Uploaded April 2012 | Updated September 2026, 1 day ago
George Frideric Handel The Organ Concerto Op.4 No.5 in F Major
The Handel organ concertos Op 4, HWV 289--294, refer to the six organ concertos for chamber organ and orchestra composed by George Frideric Handel in London between 1735 and 1736 and published in 1738 by the printing company of John Walsh. Written as interludes in performances of oratorios in Covent Garden, they were the first works of their kind for this combination of instruments and served as a model for later composers.
" My sister gave you an account of Mr. Handel's playing here for three hours together: I did wish for you, for no entertainment in music could exceed it, except his playing on the organ in Esther, where he performs a part in two concertos, that are the finest thing that I ever heard in my life. "
—Mrs. Pendarves, 15th March, 1735
" When Handel first came to Italy ... he became known to Domenico Scarlatti. As he was an exquisite player on the harpsichord, the Cardinal [Ottoboni] was determined to bring him and Handel together for a trial of skill ... It has been said that some gave the preference to Scarlatti. However, when they came to the Organ there was not the least pretence for doubting to which of them it belonged ... Handel had an uncommon brilliancy and command of finger; but what distinguished him from all other players who possessed these same qualities, was that amazing fullness, force and energy, which he joined with them. And this observation may be applied with as much justice to his compositions as to his playing. "
293 Op.4 No.5 F major 1735 26 March 1735 1738 Larghetto - Allegro - Alla Siciliana - Presto Performed with revival of "Deborah" (HWV 51). HWV 293
George Frideric Handel The Organ Concerto Op.4 No.5 in F Major
The Handel organ concertos Op 4, HWV 289--294, refer to the six organ concertos for chamber organ and orchestra composed by George Frideric Handel in London between 1735 and 1736 and published in 1738 by the printing company of John Walsh. Written as interludes in performances of oratorios in Covent Garden, they were the first works of their kind for this combination of instruments and served as a model for later composers.
" My sister gave you an account of Mr. Handel's playing here for three hours together: I did wish for you, for no entertainment in music could exceed it, except his playing on the organ in Esther, where he performs a part in two concertos, that are the finest thing that I ever heard in my life. "
—Mrs. Pendarves, 15th March, 1735
" When Handel first came to Italy ... he became known to Domenico Scarlatti. As he was an exquisite player on the harpsichord, the Cardinal [Ottoboni] was determined to bring him and Handel together for a trial of skill ... It has been said that some gave the preference to Scarlatti. However, when they came to the Organ there was not the least pretence for doubting to which of them it belonged ... Handel had an uncommon brilliancy and command of finger; but what distinguished him from all other players who possessed these same qualities, was that amazing fullness, force and energy, which he joined with them. And this observation may be applied with as much justice to his compositions as to his playing. "
293 Op.4 No.5 F major 1735 26 March 1735 1738 Larghetto - Allegro - Alla Siciliana - Presto Performed with revival of "Deborah" (HWV 51). HWV 293
