Uploaded August 2026 | Updated September 2026, 2 weeks ago
Part 7: youtu.be/72_vN5Q6Jog
Become a VladStocks Member now: youtube.com/vladtv/join
Part 5: youtu.be/WA4GRXieJDc
Part 1: youtu.be/oJzes6G-Jac
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Hit-Boy breaks down the music-industry battle behind his long-running producer deal, explaining how Roc Nation, Jay-Z and Desiree Perez stepped in while he was managed by the company. In conversation with Elliott Wilson and Vlad, the Grammy-winning producer says years of emails and frustration with Universal Music Group led to talks involving top executives, including Jody Gerson, but that a full release in 2021 was denied. Instead, he says he was given a 2025 end date after being tied to the contract since 2007.
The discussion expands into the harsh math of record labels, artist development and why successful producers often subsidize failed signings. Hit-Boy also reflects on Dr. Dre’s track record, staying motivated when records don’t immediately hit No. 1, investing in his father’s music, and measuring success through growth as a rapper and artist. A candid look at contracts, ownership, Roc Nation, UMG and hip-hop business realities.
Part 7: youtu.be/72_vN5Q6Jog
Become a VladStocks Member now: youtube.com/vladtv/join
Part 5: youtu.be/WA4GRXieJDc
Part 1: youtu.be/oJzes6G-Jac
--------
Hit-Boy breaks down the music-industry battle behind his long-running producer deal, explaining how Roc Nation, Jay-Z and Desiree Perez stepped in while he was managed by the company. In conversation with Elliott Wilson and Vlad, the Grammy-winning producer says years of emails and frustration with Universal Music Group led to talks involving top executives, including Jody Gerson, but that a full release in 2021 was denied. Instead, he says he was given a 2025 end date after being tied to the contract since 2007.
The discussion expands into the harsh math of record labels, artist development and why successful producers often subsidize failed signings. Hit-Boy also reflects on Dr. Dre’s track record, staying motivated when records don’t immediately hit No. 1, investing in his father’s music, and measuring success through growth as a rapper and artist. A candid look at contracts, ownership, Roc Nation, UMG and hip-hop business realities.
