Hit-Boy: From Kanye & Jay-Z to Kendrick & Nas | The Story of a Hip-Hop Super Producer @gowithelmo
Hit-Boy: From Kanye & Jay-Z to Kendrick & Nas | The Story of a Hip-Hop Super Producer  @gowithelmo
Uploaded August 2026 | Updated September 2026, 3 hours ago
Episode 111: Hit-Boy is one of the biggest producers in modern day music. He's produced some of the biggest songs for Kanye West, Jay-Z, Nas, Kendrick Lamar, Beyoncé, Drake, Travis Scott, Big Sean and Nipsey Hussle. He's a 3x Grammy winner. He gave Jay-Z the first diamond record of his career, off a beat that six artists turned down before it ever got to him.

This Hit-Boy interview is different than the others he's done. We go deep into the craft, how the beats actually get made, cut, released, and paid! Why he's numbered every single beat he's made since 2006, and what happened to the 1,600 nobody picked. We got into all of it. Making "Backseat Freestyle" for Ciara before Kendrick ever heard it. Producing a #1 country record for Beyoncé. Being flat broke in 2017 with a future #1 already sitting on his hard drive. Getting free after 18 years and putting his new album out himself, on his own site, with no label and no DSPs. He also still makes everything in FL Studio, the same program he started on at 15 years old in Fontana, California.

He's one of the most important producers of the last 15 years and he's still working like he has something to prove. His biggest days are still ahead of him. This one's for anybody who makes music in the modern world, especially hip hop and pop. I hope you enjoy my interview with the legendary, Hit-Boy!

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0:00:00 - TRAILER
0:02:36 - INTRODUCTION
0:03:50 - INTERVIEW STARTS
0:05:56 - STAYING MOTIVATED THROUGH UPS AND DOWNS
0:06:55 - A QUESTION FROM TERRACE MARTIN, PIANO LESSONS
0:08:40 - JAY-Z PERFORMING “NI**AS IN PARIS”
0:10:27 - “NI**AS IN PARIS” FELT LIKE A CURSE
0:12:48 - SUCCESS IS A DIRTY WORD
0:14:07 - WHY HIT-BOY NUMBERS HIS BEATS
0:15:05 - MAKING “NI**AS IN PARIS” AT HIS MOM’S HOUSE
0:17:09 - HEARING “NI**AS IN PARIS” FOR THE FIRST TIME
0:18:16 - HIT-BOY’S PRODUCING PROCESS
0:21:13 - KANYE’S “THIS WILL CHANGE YOUR LIFE” EMAIL
0:22:16 - SUCCESS, THE EXPECTATION TO MAKE HITS
0:25:19 - MUSIC AS THERAPY
0:26:18 - EARLY YEARS
0:29:37 - BIG HIT, PRISON, AND TOUGH LOVE
0:34:01 - PRODUCING DRUMS
0:35:11 - MAKING AND SENDING THOUSANDS OF BEATS
0:36:29 - CHILDISH GAMBINO'S "3005" ORIGINALLY HAD DRAKE'S "TROPHIES" BEAT
0:37:42 - KANYE WANTED “GRINDIN’ MY WHOLE LIFE”
0:41:18 - HOW TO TRANSITION FROM PRODUCER TO ARTIST
0:42:19 - HOW TO HANDLE REJECTION
0:43:30 - MAKING “CLIQUE” WITH JAY-Z, KANYE, AND BIG SEAN
0:44:52 - THE ORIGIN OF “CLIQUE”
0:45:58 - A$AP ROCKY, “GOLDIE,” AND “1TRAIN”
0:49:00 - KENDRICK LAMAR, “BACKSEAT FREESTYLE”
0:50:51 - DON'T OVERTHINK
0:51:58 - "TROPHIES," DAKE’S “HIT-BOY” LYRIC
0:52:38 - SENDING BEATS, WORKING WITH NAS
0:54:15 - DRAKE’S “HIT-BOY” LYRIC
0:55:12 - RIHANNA, BEYONCÉ, AND “SORRY”
0:56:53 - RIHANNA'S "ANTI" SESSIONS
0:59:20 - BEYONCÉ’S LEADERSHIP IN STUDIO SESSIONS
1:00:32 - “TEXAS HOLD ’EM”
1:01:11 - MAKING THE “SICKO MODE” INTRO
1:04:19 - NIPSEY HUSSLE, RODDY RICCH, AND “RACKS IN THE MIDDLE”
1:06:31 - MEMORIES WITH NIPSEY
1:07:28 - NIPSEY, JUICE WRLD, TRAUMA, AND THERAPY
1:09:49 - PRODUCERS’ RIGHTS AND OWNING YOUR MUSIC
1:14:20 - HOW TO WORK WITH HIT-BOY
1:14:59 - HIT-BOY AND NAS, 80 SONGS IN 3 YEARS, "KING'S DISEASE"
1:15:48 - FATHERHOOD, ANXIETY, AND HIS DAILY LIFE

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Hit-Boy: From Kanye & Jay-Z to Kendrick & Nas | The Story of a Hip-Hop Super Producer

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