Uploaded September 2020 | Updated September 2026, 1 week ago
Day 180 of the American Songbag Stay-at-Home Series
Frito/Lay used the chorus of this song as an ad jingle during my childhood. Now that I've heard to actual song and it's contents, it makes me mad the song was ruined in that way.
Grove's Dictionary of Music and Musicians (published by Oxford Press) claims the song was popular in Mexico before 1840.
Sandburg writes in 1927: "In the southwestern states on the Mexican border are a million or more citizens of the United States, having Latin, North American Indian, or Nordic mother tongues, who sing Cielito Lindo only in Spanish. The text and tune here are from Luis Morones of Chicago, in the version most familiar to him since birth and education in Mexico, and residence in border states."
Having abandoned trying to sing the Spanish lyrics mentioned above, I attempted my own translation/paraphrase.
Day 180 of the American Songbag Stay-at-Home Series
Frito/Lay used the chorus of this song as an ad jingle during my childhood. Now that I've heard to actual song and it's contents, it makes me mad the song was ruined in that way.
Grove's Dictionary of Music and Musicians (published by Oxford Press) claims the song was popular in Mexico before 1840.
Sandburg writes in 1927: "In the southwestern states on the Mexican border are a million or more citizens of the United States, having Latin, North American Indian, or Nordic mother tongues, who sing Cielito Lindo only in Spanish. The text and tune here are from Luis Morones of Chicago, in the version most familiar to him since birth and education in Mexico, and residence in border states."
Having abandoned trying to sing the Spanish lyrics mentioned above, I attempted my own translation/paraphrase.
![Standing on the Walls of Zion
Day 305 of the American Songbag Stay-at-Home Series
First published in Carl Sandburgs 1927 The American Songbag.
Sandburg writes: The barber shop harmonizers of midwest towns used to make up their own melodies and then mix in the words. In Galesburg [Sandburgs birthplace], boys from the Q. railroad shops, from Colton’s foundry and the Purington brickyards, would meet in front of Brown’s hotel or the Union hotel, practice with their voices as they strolled off Main Street, and then make the rounds of the ice-cream “sociables” held by various churches on a summer evening.
Some boys would find the girls they were looking for. Others stayed with the bunch and sang. One of the favorite pieces, about the time of the Chicago anarchist case [The Haymarket Square Incident, May 4, 1886], was this white man’s spiritual. Standing on the Walls of Zion](https://i.ytimg.com/vi/bLuC7v2kGdo/mqdefault.jpg)
![Capn I Believe
Day 224 of the American Songbag Stay-at-Home Series
Sandburg writes: When Tubman K. Hedrick, poet and philosopher, was a water boy on a building construction job in a Texas town, he heard blacks, going up a ladder with hods [a builders V-shaped open trough of mortar on a pole, used for carrying bricks and building supplies], chanting Capn, I believe to the bricklayers above who replied as our text indicates. It reminds us of one Pat who told one Mike, ”All I do is carry the bricks up the ladder the man on top does all the work.
Sandburg is the only reference listed in The Traditional Ballad Index. Capn I Believe](https://i.ytimg.com/vi/bdsZxan7L6Q/mqdefault.jpg)








