Uploaded December 2025 | Updated September 2026, 1 day ago
Guyanese British artist Hew Locke has long explored the legacies of empire and migration, as well as the fragile ecologies of the Caribbean. His richly layered works provide a compelling lens through which to consider the environmental precarity facing Guyana today. Join Jemma Field, Associate Head of Research, YCBA, and Claire Hoffmann, Head of Partnerships at the Yale Center for Biodiversity and Global Change, as they discuss how Locke’s art engages with themes of climate vulnerability, resource extraction, and resilience in one of the world’s most biodiverse nations. The conversation will also touch on the new alliance, launched in July 2025, between the Guyana Environmental Protection Agency and the Yale Center for Biodiversity and Global Change, and how collaborative research in science, data, and technology is shaping responses to the region’s environmental challenges.
About Claire Hoffmann
Claire Hoffmann is Head of Partnerships at the Yale Center for Biodiversity and Global Change, which is dedicated to research and education to support the understanding and conservation of global diversity in a rapidly changing world. She holds an MSc in Biodiversity, Conservation, and Management from the University of Oxford and a PhD in Fisheries and Wildlife from Michigan State University. Her work centers on the alignment of communication, research, and relationships to maximize conservation impact. She has worked closely with policy makers, corporations, NGOs, practitioner, and storytellers around the world to better incorporate biodiversity into legal frameworks, management policies, and communication strategies. The Yale Center for Biodiversity and Global Change is a founding member of Guyana's new Global Biodiversity Alliance, so Claire is currently working closely with the government of Guyana in support of this initiative. She is also in close collaboration with a consortium of government agencies, NGOs, and Indigenous and community leaders in Guyana to establish their national biodiversity monitoring initiative.
About Jemma Field
Jemma Field is Associate Head of Research at the Yale Center for British Art. A cultural historian and museum professional, she creates programs that connect people, art, and ideas—making history and culture accessible, relevant, and alive to contemporary questions of identity, place, and change. She is the author of "Anna of Denmark: The Material and Visual Culture of the Stuart Courts, 1589–1619" (2020) and has published widely on gender, dress, and visual culture. Her current research explores how people in early modern England negotiated sociopolitical change through acts of making, storytelling, and display.
Guyanese British artist Hew Locke has long explored the legacies of empire and migration, as well as the fragile ecologies of the Caribbean. His richly layered works provide a compelling lens through which to consider the environmental precarity facing Guyana today. Join Jemma Field, Associate Head of Research, YCBA, and Claire Hoffmann, Head of Partnerships at the Yale Center for Biodiversity and Global Change, as they discuss how Locke’s art engages with themes of climate vulnerability, resource extraction, and resilience in one of the world’s most biodiverse nations. The conversation will also touch on the new alliance, launched in July 2025, between the Guyana Environmental Protection Agency and the Yale Center for Biodiversity and Global Change, and how collaborative research in science, data, and technology is shaping responses to the region’s environmental challenges.
About Claire Hoffmann
Claire Hoffmann is Head of Partnerships at the Yale Center for Biodiversity and Global Change, which is dedicated to research and education to support the understanding and conservation of global diversity in a rapidly changing world. She holds an MSc in Biodiversity, Conservation, and Management from the University of Oxford and a PhD in Fisheries and Wildlife from Michigan State University. Her work centers on the alignment of communication, research, and relationships to maximize conservation impact. She has worked closely with policy makers, corporations, NGOs, practitioner, and storytellers around the world to better incorporate biodiversity into legal frameworks, management policies, and communication strategies. The Yale Center for Biodiversity and Global Change is a founding member of Guyana's new Global Biodiversity Alliance, so Claire is currently working closely with the government of Guyana in support of this initiative. She is also in close collaboration with a consortium of government agencies, NGOs, and Indigenous and community leaders in Guyana to establish their national biodiversity monitoring initiative.
About Jemma Field
Jemma Field is Associate Head of Research at the Yale Center for British Art. A cultural historian and museum professional, she creates programs that connect people, art, and ideas—making history and culture accessible, relevant, and alive to contemporary questions of identity, place, and change. She is the author of "Anna of Denmark: The Material and Visual Culture of the Stuart Courts, 1589–1619" (2020) and has published widely on gender, dress, and visual culture. Her current research explores how people in early modern England negotiated sociopolitical change through acts of making, storytelling, and display.




![at home: Artists in Conversation | Veronica Ryan
Veronica Ryan, artist, in conversation with Clarrie Wallis, Senior Curator of Contemporary Art (British), Tate
at home: Artists in Conversation
Join us for lively and inspiring conversations with some of today’s most notable artists. at home: Artists in Conversation brings together curators and artists to discuss various artistic practices and insights into their work. This program was recorded on December 10, 2021, at 12 pm ET.
About Veronica Ryan
Born in 1956 in Plymouth, Montserrat and raised in England, Ryan creates meticulously handcrafted work using a wide range of materials, including bronze, plaster, marble, textile, and found objects. Her sculptures and installations examine environmental and sociopolitical concerns, personal narratives and memories, as well as the wider psychological implications of history, trauma and recovery.
Ryan has studied at St. Albans College of Art and Design, Bath Academy of Art in Corsham Court, the Slade School of Art at University College, London, and the School of Oriental and African Studies at London University. Over her forty-year career, she has been the subject of numerous exhibitions and residencies within the UK, the US, and abroad. Her first one-person exhibition was at Arnolfini, Bristol in 1987. Other important one-person shows have been presented at Kettle’s Yard, Cambridge (1988); Camden Arts Centre, London (1995); Aldrich Museum (1996), Salena Gallery, Brooklyn (2005); Tate St Ives (2000, 2005 and 2017); The Mattress Factory, Pittsburgh (2011); and The Art House, Wakefield, Yorkshire, England (2017). Ryan has been the recipient of many awards and prizes including most recently the 2019 Pollock Krasner Grant and the 2018 Freelands Award, which supported her exhibition Along a Spectrum on Spike Island in Bristol in summer 2021. Her work is in many private and public collections such as the Arts Council Collection, Contemporary Art Society, the Hepworth Wakefield, Sainsbury’s Collection, Tate Collection, and the Weltkunst Collection at the Irish Museum of Modern Art.
In June 2020, the Hackney Council commissioned Ryan to create a public artwork celebrating the London borough’s Windrush Generation—the first permanent public sculpture to do so in the UK—which was unveiled in October 2021. Ryan created a series of large marble and bronze sculptures representing Caribbean fruit and vegetables. On her inspiration, she said: “I have memories of going to Ridley Road Market with my mother as a child to buy fruit and vegetables, fabrics, and sewing materials. Little did I know, those early experiences would become essential material for my practice as an artist [….] I remember as a toddler during the 1950s the difficulties my young hopeful parents from Montserrat dealt with, navigating a new country and often inhospitable circumstances.”
This program is presented through the generosity of the Terry F. Green 1969 Fund for British Art and Culture.
Image: Max McClure. © Veronica Ryan. Courtesy Paula Cooper Gallery, New York, Spike Island, Bristol, and Alison Jacques, London at home: Artists in Conversation | Veronica Ryan](https://i.ytimg.com/vi/ezf5DvWuth0/mqdefault.jpg)





