the ecstatic healing of Eris Drew. Secrets in the fountain created by Lyra Pramuk.” Invoking early video artists Kenneth Anger and Maya Deren, Barrera imbues every frame of Delta with rich symbolism and queer energy, enacting simultaneously a homage to the generative, healing spirit of Lyra Pramuk’s music as well as a bright elegy to a lost love.
Delta is out now, on Bedroom Community. You can find Lyra Pramuk on Instagram. For more information about Diego Barrera and his work you can find him on Instagram.
Delta Credits:
Director / Writer / Art Direction – Diego Barrera
Starring – Mappo Ka, Cali
Assistant Director – Adria Ghiralt
Camera Operator – Diego Barrera
Film Editing – Diego Barrera
Costume Design – Camilo Serna
Makeup – Camilo Acosta
Music – Caterina Barbieri – ‘Tendril (Germinative Rework)’ [00:00 – 02:10], Colin Self – ‘Witness (Selfless Rework)’ [02:13 – 04:31], Eris Drew – ‘Everything is Beautiful & Alive’ [04:37 – 06:59]
Images from the solar eclipse in Chile 2020 – Michel Beauvais, Diego Figueroa Perez, Mappo
Ka
Thanks to Pedro Barrera, Elsa Lozada, David Barrera, J Triangular, Daniel Galvis, Luana
Dariel, Amanda Sommer, Juan David Torres Lyra Pramuk & Diego Barrera - Delta](https://i.ytimg.com/vi/gCQ7fc6nLqc/mqdefault.jpg)
