Uploaded September 2009 | Updated September 2026, 1 day ago
Thirteen heldentenors of the last hundred years sing Siegmund's tortured cry during the first act of Die Walküre:
Wälse! Wälse!
Wo ist dein Schwert?
Das starke Schwert,
das im Sturm ich schwänge,
bricht mir hervor aus der Brust,
was wütend das Herz noch hegt?
Your tenors are in chronological order:
1. Lauritz Melchior - Metropolitan Opera, 1940, c. Erich Leinsdorf
2. Max Lorenz - Berlin, 1941
3. Set Svanholm - Met 1954, c. Fritz Stiedry
4. Ramón Vinay - Covent Garden, 1957, c. Rudolf Kempe
5. Wolfgang Windgassen - Bayreuthe 1960, c. Rudolf Kempe
6. Mario del Monaco - Stuttgart 1966, c. Ferdinand Leitner
7. Jon Vickers - Salzburg Festival 1967, c. Herbert von Karajan
8. James King - Bayreuth 1969, c. Lorin Maazel
9. Jess Thomas - San Francisco Opera 1972, c. Otmar Suitner
10. Peter Hofmann - Bayreuth 1978, c. Pierre Boulez
11. Siegfried Jerusalem - Bayreuth 1983, c. Georg Solti
12. Plácido Domingo - Metropolitan Opera 1997, c. James Levine
13. Robert Dean Smith - Bayreuth 2001, c. Adam Fischer
And some theatrical magic brings us to the end of Act 1!
Thirteen heldentenors of the last hundred years sing Siegmund's tortured cry during the first act of Die Walküre:
Wälse! Wälse!
Wo ist dein Schwert?
Das starke Schwert,
das im Sturm ich schwänge,
bricht mir hervor aus der Brust,
was wütend das Herz noch hegt?
Your tenors are in chronological order:
1. Lauritz Melchior - Metropolitan Opera, 1940, c. Erich Leinsdorf
2. Max Lorenz - Berlin, 1941
3. Set Svanholm - Met 1954, c. Fritz Stiedry
4. Ramón Vinay - Covent Garden, 1957, c. Rudolf Kempe
5. Wolfgang Windgassen - Bayreuthe 1960, c. Rudolf Kempe
6. Mario del Monaco - Stuttgart 1966, c. Ferdinand Leitner
7. Jon Vickers - Salzburg Festival 1967, c. Herbert von Karajan
8. James King - Bayreuth 1969, c. Lorin Maazel
9. Jess Thomas - San Francisco Opera 1972, c. Otmar Suitner
10. Peter Hofmann - Bayreuth 1978, c. Pierre Boulez
11. Siegfried Jerusalem - Bayreuth 1983, c. Georg Solti
12. Plácido Domingo - Metropolitan Opera 1997, c. James Levine
13. Robert Dean Smith - Bayreuth 2001, c. Adam Fischer
And some theatrical magic brings us to the end of Act 1!
