Uploaded March 2026 | Updated September 2026, 2 weeks ago
This classic anthem from 1977 tells the story of Jesus’ Resurrection from Simon Peter’s perspective. Beginning early on Sunday morning hidden in a secret room, we join Peter and John’s hopeful sprint to find the empty tomb. Peter navigates this mystery and the guilt of his own denial, until he comes face to face with the risen Lord, and experiences the wonder of Jesus’ forgiveness! I sang this song in church countless times as a child, and I'm thrilled to help keep it alive today!
SONGWRITER: Don Francisco
MUSICIANS:
Aaron Shust: Vocals
Nathan Nockels: Guitars, Bass, Piano, Vocals (John), Programming
Jonathan Dimmel: Drums and Percussion
Gideon Klein: Strings
Daniel Carson: Electric Guitars
Christy Nockels: Vocals (Mary and Gang Vocals)
Other Vocals: Daniel Shust, Annie Nockels
PRODUCTION: Nathan Nockels
MIXING: Ainslie Grosser
MASTERING: Mike Cervantes with The Foxboro
VIDEO PRODUCTION: Aaron Shust
VIDEO B-ROLL: Daniel Shust, Aaron Shust
CAMERA: iPhone 17
LYRICS
The gates and doors were barred and all the windows fastened down.
I spent the night in sleeplessness; rose at every sound.
Half in hopeless sorrow and half in fear the day
Would find the soldiers breaking through to drag us all away.
Just before the sunrise I heard something at the wall.
The gate began to rattle and a voice began to call.
I hurried to the window and looked down into the street,
Expecting swords and torches and the sound of soldiers’ feet.
There was no one there but Mary, so I went down to let her in.
John stood there beside me as she told us where she’d been.
She said,
“They moved Him in the night and none of us knows where,
The stone’s been rolled away and now His body isn’t there.”
We both ran toward the garden, then John ran on ahead.
We found the stone and the empty tomb just the way that Mary said.
And the winding sheet they’d wrapped Him in was just an empty shell.
And how or where they’d taken Him was more than I could tell.
Well something strange had happened there but just what I didn’t know.
John believed a miracle but I just turned to go.
Circumstance and speculation couldn’t lift me very high,
‘cause I’d seen them crucify Him, and then I saw Him die.
Back inside the house again the guilt and anguish came.
Everything I’d promised Him just added to my shame.
When at last it came to choices I denied I knew His Name.
And even if He were alive, it wouldn’t be the same.
Suddenly the air was filled with a strange and sweet perfume.
Light that came from everywhere drove shadows from the room.
Jesus stood before me with His arms held open wide.
And I fell down on my knees and I just clung to Him and cried.
He raised me to my feet and as I looked into His eyes,
Love was shining out of Him like sunlight from the skies.
Guilt and my confusion disappeared in sweet release.
Every fear I’d ever had just melted into peace.
He’s alive! He’s alive!
He’s alive and I’m forgiven.
Heaven’s gates are open wide!
This classic anthem from 1977 tells the story of Jesus’ Resurrection from Simon Peter’s perspective. Beginning early on Sunday morning hidden in a secret room, we join Peter and John’s hopeful sprint to find the empty tomb. Peter navigates this mystery and the guilt of his own denial, until he comes face to face with the risen Lord, and experiences the wonder of Jesus’ forgiveness! I sang this song in church countless times as a child, and I'm thrilled to help keep it alive today!
SONGWRITER: Don Francisco
MUSICIANS:
Aaron Shust: Vocals
Nathan Nockels: Guitars, Bass, Piano, Vocals (John), Programming
Jonathan Dimmel: Drums and Percussion
Gideon Klein: Strings
Daniel Carson: Electric Guitars
Christy Nockels: Vocals (Mary and Gang Vocals)
Other Vocals: Daniel Shust, Annie Nockels
PRODUCTION: Nathan Nockels
MIXING: Ainslie Grosser
MASTERING: Mike Cervantes with The Foxboro
VIDEO PRODUCTION: Aaron Shust
VIDEO B-ROLL: Daniel Shust, Aaron Shust
CAMERA: iPhone 17
LYRICS
The gates and doors were barred and all the windows fastened down.
I spent the night in sleeplessness; rose at every sound.
Half in hopeless sorrow and half in fear the day
Would find the soldiers breaking through to drag us all away.
Just before the sunrise I heard something at the wall.
The gate began to rattle and a voice began to call.
I hurried to the window and looked down into the street,
Expecting swords and torches and the sound of soldiers’ feet.
There was no one there but Mary, so I went down to let her in.
John stood there beside me as she told us where she’d been.
She said,
“They moved Him in the night and none of us knows where,
The stone’s been rolled away and now His body isn’t there.”
We both ran toward the garden, then John ran on ahead.
We found the stone and the empty tomb just the way that Mary said.
And the winding sheet they’d wrapped Him in was just an empty shell.
And how or where they’d taken Him was more than I could tell.
Well something strange had happened there but just what I didn’t know.
John believed a miracle but I just turned to go.
Circumstance and speculation couldn’t lift me very high,
‘cause I’d seen them crucify Him, and then I saw Him die.
Back inside the house again the guilt and anguish came.
Everything I’d promised Him just added to my shame.
When at last it came to choices I denied I knew His Name.
And even if He were alive, it wouldn’t be the same.
Suddenly the air was filled with a strange and sweet perfume.
Light that came from everywhere drove shadows from the room.
Jesus stood before me with His arms held open wide.
And I fell down on my knees and I just clung to Him and cried.
He raised me to my feet and as I looked into His eyes,
Love was shining out of Him like sunlight from the skies.
Guilt and my confusion disappeared in sweet release.
Every fear I’d ever had just melted into peace.
He’s alive! He’s alive!
He’s alive and I’m forgiven.
Heaven’s gates are open wide!








![Shadow of Shaddai (Psalm 91) [Official Lyric Video]
Aaron Shust’s song Shadow of Shaddai (Psalm 91) is one of 10 Psalms on his 10th full-length album entitled Heaven + Earth.
https://slinky.to/HeavenAndEarth
STORY BEHIND THE SONG
This is the first song I began to write for my 2023 Psalms Project. There are few things I enjoy in music more than sitting down in front of a piano with my Bible open. That was how I began writing this beloved Psalm on a cold January morning in 2022.
The Hebrew word Shaddai is usually translated Almighty in English and may have its roots in the ancient Akkadian word for mountain. The image of a mountain is strong and immovable. Even so, the Bible says, the mountains melt like wax at the presence of the LORD. (Ps 97:5)
Therefore, El Shaddai, or God Almighty, could possibly mean God of the Mountain. According to Psalm 91, whoever dwells in the shelter of the Almighty God will rest in the protection of His shadow. Our Heavenly Father is all-together mighty. Everything else in creation bows to Him, no contest. Its in HIM that we place all our trust.
HEAVEN + EARTH ALBUM...
https://slinky.to/HeavenAndEarth
Lyrics: Aaron Shust + The 91st Psalmist
Music: Aaron Shust
Production + Instruments: Nathan Nockels
Ukulele: Gideon Klein
Mix: Nick Rad
Mastering: Bob Boyd
Video Editing: Yaakov Schwarz
LYRICS:
VERSE 1:
He who dwells in the shelter of The Most High
Will abide in the Shadow of Shaddai v1
PRE:
I will say of the LORD
He is my refuge, He is my fortress
I will say of ADONAI
He is my refuge, He is my fortress v2
CHORUS:
My God in whom I trust
My God in whom I trust v2
VERSE 2:
With His feathers He will cover me
Underneath His wings I will find my peace v4
BRIDGE:
So I won’t fear the terror in the nighttime
And I won’t fear the arrow that flies by day v5
For I will dwell in the shelter of the Most High v1
In the Shadow of Shaddai
In the Shadow of Shaddai v1
VERSE 3:
For You will give Your angels charge over me
In all my ways Your angels guard over me (x2) v11
LINKS
Artist Website: www.aaronshust.com
Visit Israel: www.landofzion.org
Social Media:
www.instagram.com/aaronshust
www.facebook.com/AaronShustOfficial Shadow of Shaddai (Psalm 91) [Official Lyric Video]](https://i.ytimg.com/vi/Y-vyZrAWxyM/mqdefault.jpg)

