Uploaded April 2014 | Updated September 2026, 1 day ago
This video is split into two styles - 1st half: 0:00 // 2nd half: 1:34
The full POV can be seen here: youtu.be/vyMOpS4v7bQ
Heretic is a coaster created by Kyle Sloane. This project takes inspiration from Speed Monster, an Intamin Rocket coaster found in TusenFryd, Norway. Heretic is full of detailed and exciting trackwork, delivered through a quaint village settled in a beautifully-crafted environment.
The first half of this video sets up an amateur recording style with loads of handheld takes shot on foot in the simulator. Hasty edits, zooms, crops, etc. litter the first half in a vibe-driven movement meant to capture the look and feel of the ride.
The second half goes a different direction by capturing the detail. The scenery, animations, trackwork, trees, grass, and light are all unfiltered and cut clean. In the moving shots, scripted cameras and targets were experimented with to provide some really interesting transitions and movements.
Unfortunately I was not able to completely take advantage of a fully automated fly-through track system, as the train-attached target object was glitchy and did not provide smooth footage. As a result, I had to mix handhelds with WASD-targets to try and recreate what I had envisioned.
MUSIC: Alpine - Lovers 1, Lovers 2
This video is split into two styles - 1st half: 0:00 // 2nd half: 1:34
The full POV can be seen here: youtu.be/vyMOpS4v7bQ
Heretic is a coaster created by Kyle Sloane. This project takes inspiration from Speed Monster, an Intamin Rocket coaster found in TusenFryd, Norway. Heretic is full of detailed and exciting trackwork, delivered through a quaint village settled in a beautifully-crafted environment.
The first half of this video sets up an amateur recording style with loads of handheld takes shot on foot in the simulator. Hasty edits, zooms, crops, etc. litter the first half in a vibe-driven movement meant to capture the look and feel of the ride.
The second half goes a different direction by capturing the detail. The scenery, animations, trackwork, trees, grass, and light are all unfiltered and cut clean. In the moving shots, scripted cameras and targets were experimented with to provide some really interesting transitions and movements.
Unfortunately I was not able to completely take advantage of a fully automated fly-through track system, as the train-attached target object was glitchy and did not provide smooth footage. As a result, I had to mix handhelds with WASD-targets to try and recreate what I had envisioned.
MUSIC: Alpine - Lovers 1, Lovers 2
