Uploaded March 2011 | Updated September 2026, 2 weeks ago
Hanna was filmed on location in Europe and Morocco and features beautiful cinematography and incredible vistas of mountainous, snowy landscapes. Against the backdrop of action and adventure, the film features a brilliant score by the talented and critically acclaimed electronic duo, The Chemical Brothers.
Providing further proof that Joe Wright's latest effort will completely new territory for him, First Showing have the scoop from the New York Comic Con that big beat electroheads The Chemical Brothers will be providing the music for Hanna.
Wright, who's hit rather more classical notes in the past with Atonement and Pride and Prejudice, confirmed that Hanna would be moving to "a more modern beat", and that the "brothers" Tom Rowlands and Ed Simons were the natural choice. Wright has known them since the early 90s, when he used to help them with lighting and projection at raves. Ahh, them was the days.
Twenty years into their career, The Chemical Brothers still play to audiences of thousands, but this will be the first time they've written music specifically for a movie. Their involvement with Hanna continues a recent trend of big names moonlighting on film scores, following Trent Reznor's work on The Social Network and Daft Punk's involvement with Tron: Legacy.
Starring Saoirse Ronan (Lovely Bones, Atonement), sixteen-year-old Hanna has been raised by her father Erik (Eric Bana), an ex-CIA man, to be the perfect assassin. She has lived alone with her widower father in the wilds of North Finland all of her life, learning to hunt and defend herself, and has been home-schooled using only an encyclopedia and a book of fairy tales. When she is separated from her father, Hanna must embark on a deadly mission across Europe and escape the clutches of ruthless intelligent agent Marissa (Cate Blanchett) and her operatives.
As been told it's a bit Nikita, a bit Bourne, a bit Alias and a bit Kick-Ass. Hopefully it's a bit something of its own too, and with Wright at the helm, we've every confidence.
The soundtrack to the film is exclusively available on iTunes. It features an impressive 20 original tracks by The Chemical Brothers, including both of the haunting and electronic tunes that you can hear in the trailer.
Hanna was filmed on location in Europe and Morocco and features beautiful cinematography and incredible vistas of mountainous, snowy landscapes. Against the backdrop of action and adventure, the film features a brilliant score by the talented and critically acclaimed electronic duo, The Chemical Brothers.
Providing further proof that Joe Wright's latest effort will completely new territory for him, First Showing have the scoop from the New York Comic Con that big beat electroheads The Chemical Brothers will be providing the music for Hanna.
Wright, who's hit rather more classical notes in the past with Atonement and Pride and Prejudice, confirmed that Hanna would be moving to "a more modern beat", and that the "brothers" Tom Rowlands and Ed Simons were the natural choice. Wright has known them since the early 90s, when he used to help them with lighting and projection at raves. Ahh, them was the days.
Twenty years into their career, The Chemical Brothers still play to audiences of thousands, but this will be the first time they've written music specifically for a movie. Their involvement with Hanna continues a recent trend of big names moonlighting on film scores, following Trent Reznor's work on The Social Network and Daft Punk's involvement with Tron: Legacy.
Starring Saoirse Ronan (Lovely Bones, Atonement), sixteen-year-old Hanna has been raised by her father Erik (Eric Bana), an ex-CIA man, to be the perfect assassin. She has lived alone with her widower father in the wilds of North Finland all of her life, learning to hunt and defend herself, and has been home-schooled using only an encyclopedia and a book of fairy tales. When she is separated from her father, Hanna must embark on a deadly mission across Europe and escape the clutches of ruthless intelligent agent Marissa (Cate Blanchett) and her operatives.
As been told it's a bit Nikita, a bit Bourne, a bit Alias and a bit Kick-Ass. Hopefully it's a bit something of its own too, and with Wright at the helm, we've every confidence.
The soundtrack to the film is exclusively available on iTunes. It features an impressive 20 original tracks by The Chemical Brothers, including both of the haunting and electronic tunes that you can hear in the trailer.






![WHOLE WIDE WORLD (1996) - Hans Zimmer & Harry Gregson-Williams - Soundtrack Suite
Hans Zimmers credit may headline The Whole Wide World, but in truth the score was written by up-and-coming composer Harry Gregson-Williams, who later proclaimed Hans didnt write any music for [this movie]. In fact, he heard my score for the first time at the premiere. Zimmers fingerprints are nevertheless smeared all over The Whole Wide World bass-heavy synthesizers and bombastic arrangements are just two of his signature moves borrowed wholesale by Gregson-Williams, who also dabbles in a series of melodic contexts spanning from lush romance to epic action to Latin-inspired dance.
When a young man points to the horizon and crows to his date that he ordered up a magnificent sunset just for her, you know you are not in the 1990s but back in some innocent long-ago, eons before the Weather Channel turned climatology into couch-potato entertainment. The Whole Wide World, which includes more than one such florid declaration, is set in the mid-1930s, in West Texas, to be precise.
The character doing the ordering is Robert E. Howard (Vincent DOnofrio), the pulp fiction writer best known for creating Conan the Barbarian. His companion is Novalyne Price (Renee Zellweger), whose 1985 memoir, One Who Walked Alone, from which the film was adapted, remembers her stormy friendship with Robert, who died by his own hand at the age of 30.
Wonderfully acted by Mr. DOnofrio and Ms. Zellweger, the movie, directed by Dan Ireland, is a deep, gently touching study of the relationship between two strong-willed individuals with big dreams and plenty of open sky under which to call them up. Novalyne, an aspiring writer, is a salty, down-to-earth young schoolteacher with a restless heart who knows how to stand up for herself. Ms. Zellweger, memorable in in Jerry Maguire, gives the character a blunt, twangy authenticity.
Robert is a self-absorbed fantasist whose lurid adventure yarns are his escape from a world in which he doesnt fit. Inside the drab rural farmhouse where he lives with his ailing mother and incommunicative father, he conjures up a make-believe life of heroic derring-do and erotic adventure that shocks Novalynes puritanical sensibility.
The movie follows a volatile relationship that involves dates for movies like The 20th Century and that reaches its peak in an impulsive and dramatic kiss on a windswept bluff. The relationship begins to dissolve after Robert announces with characteristic grandiosity that he is not the sort of man to be tied down, and Novalyne, quite sensibly, draws back and begins dating someone else.
Where films about writers tend to shy away from examining the creative process, The Whole Wide World finds comedy in Roberts intense involvement with the typewriter. The first time Novalyne visits him at his home, she hears him from afar excitedly bellowing the words he is committing to paper. Scenes like these evoke the adrenaline rush that every writer feels during a creative streak when words and images are clicking into sentences and paragraphs. But the difference between almost every other writer and Robert is in the degree of his passion. Instead of finding a comfortable energy level and flowing with it, he becomes maniacally carried away.
The movies view of this disturbed young author finds just the right balance between affection and pity, admiration and criticism. Robert is a mamas boy under the spell of a seductive, sickly mother (Ann Wedgeworth) who is slowly wasting away from an unidentified illness. His slavish devotion, at once selfless and neurotically dependent, exacts a steep psychological price, and he is prone to violent tantrums. In the films most unsettling scene, he becomes so enraged when his car wont start that he grabs a knife, rushes into a cornfield and furiously slashes away at everything in sight.
But in Mr. DOnofrios finely shaded performance, Robert is as much a charmer as he is a problem child. He has a winning streak of gallantry, and his enthusiasm and mental energy can be dazzling.
The Whole Wide World focuses so intently on Novalyne and Roberts friendship that it pays only cursory attention to the world around them. The other people in their lives are shadowy fringe figures. For all the characters tumult, the emotional journey that the movie follows feels somewhat flat. When, at the very end, the tone of the film turns stickily sentimental, you can feel the movie awkwardly trying to sum itself up with a grand gesture.
But how many movies have you seen lately that portray a complicated relationship between intelligent young adults exchanging thoughts about life and art who really listen to each other? The Whole Wide World does exactly that, and its no mean feat. WHOLE WIDE WORLD (1996) - Hans Zimmer & Harry Gregson-Williams - Soundtrack Suite](https://i.ytimg.com/vi/vEtywcQGeXo/mqdefault.jpg)



