Uploaded May 2025 | Updated September 2026, 2 weeks ago
(Gennett 6311)
Recorded 10/31/1927 Richmond, Indiana.
Hoagy Carmichael and His Pals (Musical group)
Hoagy Carmichael (vocalist)
Don Kimmell (instrumentalist : guitar)
Paul Brown (instrumentalist : tuba)
Byron Smart (instrumentalist : trumpet)
Don Kimmell (instrumentalist : banjo)
Hoagy Carmichael (instrumentalist : trumpet)
Oscar Rossberg (instrumentalist : trombone)
Gene Woods (instrumentalist : alto saxophone)
Dick Kent (instrumentalist : alto saxophone)
Cliff Williams (instrumentalist : drums)
Maurice Bennett (instrumentalist : tenor saxophone)
Hoagy Carmichael (instrumentalist : piano)
Emil Seidel (instrumentalist : piano)
Stomp (Title descriptor)
Estrellitas (Parallel (translated) title)
"Stardust" is a 1927 song composed by Hoagy Carmichael, with lyrics later added by Mitchell Parish. It has been recorded as an instrumental or vocal track over 1,500 times. Carmichael developed a taste for jazz while attending Indiana University. He formed his own band and played at local events in Indiana and Ohio. Following his graduation, Carmichael moved to Florida to work for a law firm. He left the law sector and returned to Indiana, after learning of the success of one of his compositions. In 1927, after leaving a local university hangout, Carmichael started to whistle a tune that he later developed further. When composing the song, he was inspired by the end of one of his love affairs, and on the suggestion of a university classmate, he decided on its title. The same year, Carmichael recorded an instrumental version of the song for Gennett Records.
In 1928, Carmichael left Indiana after Mills Music hired him as a composer. Mills Music then assigned Mitchell Parish to add words to the song. Don Redman recorded the song in the same year, and by 1929 it was performed regularly at the Cotton Club. Isham Jones's 1930 rendition of the song made it popular on radio, and soon multiple acts had recorded "Stardust". Because of the song's popularity, by 1936, RCA Victor pressed a double-sided version that featured Tommy Dorsey and Benny Goodman on respective sides.
By 1940 the song was considered a standard, and it was later included in the Great American Songbook.
After working out the details with the band, Carmichael booked a recording session with Gennett Records for October 31, 1927. Since he had not written any sheet music for the song, he had to whistle the tune to the musicians. Carmichael played the piano, backed by Emil Seidel and his orchestra: Byron Smart (trumpet), Oscar Rossberg (trombone), Dick Kent and Gene Wood (alto saxophones), Maurice Bennett (tenor saxophone), Don Kimmel (guitar), Paul Brown (tuba), Cliff Williams (drums). The session took place at Gennett's studio in Richmond, Indiana. The recording featured a "medium fast and jazzy tempo" with no lyrics. Under the single-word title "Stardust," it was placed on the flipside of "One Night In Havana", assigned the release number 6311, and credited to Hoagy Carmichael and His Pals. Carmichael received a one-sided pressing of "Stardust" from the studio, before he left Indiana in 1928 to work for Mills Music as a composer. The first manuscript for the song was deposited at the United States Copyright Office on January 5, 1928. The sheet music featured a tune in a key of D with no indication of tempo and no lyrics. Mills Music then published different sheet music for the song on January 19, 1929, as a piano composition. Don Redman, who worked for Mills Music, often played the song. After hearing Redman's rendition of it, a company arranger suggested playing the song at a "slower tempo and in a sentimental style". Feeling it could be a potential success, Irving Mills "decided on the song having lyrics added.
Mills assigned lyricist Mitchell Parish to add the words to Carmichael's "Star Dust". Parish used as a working title "Then I Will Be Satisfied", but he accepted Redman's suggestion to re-title the song to "Stardust". Author Gene Fernett suggested Redman wrote the verse of the song, but his claim could not be supported. Parish wrote the song using Carmichael's account of how he was inspired to compose the melody, while the lyricist developed a story focused in the concept of lost love. The sheet music for the vocal composition was published as "Star Dust" on May 10, 1929 in the key of C major.
(Gennett 6311)
Recorded 10/31/1927 Richmond, Indiana.
Hoagy Carmichael and His Pals (Musical group)
Hoagy Carmichael (vocalist)
Don Kimmell (instrumentalist : guitar)
Paul Brown (instrumentalist : tuba)
Byron Smart (instrumentalist : trumpet)
Don Kimmell (instrumentalist : banjo)
Hoagy Carmichael (instrumentalist : trumpet)
Oscar Rossberg (instrumentalist : trombone)
Gene Woods (instrumentalist : alto saxophone)
Dick Kent (instrumentalist : alto saxophone)
Cliff Williams (instrumentalist : drums)
Maurice Bennett (instrumentalist : tenor saxophone)
Hoagy Carmichael (instrumentalist : piano)
Emil Seidel (instrumentalist : piano)
Stomp (Title descriptor)
Estrellitas (Parallel (translated) title)
"Stardust" is a 1927 song composed by Hoagy Carmichael, with lyrics later added by Mitchell Parish. It has been recorded as an instrumental or vocal track over 1,500 times. Carmichael developed a taste for jazz while attending Indiana University. He formed his own band and played at local events in Indiana and Ohio. Following his graduation, Carmichael moved to Florida to work for a law firm. He left the law sector and returned to Indiana, after learning of the success of one of his compositions. In 1927, after leaving a local university hangout, Carmichael started to whistle a tune that he later developed further. When composing the song, he was inspired by the end of one of his love affairs, and on the suggestion of a university classmate, he decided on its title. The same year, Carmichael recorded an instrumental version of the song for Gennett Records.
In 1928, Carmichael left Indiana after Mills Music hired him as a composer. Mills Music then assigned Mitchell Parish to add words to the song. Don Redman recorded the song in the same year, and by 1929 it was performed regularly at the Cotton Club. Isham Jones's 1930 rendition of the song made it popular on radio, and soon multiple acts had recorded "Stardust". Because of the song's popularity, by 1936, RCA Victor pressed a double-sided version that featured Tommy Dorsey and Benny Goodman on respective sides.
By 1940 the song was considered a standard, and it was later included in the Great American Songbook.
After working out the details with the band, Carmichael booked a recording session with Gennett Records for October 31, 1927. Since he had not written any sheet music for the song, he had to whistle the tune to the musicians. Carmichael played the piano, backed by Emil Seidel and his orchestra: Byron Smart (trumpet), Oscar Rossberg (trombone), Dick Kent and Gene Wood (alto saxophones), Maurice Bennett (tenor saxophone), Don Kimmel (guitar), Paul Brown (tuba), Cliff Williams (drums). The session took place at Gennett's studio in Richmond, Indiana. The recording featured a "medium fast and jazzy tempo" with no lyrics. Under the single-word title "Stardust," it was placed on the flipside of "One Night In Havana", assigned the release number 6311, and credited to Hoagy Carmichael and His Pals. Carmichael received a one-sided pressing of "Stardust" from the studio, before he left Indiana in 1928 to work for Mills Music as a composer. The first manuscript for the song was deposited at the United States Copyright Office on January 5, 1928. The sheet music featured a tune in a key of D with no indication of tempo and no lyrics. Mills Music then published different sheet music for the song on January 19, 1929, as a piano composition. Don Redman, who worked for Mills Music, often played the song. After hearing Redman's rendition of it, a company arranger suggested playing the song at a "slower tempo and in a sentimental style". Feeling it could be a potential success, Irving Mills "decided on the song having lyrics added.
Mills assigned lyricist Mitchell Parish to add the words to Carmichael's "Star Dust". Parish used as a working title "Then I Will Be Satisfied", but he accepted Redman's suggestion to re-title the song to "Stardust". Author Gene Fernett suggested Redman wrote the verse of the song, but his claim could not be supported. Parish wrote the song using Carmichael's account of how he was inspired to compose the melody, while the lyricist developed a story focused in the concept of lost love. The sheet music for the vocal composition was published as "Star Dust" on May 10, 1929 in the key of C major.
![Paul Whiteman - You’re The Top 1935 (Peggy Healy & John Hauser) (Cole Porter Collection)
(Victor 24769)
Recorded 10/26/1934 New York, New York. Victor Studio 2 [155 E. 24th St.]
Paul Whiteman Orchestra (Musical group)
Peggy Healy (vocalist)
Johnny Hauser (vocalist)
Paul Whiteman (leader)
Eli E. Oberstein (session supervisor)
Ken Macomber (session supervisor)
Cole Porter (composer)
Cole Porter (lyricist)
Tú eres el todo (Parallel (translated) title)
Anything goes (Work title)
Youre the Top is a list song by Cole Porter, from the 1934 musical Anything Goes. It is about a man and a woman who take turns complimenting each other. The best-selling version was Paul Whitemans Victor single, which made the top five. It was the most popular song from Anything Goes at the time, with hundreds of parodies. Some of the lyrics were re-written by P. G. Wodehouse for the British version of Anything Goes. Composer Robert Kapilow refers to Youre the Top as one of Porters greatest songs.
Porter is believed to have written the song in Paris, while eating dinner at the Le Bœuf sur le toit with Lela Emery, the wife of Alastair Mackintosh. The two of them spent the time amusing themselves with a word game, making up a list of superlatives that rhymed.
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in Hollywood films.
Porter died of kidney failure at age 73 on October 15, 1964, in Santa Monica, California. He is interred in Mount Hope Cemetery in his native Peru, Indiana, between his wife and father.
Full Lyrics:
At words poetic, Im so pathetic
That I always have found it best
Instead of getting em off my chest
To let em rest unexpressed
I hate parading my serenading
As Ill probably miss a bar
But if this ditty is not so pretty
At least itll tell you
How great you are
Youre the top!
Youre the Coliseum
Youre the top!
Youre the Louver Museum
Youre a melody from a symphony by Strauss
Youre a Bendel bonnet
A Shakespeares sonnet
Youre Mickey Mouse
Youre the Nile
Youre the Tower of Pisa
Youre the smile on the Mona Lisa
Im a worthless check, a total wreck, a flop
But if, baby, Im the bottom, youre the top
Youre the top
Youre Mahatma Gandhi
Youre the top
Youre Napoleon Brandy
Youre the purple light
Of a summer night in Spain
Youre the National Gallery
Youre Garbos salary
Youre cellophane
Youre sublime
Youre a turkey dinner
Youre the time of a Derby winner
Im a toy balloon thats fated soon to pop
But if, baby, Im the bottom
Youre the top
Youre the top
Youre an Arrow collar
Youre the top
Youre a Coolidge dollar
Youre the nimble tread
Of the feet of Fred Astaire
Youre an ONeill drama
Youre Whistlers mama
Youre camembert
Youre a rose
Youre Infernos Dante
Youre the nose
On the great Durante
Im just in the way
As the French would say, de trop
But if, baby, Im the bottom
Youre the top
Youre the top
Youre a Waldorf salad
Youre the top
Youre a Berlin ballad
Youre the baby grand of a lady and a gent
Youre an Old Dutch master
Youre Mrs. Aster
Youre Pepsodent
Youre romance
Youre the steppes of Russia
Youre the pants on a Roxy usher
Im a lazy lout, whos just about to stop
But if, baby, Im the bottom
Youre the top Paul Whiteman - You’re The Top 1935 (Peggy Healy & John Hauser) (Cole Porter Collection)](https://i.ytimg.com/vi/Tekj2n7XR_0/mqdefault.jpg)



![Rudy Vallee - As Time Goes By 1931 (First To Record) (Remastered)
(Victor 22773)
Recorded 7/25/1931 New York, New York. Studio 2.
Connecticut Yankees (Musical group)
Rudy Vallée (vocalist : tenor vocal)
Rudy Vallée (director)
Rob Smith (session supervisor)
Herman Hupfeld (composer)
Herman Hupfeld (lyricist)
Song from Casablanca [Motion picture] (Work title)
As Time Goes By is a jazz song written by Herman Hupfeld in 1931. It became famous when it was featured in the 1942 film Casablanca, performed by Dooley Wilson as Sam. The song was voted No. 2 on the AFIs 100 Years...100 Songs special, commemorating the best songs in film (surpassed only by Over the Rainbow sung by Judy Garland).
Herman Hupfeld wrote As Time Goes By for the Broadway musical Everybodys Welcome, which opened on October 31, 1931. In the original show, the song was sung by Frances Williams. It was first recorded by Rudy Vallée on July 25, 1931, for Victor Records.
The song was reintroduced in the 1942 film Casablanca, where it was sung by Sam, portrayed by Dooley Wilson.
Sams piano accompaniment was played by a studio pianist, Jean Vincent Plummer; Wilson was a drummer. The melody is heard throughout the film as a leitmotif. Wilson was unable to make a commercial recording of the song at the time due to the 1942–44 musicians strike. Unable to record new versions of the song, RCA Victor reissued the 1931 recording by Rudy Vallée, which became a number one hit eleven years after it was originally released. Rudy Vallee - As Time Goes By 1931 (First To Record) (Remastered)](https://i.ytimg.com/vi/U1bQr5s0sYk/mqdefault.jpg)

![Harry Richman - There’s Danger In Your Eyes, Cherie! 1930 (Remastered (From Puttin’ on the Ritz)
(Brunswick 4677)
Recorded 12/11/1929 Los Angeles, California. (Also says 12-29-1929 in Brunswick ledger)
Puttin’ on the Ritz [Motion picture] (Work title)
Harry Richman (vocalist : baritone vocal)
Earl Burtnett (leader)
Los Angeles Biltmore Hotel Orchestra (Musical group)
Jack Meskill (lyricist)
Harry Richman (composer)
Pete Wendling (composer)
Theres Danger In Your Eyes, Cherie! is a song from 1929. It was written by Harry Richman, Jack Meskill, and Pete Wendling and is known for being performed by Richman in the film Puttin on the Ritz.
Puttin On the Ritz is a 1930 American pre-Code musical film directed by Edward Sloman and starring Harry Richman, Joan Bennett, and James Gleason. The screenplay was written by Gleason and William K. Wells based on a story by John W. Considine Jr. It was the first of many films to feature the popular song Puttin On the Ritz, which was written and published by Irving Berlin in 1929.
Harry Richman (born Henry Reichman Jr.; August 10, 1895 – November 3, 1972) was an American singer, actor, dancer, comedian, pianist, songwriter, bandleader, and nightclub performer, at his most popular in the 1920s and 1930s. In his peak years, he was one of the highest‐paid performers in show business. Harry Richman - There’s Danger In Your Eyes, Cherie! 1930 (Remastered (From Puttin’ on the Ritz)](https://i.ytimg.com/vi/VBHIpTN9HRM/mqdefault.jpg)



