Uploaded April 2023 | Updated September 2026, 8 hours ago
Harry Belafonte (born Harold George Bellanfanti Jr.; March 1, 1927 – April 25, 2023) was a Jamaican-American singer, actor and activist, who popularized calypso music with international audiences in the 1950s. His breakthrough album Calypso (1956) was the first million-selling LP by a single artist.
Belafonte was best known for his recordings of "Day-O (The Banana Boat Song)", "Jump in the Line (Shake, Senora)", "Jamaica Farewell", and "Mary's Boy Child". He recorded and performed in many genres, including blues, folk, gospel, show tunes, and American standards. He also starred in films such as Carmen Jones (1954), Island in the Sun (1957), and Odds Against Tomorrow (1959).
Belafonte considered the actor, singer, and activist Paul Robeson a mentor, and he was a close confidant of Martin Luther King Jr. during the Civil Rights Movement of the 1950s and 1960s. He was a vocal critic of the policies of the George W. Bush and Donald Trump administrations. Belafonte acted as the American Civil Liberties Union celebrity ambassador for juvenile justice issues.
Belafonte won three Grammy Awards (including a Grammy Lifetime Achievement Award), an Emmy Award,and a Tony Award. In 1989, he received the Kennedy Center Honors. He was awarded the National Medal of Arts in 1994. In 2014, he received the Jean Hersholt Humanitarian Award at the Academy's 6th Annual Governors Awards and in 2022 was inducted into the Rock and Roll Hall of Fame in the Early Influence category.
Harry Belafonte (born Harold George Bellanfanti Jr.; March 1, 1927 – April 25, 2023) was a Jamaican-American singer, actor and activist, who popularized calypso music with international audiences in the 1950s. His breakthrough album Calypso (1956) was the first million-selling LP by a single artist.
Belafonte was best known for his recordings of "Day-O (The Banana Boat Song)", "Jump in the Line (Shake, Senora)", "Jamaica Farewell", and "Mary's Boy Child". He recorded and performed in many genres, including blues, folk, gospel, show tunes, and American standards. He also starred in films such as Carmen Jones (1954), Island in the Sun (1957), and Odds Against Tomorrow (1959).
Belafonte considered the actor, singer, and activist Paul Robeson a mentor, and he was a close confidant of Martin Luther King Jr. during the Civil Rights Movement of the 1950s and 1960s. He was a vocal critic of the policies of the George W. Bush and Donald Trump administrations. Belafonte acted as the American Civil Liberties Union celebrity ambassador for juvenile justice issues.
Belafonte won three Grammy Awards (including a Grammy Lifetime Achievement Award), an Emmy Award,and a Tony Award. In 1989, he received the Kennedy Center Honors. He was awarded the National Medal of Arts in 1994. In 2014, he received the Jean Hersholt Humanitarian Award at the Academy's 6th Annual Governors Awards and in 2022 was inducted into the Rock and Roll Hall of Fame in the Early Influence category.

![Jackie Gleason on his many characters
John Herbert Gleason (February 26, 1916 – June 24, 1987) was an American actor, comedian, writer, and composer known affectionately as The Great One.[1][2][3] Developing a style and characters from growing up in Brooklyn, New York, he was known for his brash visual and verbal comedy, exemplified by his city-bus-driver character Ralph Kramden in the television series The Honeymooners. He also developed The Jackie Gleason Show, which maintained high ratings from the mid-1950s through 1970. After originating in New York City, videotaping moved to Miami Beach, Florida, in 1964 after Gleason took up permanent residence there.
Among his notable film roles were Minnesota Fats in 1961s The Hustler (co-starring with Paul Newman) and Buford T. Justice in the Smokey and the Bandit series from 1977 to 1983 (co-starring Burt Reynolds).
Gleason enjoyed a prominent secondary music career during the 1950s and 1960s, producing a series of best-selling mood music albums. His first album, Music for Lovers Only, still holds the record for the longest stay on the Billboard Top Ten Charts (153 weeks), and his first 10 albums sold over a million copies each.[4] His output spans some 20-plus singles, nearly 60 long-playing record albums, and over 40 CDs. Jackie Gleason on his many characters](https://i.ytimg.com/vi/Bu2smhl_74o/mqdefault.jpg)


![Catherine Deneuve on being chosen as the model for Marianne simple of French Republic
Catherine Fabienne Dorléac (born 22 October 1943), known professionally as Catherine Deneuve (UK: /dəˈnɜːv/,[1] US: /dəˈnʊv/,[2] French: [katʁin dənœv] ), is a French actress. She is considered one of the greatest European actresses on film. In 2020, The New York Times ranked her as one of the greatest actors of the 21st century.
Deneuve made her screen debut in 1957 at age 13, in a film shot the previous year when she was only 12. A major figure of the New Wave, she became, like Brigitte Bardot and Alain Delon, one of the best-known French artists in the world.[5][6] In a career spanning nearly 70 years, she has played more than a hundred roles and is recognized in France and internationally for being one of the key faces of the musical film genre with appearances in The Umbrellas of Cherbourg, The Young Girls of Rochefort, Donkey Skin, 8 Women and The Beloved. Early in her career, she gained acclaim for her portrayals of aloof and mysterious beauties for well-known directors, including Luis Buñuel, François Truffaut, Jacques Demy, Roman Polanski, and Agnès Varda.[7] She played in films attracting a total of nearly 99 million spectators in theaters, making her the working actress with the most admissions in France.
In 1985, she succeeded Mireille Mathieu as the official face of Marianne, Frances national symbol of liberty. Catherine Deneuve on being chosen as the model for Marianne simple of French Republic](https://i.ytimg.com/vi/C__N2a7TiiM/mqdefault.jpg)


![Leslie Caron on working with Gene Kelly on An American in Paris
An American in Paris is a 1951 American musical romantic comedy film inspired by the 1928 orchestral composition An American in Paris by George Gershwin. Starring Gene Kelly, Leslie Caron (her film debut), Oscar Levant, Georges Guétary, and Nina Foch, the film is set in Paris, and was directed by Vincente Minnelli from a script by Alan Jay Lerner. The music is by George Gershwin, with lyrics by his brother Ira, with additional music by Johnny Green, and Saul Chaplin, the music directors.
The story of the film is interspersed with dance numbers choreographed by Gene Kelly and set to Gershwins music. MGM executive Arthur Freed bought the Gershwin musical catalog from Georges brother Ira in the late 1940s, since George died in 1937. Some of the tunes in this catalog were included in the movie, such as I Got Rhythm and Love Is Here to Stay.[4] Other songs in the movie include Ill Build A Stairway to Paradise and S Wonderful. The climax of the film is The American in Paris ballet, a 17-minute dialogue-free dance featuring Kelly and Caron set to Gershwins An American in Paris. The ballet sequence cost almost half a million dollars to shoot. It was filmed on 44 sets in MGMs back lot.[4] According to Leslie Caron in a 2009 interview on Paul OGradys interview show, the film ran into controversy with the Hays Office over part of her dance sequence with a chair; the censor viewing the scene called it sexually provocative, which surprised Caron, who answered What can you do with a chair? Leslie Caron on working with Gene Kelly on An American in Paris](https://i.ytimg.com/vi/DYe1VVD0R3o/mqdefault.jpg)


![Bo Diddly on the Gimmick of his Greatness
Ellas Otha Bates (December 30, 1928 – June 2, 2008), known professionally as Bo Diddley, was an American guitarist and singer who played a key role in the transition from the blues to rock and roll. He influenced many artists, including Buddy Holly,[3] Elvis Presley,[4] the Beatles, the Rolling Stones,[5] the Animals, George Thorogood, Syd Barrett,[6] and the Clash.[7]
His use of African rhythms and a signature beat, a simple five-accent hambone rhythm, is a cornerstone of hip hop, rock, and pop music.[ In recognition of his achievements, he was inducted into the Rock and Roll Hall of Fame in 1987, the Blues Hall of Fame in 2003, and the Rhythm and Blues Music Hall of Fame in 2017. He received a Lifetime Achievement Award from the Rhythm and Blues Foundation and the Grammy Lifetime Achievement Award. Diddley is also recognized for his technical innovations, including his use of tremolo and reverb effects to enhance the sound of his distinctive rectangular-shaped guitars.[13][14]
Bo Diddley was born in McComb, Mississippi,[nb 1] as Ellas Otha Bates (also stated as Otha Ellas Bates or Elias Otha Bates).[16] He was the only child of Ethel Wilson, a sharecroppers teenaged daughter, and Eugene Bates,[17] whom he never knew. Wilson was only sixteen, and being unable to support a family, she gave her cousin, Gussie McDaniel,[18] permission to raise her son.[15] McDaniel eventually adopted him, and he assumed her surname.[19] Diddley denied ever having the name Otha in a 2001 interview, saying I dont know where they got that Otha from,[20] but his website, maintained by his estate, confirms it as his middle name. Bo Diddly on the Gimmick of his Greatness](https://i.ytimg.com/vi/Drr1CwBvhvw/mqdefault.jpg)